Peter Haubfleisch
Guest artists: Carlos Bermejo, Kevin Winiker, Simone Miranda, Darnell Perryman, Samuel Andrews, Peer Born, Christian Floeck, Dirk Grizan
discography at discogs
It all started in 1994 based on the idea to do some productions on my own in contrast to the club tracks I did with the djs. The only instance of quality should be me, no label, publisher or artist. In '96 the first track was released on german television br3 -Space Night Earthviews IV-
Five licences to this format, several tracks on hr3 -flowmotion-, -hessenbilder-, pro7-, vox-, arte- tv and several commentary backround music followed. Until '96 four lps, three maxi singles and about 50 tracks on combilations were released. Licenses to cinema, tv, score and broadcast are in constant use.
In retrospect to all productions I did under Fresh Moods so far, the songs are moods in tones I found no words for. Not to be misunderstood the sound has to be perfect and timeless. An idea is catched in three hours, the production needs about one to three weeks and sometimes it gets reworked after a couple of month. The lps are more extracts of a diary, than concept albums.
Thanks for all the feedback and grants,
Peter
press info about the last cd called "exhale":
Normally, the new longplayer by peter haubfleisch aka fresh moods would have fitted perfectly into the elektrolux anniversary year 2005. otherwise: the eleventh label year could not begin more promising… since fresh mood..s debut in 1996, his releases for elektrolux ("swerve" 2000, "love, death, angels" 2002) have influenced the aesthetics of the label considerably and, along the way, have shifted the horizon of modern chillout extensively towards freestyle, funk, offbeat, twostep house and elektro. this is continued consequently by his fourth album as well: "exhale" is a perfect symbiosis of a relaxed-romantical and often cineastic-athmospherical flood of images with concrete "headnodder" beats and thus demonstrates a clear down-to-earth feeling. a campfire blues guitar is floating over the beach ("solarcell") along with a slomo-hiphop-beat and a distortion downbeat shows its most enamoured facet ("for ever"). even deeply melancholic piano melodies do not have to do without a solid dopebeat ("so far"). featured by simone miranda..s vocals, fresh moods present their version of deep future jazz souls ("u gone") as well.
more music at iTunes or amazon
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Hi my friend, Here my new song "Unforgettable" hope you love... and don't forget Epsilon's World cannot exist without you so don't hesitate to leave comment if you like a lot :) Welcome to the Epsilon's World... Friendly Epsilon You can find my album here www.cykxincorp.com
Bonjour mon ami, Mon nouveau morceau "Unforgettable" j'espère te faire encore rever... et n'oubli jamais de soutenir ma musique en faisant un commentaire si tu aimes vraiment car le monde d'Epsilon ne peut exister sans toi:) Amicalement Epsilon tu peux acheter mon album ici www.cykxincorp.com
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
unsere neue EP ist auf Mole erschienen (siehe unten). Vielleicht hast Du die Tage mal Lust reinzuhören..
Viele Grüße, Daan
We are glad to let you know that our new EP « For The Sake Of Being Awake » has been released on MOLE LISTENING PEARLS.
It contains an exceptional future lounge mélange moving somewhere between jazz, rock, and house - something to explore! Again, besides our vocalist Jennifer Tessun, the voice of our guest vocalist from Denmark Soffie Viemose is featured on three of the tracks. A special musical experiment is provided through the cooperation with the German rock band Semuc, which led to the creation of a unique version of « Lucid Dreams », the title track of our previous EP « Lucid Dreaming EP » (2008, Parasol Phonotheque).
« For The Sake Of Being Awake » is available on iTunes, Amazon.com, TrackTracker.com, Beatport.com and many other stores..
Ground shattering first release on Doppelganger Records from Galaxian. 7 tracks of sublime electro inspiration. Dark atmospherics, menacing basslines and creeping grooves combine to make this a future classic.
I just want to stop by to thank you for the add. Its great to be here.... I love your music!!!! I first listened to you on Last.fm I have a playlist with several of your tracks....Music that makes me dream :) Thank you for that!!!! And keep that inspiration flowing. Peace and Love Carla
"The Touch (Enchant Mix)"....Spitze! Da läuft ein Film im Kopf von hellen Sandstränden, langsam im Wind wehenden Vorhängen und weißen Turntables auf edlen dunklen Hölzern.
