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Photo of Fernando Medina, Pro Drummer

Fernando Medina, Pro Drummer

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Released: Aug 24, 2005
Label:

General Info

  • Genre: Experimental / Progressive / Rock

    Location Orlando, FL, Un

    Profile Views: 42934

    Last Login: 5/8/2012

    Member Since 8/24/2005

    Website http://www.myspace.com/fernandodrums

    Record Label Independent Artist

    Type of Label Unsigned

  • Bio

  • Members

  • Influences

  • Sounds Like

Instruments:

Drums, Percussion, Electronic Percussion.


Genres:

rock (indie, prog, alternative, punk), pop, folk, blues, reggae, funk, soul, r&b, trip-hop, drum n bass, neoclassical, experimental, instrumental, and top40 (in terms of cover gigs).


Teachers:

Bob Moses (Pat Metheny, Gary Burton), Ricaurte de Villareal (Danilo Perez), Thom Hannum and others.


Influences:

Stewart Copeland, Tony Allen (Fela Kuti), Neil Peart, Roy Haynes, JoJo Mayer and many others.


I’m a professional on the skins and make my way through life and the world armed with some rather tasty, left-of-center, kick-ass drumming…that and a wee-bit of guts. That’s been my life, pro and passion, for some 25 years now.


Recently (as of early March 2012) wrapped up playing live drums for a 5-night-per-week London indie musical "Songs from the American Motel" at the Leicester Square Theatre with London-based American singer-songwriter Ezra Axelrod.


A professional since 1995, I’ve shared the stage with such diverse acts as Jah Wobble (bassist for Johnny Rotten’s PIL), The Creatures and Eddie Money.


Tours?

The US and Europe with acts as distinct and contrasting as Christian Death and After The Crash.


Cover gigs?

Cover gigs? 5-star hotel contracts in Macau and Shenzhen, China.


Studio?

Many CD and demo credits with different groups and artists and even TV/Radio jingles in Chicago and Boston for such clients as VW and Ford.


Festivals?

South by Southwest (Austin, TX, USA), Panama Jazz Fest (Panama City, Panama), Leipzig, (Germany) etc.


Even snuck in a couple live soundtrack performances to the silent film, Nosferatu (F.W. Murnau, 1922) while living in Boston…weird.


The Boston Crusaders Drum & Bugle Corps was a truly fundamental early performing experience.


So, though I’ll never claim perfection, versatility and sensitivity are guaranteed.


By the way, no problems with reading charts and using click-track.


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