SCOUT NIBLETT (Intense Eruptive Folk-Rock, sur Drag City/Too Pure Records ; GB/USA) + SLASHERS (Stoner Noisy Rock, avec Agathe Max et Marion Overmars/abronZius ; Lyon) + RAYMONDE HOWARD (Minimal Folk-Pop Grrrl ; Saint-Etienne) + FAMILY UNDERGROUND (Experimental Psych Drone ; Danemark)
20 Heures 7 Euros
GRRRND ZERO VAISE 69, Rue Gorge de Loup 69009 Lyon
Recorded: live on March 16, 2003 at the Beta Lounge in San Francisco
In 1967, San Francisco’s Fifty Foot Hose were certainly one of the
innovators of a sound that took Psychedelia to new heights and was
captured on the band’s one record, Cauldron. They are a totally
unique hybrid—on one hand pulsating bay area acid rock, on the other,
fractured electronic freakery, becoming one whole cohesive being. The
sci-fi-ish video game-like artwork hinted at the sounds within, as did
the Limelight label’s pedigree for truly progressive sounds. Band
leader, Cork Marcheschi, used homemade electronic devices to create
crude and experimental soundscapes and instrumental compositions that
were sprinkled throughout the album.
Often starting shows with a swelling rumble that exploded into the
first song, they soon developed a rabid following on the SF scene,
though there was the occasional totally wrong gig, like when a
very-pregnant Nancy had to perform at a Catholic Girls’ school! Still,
the group wowed the crowds, performing with greats like Chuck Berry and
Fairport Convention.
This is the first set from the slightly tweaked Beach Fuzz line-up with Fliss Horrocks now playing guitar alongside Tom Settle and Nick Mitchell. Seven tracks of clattering drums, chugging and wailing guitars, screaming keyboards, mellow, lilting pastoral improv and moaned vocals.
Pay by Paypal to goldenlabrecordings@hotmail.co.uk
Recorded at The Bowling Green pub in Manchester on 17th November 2008, when Bridget was on tour with Marcia Bassett, this is a maximal 25-minute set of epic guitar brutalising and deep, moaned vocal incantations. Employing a bow and 'metal' effects pedals, the resulting cacophony is orchestral in scope, rendering almost unreliable the memory of one woman and her instrument. Somewhat akin to Bassett's duo with Matthew Bower, Hototogisu, the deeply layered tones created by Hayden offer, upon first exposure, a somewhat icy auditory experience, but as the recording settles in, the richness and sheer breadth of sound wraps around you like a feather quilt and shifts your perception almost 180 degrees. A truly magnificent set from this former Vibracathedral Orchestra member.
Limited to 80 copies with sleeves printed on recycled paper using soya based ink
Pay by Paypal to goldenlabrecordings@hotmail.co.uk
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