Rocordings are done using the following:
CONSOLE & MONITORS:
1974 MCI JH-416B,
Yamaha NS-10's,
Mackie HR624's.
RECORDERS:
Sony/MCI JH-24 24 track 2" tape machine,
Ampex AG-440B 2 track 1/4" mix down deck,
Ampex ATR700 2 trk 1/4" tape machine,
Digidesign Pro Tools.
OUTBOARD PREAMPS:
EMI/Chandler TG-2,
API 512c,
Brent Averill API's,
A-Designs Reddi,
Ampex 601 tube pre.
DYNAMICS:
Emperical Labs Distressor,
Spectra Sonics 610 compresor,
Urei LA-4,
Pro VLA stereo tube comp/limiter,
Analogman Comprosser.
MICROPHONES:
Soundelux U195,
AEA R84 ribbon,
AKG D12e,
AKG D112
AKG 451e sdc pair,
Sennheiser MD421 (60's),
Sennheiser MD409 (60's),
Shure Beta57,
Beyer M500 ribbon (60's),
Beyer M260 ribbon (60's),
Beyer M55 omni's pair (60's),
Shure sm57 (x2),
Shure sm58 (x2),
Electro Voice 635a (60's),
Shure Bullet,
other weirdos.
EFFECTS:
Quad Eight 333 Equalizers (70's)
Eventide H949 delay,
Lexicon PCM60 Reverb,
Lexicon PCM41 Delay,
Roland SDD1000 delay,
Guild labeled Binson Echorec 2,
Roland Space Echo RE201,
Echoplex EP-1,
Maxon AD900 analog delay,
Morley EVO-1 oil can delay (70's),
Orban stereo 111b reverb,
Biamp spring reverb,
Soundworkshop stereo spring reverb,
Tapco 4400 reverberation system,
Fender tube Reverb Unit (65'),
Sam Ash Fuzz Boxx (60's),
Morley Rotating Synth (70,'s),
Morley Electrostatic Delay Line (70's),
Klon Centaur,
Aphex Aurel Exciter,
Fuzz Face,
Fulltone Fulldrive II,
ZVex Wooly Mammoth,
...and maybe some other things.
KEYBOARDS:
1965 Hammond B3 (chopped),
Leslie 122 rotating speaker cabinet,
1973 Rhodes 73 electric Stage Piano,
Big black upright grand piano (yeah, a real one),
Wurlitzer 200a electric piano,
Solina/Arp Sting Ensemble,
Casio thing,
GUITARS:
1965 Gibson SG Standard,
1965 Gibson Firebird I non-reverse,
1960 Gibson ES-330tdc,
1964 Fender Jazzmaster,
1972 Fender Telecaster Deluxe,
1966 Fender Electric XII,
1988 Gibson 335 w/bigsby,
1975 Martin D28,
1976 Gibson J45,
2000 Martin Jumbo,
Gibson Thunderbird bass,
weirdo acoustics waiting for abuse.
AMPLIFIERS:
1967 Marshall JMP 50 watt Plexi,
1973 Marshall JMP 50 watt Tremolo,
1965 Vox Berkeley Super Reverb (the tube one),
1965 Fender tube Reverb unit,
1965 Fender Vibro Champ,
Ampeg GU-12 (60's),
1956 Silvertone 1x15 combo,
Harmony (60's),
Alamo (60's),
1969 Marshall 4x12 basketweave cabinet (straight),
1969 Marshall 4x12 basketweave cabinet (angled) ,
70's MusicMan 112 combo,
Ampeg SVT Classic,
Ampeg SVT 4x10 cabinet,
Ampeg SVT 1x15 cabinet,
Acoustic 370 (70's) bass amplifier,
Acoustic 2x15 cabinet.
PERCUSSION:
1967 all original Champagne sparkle Ludwig 22,16,13 (in near mint condition we might add),
50's Slingerland 22x12 bass drum,
Ludwig Black Beauty Snare 14x6.5,
Misc Zildjian and Paiste cymbals,
Everest Recorders in located on the border of Eagle Rock, Glassell Park, Atwater and Echo Park near Silverlake in Los Angeles California.
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