I am NOT a real member of Extreme Noise Terror, nor do I have any affiliation with the band, I am merely a fan.
Extreme Noise Terror formed in January 1985, and at their first gig they were immediately signed up by Manic Ears Records. Their first release was a split album with Chaos UK, entitled 'Radioactive', firmly stamping their caustic arrival all over an unsuspecting music scene, mixing metallic aggression with punk attitude, leaving an indelible impact, helped in no small part by a barbaric double vocal attack. However, shortly after the release, the drumming stool
became vacant, and was consequently filled by one Mick Harris (ex-Napalm
Death, now of Scorn.)
1987 proved a significant year for the band, as Radio One DJ John Peel became interested in the noise E.N.T. were making, and, after seeing them perform live decided to offer them a session on his show. The resulting Peel Session was released by Strange Fruit as a mini-album, and was received so well that a second recording for the show was made. This one, however, was never released. Drummer Harris then departed to be replaced by Stick, and a few weeks after his arrival Extreme Noise Terror recorded their first full album, the aptly titled 'A Holocaust In Your Head', on Hurt Records. A full headline tour of Europe and Japan ensued as the band spread their special brand of mayhem further afield.
E.N.T. were then asked to record yet another Peel Session, their third, which was released along with the debut session as a full length album. After a successful European tour, they released an album for Vinyl Japan entitled 'Phonophobia', and visited Japan for the second time to coincide with the release. Once again, the band found support from John Peel, and it was on his show that Bill Drummond of The KLF became impressed by the band. The two acts got in contact and Drummond asked them to re-record a version of The KLF's '3am Eternal' and to appear on the Christmas Day Top of the Pops, playing live. Despite the song being recorded, the BBC decided that E.N.T.'s version was not suitable to be screened on daytime television. Consequently it was banned, and in retaliation The KLF boycotted the show.
Eventually, the song did see the light of day on a limited edition single, and won 'Single of the Week' in the NME and the Melody Maker. The two bands were then asked to perform live at the 1992 Brit Awards, and E.N.T made national newspaper headlines when they fired blanks from a machine gun at the unsuspecting audience and caused chaos at the after show party. The KLF and E.N.T. then recorded an album of new material together titled 'The Black Room', but on its completion the album was withdrawn as The KLF announced their retirement from the music world, and the deletion of all their past material.
Extreme Noise Terror went on touring throughout 1993, and by 1994 there had been several line up changes original drummer Pig Killer returning, and the bass position taken on by Lee Barrett (also of Disgust), and a lead guitarist, Ali, also swelling the ranks. This latest incarnation signed to Earache in June 1994, and re-recorded their old classic material with the new guys under the title of 'Retro-bution', released in January '95. A short UK tour was followed by European and American tours, after which Pig Killer left the band. A replacement was found in the form of Was, who originally played in the early Cradle of Filth line up. However, the line up changes continued with the shock announcement that long time vocal duelist Phil Vane was joining Napalm Death, after their split with Mark 'Barney' Greenway.
The shocks didn't stop there, as Barney promptly stepped into Phil's shoes and recorded the brand new 'Damage 381' album, a record as harsh as any of the previous releases, but benefiting from the undoubted know-how of producer Colin Richardson. Almost unbelievably, Barney then returned to the Napalm fold, leaving the band temporarily without the duel throat attack they became recognised for. The final piece in the amazing turnaround was completed with Vane's re-instatement into the ENT ranks.
OUT NOW on Idiosyncratics Records : Phil Maggi - Blue Fields in Paramount CD
..Blue Fields in Paramount is a very personal and fascinating opus, a beautiful introduction to the style of this talented artist, that could be qualified as 'dark psychedelia for daydream believers'. It has been mastered by James Plotkin (Khlyst, Khanate, Old, Phantom) and is out now as a stricly limited to 300 copies ekopack edition with a fantastic artwork by czech artist Jan Karpisek...
OUT NOW FOR BLDCLOT ( Bulgaria ) A VERY SPECIAL REISSUE OF ALL STRAIGHT OPPOSITION DISCOGRAPHY CALLED " 20 STEPS ON MEDIOCRACY ", STARTING FROM THE FIRST PROMO ( d.i.y 2004 ) TO THE LAST EP "GATHERED AGAINST MEDIOCRACY"( Indelirium Records 2008 ) , FOR A TOTAL OF 20 TRACKS FROM THE PESCARA HARDCORE BAND !
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Hi there!!!, just heard your project and its great and just want to let you know that MUTILADOR 7 is out now, written in spanish with more than 100 pages in pdf format with sound in every interview...
VIOLENT HEADACHE / NECROMORPH - split CD VIOLENT HEADACHE, Grindcore institution from Xpain is back and gives us 15 new, harsh and intense studio recorded punches of old school grindcore mixed with dirty crust tunes in the vein of early Napalm Death.
NECROMORPH from Germoney presents 17 fucking hard scandinavian styled grindcore trax with influeces of crust and death metal. Their stuff was mastered by Pluto (Haemorrhage..) Get 40 minutes pure massacre !
Mind Your Ps and Qs (Poetry & Quotes), G.L. Giles' fifth book, was just released~~~here's a brief synopsis:
There has been frequent debate about what "Mind Your Ps and Qs" really means. It has come to mean a lot to G.L. Giles over the years as minding her own Ps and Qs, not the dogma of stale thought, became what is truly important to her. So, she's come up with her own definition of "Ps and Qs" (meaning "Poetry and Quotes"). Specifically, her own poetry and quotes which she hopes will empower others as they have her. In addition, she's included a short story entitled "Stripper Witch," and an article entitled "More Marketing Advice" which will hopefully benefit not only non-traditionally published authors but those traditionally published as well.