I am pleased to offer this limited edition release of 400 hand made, designed and numbered CDs on Audio Architecture, pre-empting the defined album release on Third Ear in February 2008.
'Having produced under different guises in the past the first Experimenter En Couleur release is born, truly pushing boundaries. These five tracks prove fine composition, an eloquent creation of sound, plus a freeness and experimental vigor appreciated by a broad spectrum of discerning listeners, from electronic to classical.' (Audio Architecture)
Signed and numbered, fifty limited prints by Experimenter En Couleur. The first image in a series of two, exploring the random nature of gene selection to form chance compositions, visual and aural.
Size: width 1700mm x height 1100mm
Composition H2 rows 9-16
click image to view detail
Signed and numbered, fifty limited prints by Experimenter En Couleur. The second image in a series of two, exploring the random nature of gene selection to form chance compositions, visual and aural.
Size: width 1700mm x height 1100mm
Keen to push the boundaries of sound and image and with strong interests in art, science and the natural world, my work takes many forms. Dependent on the piece, I make use of digital technology, colour and form analysis, microscopic organisms and scientific data to produce compositions that straddle music, image and sculpture.
The Digital Tea Party - Tent Digital / Tent London 2009
A dynamic installation of immersive media referring to the house of the future. It explores digital tracking and computer technology to control our local environment through interaction with lo-fi inanimate objects.
The Digital Tea Party evolves with the moving of the tea set, to control lighting,video and sound together. Visitors are directed to take a cup labeled 'fill me' and make a tea. The act of placing a cup on the table projects a wallpaper layer representing the cups pattern, starts a video sequence of a view through a window, initiates a sound and sets the ambient light. Pouring and drinking produces some surprise outcomes, whilst manipulation of crockery on the table allows users to tune their environment, dramatically shifting the colour, texture, sound and ambiance. Over time the environment develops from an ever changing and reacting new interior space until the cup labeled 'don't drink me' is used.
A self made synthesiser (ProjectC001) and adapted oscilloscope recorded as a test for the 'SeeSound' instrument.
Although this fails to represent form, colour and time accurately, it goes some way to representing pitch by the closeness of the verticals making part of the image lighter and so more akin to white and higher pitch. This is all very well, but a high note, for example in the right foreground, is shown as a lighter patch on the lower half of the screen and therefore wrongly positioned in the space that is the canvas. Texture of the sound is represented pretty well by the nature of the oscilloscope and wave shape but can be placed in inaccurate positions on the canvas.
For more info: http://www.audioarchitecture.co.uk/cprojects.htm & http://www.audioarchitecture.co.uk/writings_eec.htm
..Hey Experimenter En Couleur! If you happen to be in Los Angeles this December...
..The Nutcracker Electronique Goes LIVE in LA This Christmas!..
For the first time ever, The Santa Monica Contemporary Ballet and EarthWalk Dance Company will be presenting The Nutcracker Electronique live in Los Angeles December 18-21, 2008! ..
.."Sexy! Stunning!"..
..I've created three brand new tracks for the performance. One of them, Pas de Deux, is up on MySpace right now!..
THX 4R. Very interesting Chance operations you are creating! Please keep in touch all the best L. ____________________ ________________ _____________ ________ __ _ _ _
