Pink Floyd, Todd Rundgren, ELP, Hawkwind, Kraftwerk, Peter Gabriel, David Bowie, Ronnie Montrose, Frank Zappa, Led Zeplin, The Who, Rush, David Byrne, Thomas Dolby, Richie Hawtin, Brian Eno, Depeche Mode, Chemical Brothers, Prodigy, Crystal Method, Daft Punk, Aphex Twin, Apparat, Monolake, Pole, Ricardo Villalobos, Ellen Alien, Magda, Sum-1, etc..
GeoSuPhat is the artist name of George P. Peterson. Co-founder with Tobias Peterson of Togeo Studios and its netbased record label Togeo Music. He was born and raised near the shores of Lake Michigan and its cold windy winters. Moved to Europe in the 90's and is currently living in Germany.
He started producing electronic music in 2002 and lately his music has been comprised mostly of electro, ambient, minimal techno and leans heavily towards experimental IDM styles.
All of GeoSuPhats albums listed below are available as free downloads on Jamendo under a Creative Commons license. You may download, share them with your freinds or enemies, remix, use them in a video, dice, slice, etc.....enjoy. Music should be heard.
Visit our website at Togeo Studios (use the Band website link over there on the left side) for loops, samples, VSTi presets, Ableton Live resources and more.
The album Probes by GeoSuPhat is an ambient scifi fantasy based around an alien visitation. Aliens send out mechanical probes around the universe searching for and studying other forms of life. Once they recieve a response of lifeforms, samples are taken and several of the inhabitants are taken on board the probes vehicle to be examined, studied, cataloged into the database and then stored. This of course is not always in the best interest of the abducted lifeform.
The album 'Raw Cutz' by George Peterson aka GeoSuPhat.
'Emptyness' is based on the original song 'Leer' by Mathias Klingner (Guitars, Bass)
'Slowly Realise g2' is a mixed effort between GeoSuPhat and Sum-1 (Tobias and George Peterson)
'Trox Rawness' is an extended remix of the track 'Trox Raw' originally released on the GeoSuPhat - Taking Out The Trash album.
A native Mayan living at the edge of the rain forest. His young child becomes deathly ill. The only treatment is in nektar made by bees which exsists deep within the forest. He heads off on a dark journey and stumbles across the remains of a temple built by his ancient ancestors. Dwelling inside are strange reptilian creatures in a secret city unlike anything seen by man, they do not wish to be exposed. But he must get out to save his son.
'Night Sessions' is a collection of nine tracks The theme of this release is based upon long over night sessions working on the computer. GeoSuPhat who was born in the USA and is now living in Europe has always retained somewhat his internal clock based on North American time. He works mostly on his compositions at night beause of this sort of long term jet lag, when others would normally be asleep.
Taking Out The Trash is a collection of ten tracks, all electronic titles crossing the genres of electro, idm, minimal industrial and techno. A highly experimental album offering many swings in the flow as it delivers a somewhat subtle insight into the influences behind the artist GeoSuPhat. At times there are gritty distorted rock and industrial overtones, while at other times delivering a very contrasting lightness to the mood.
'AP Colection V1-V4' is a compilation set of four albums by George Peterson AKA GeoSuPhat covering all of his earliest music during the period of 2001-2004. The actual production period goes back as far as 1997 and some of these tracks were released on ACIDplanet during the time period from 2001 up, but were no longer available after 2005.
The collection contains all tracks that GeoSuPhat produced prior to 2005, including demos that were not officially released. The only thing left out are home studio sessions recorded with a Fostex 4-track onto tape that are currently being looked at and evaluated. This release contains some 'very raw' mixes that never were fully realized or released and are being made available simply for archive purposes and source material.
Also contained within this set are most of the source tracks that were used in the 'Feel the Breeze' hour and fourty-six minute long mix session from 2005.
OLIVER KLEIN, JIM MASTERS, SIMI, DJ VIBE, 16 BIT LOLITAS, DUBFIRE, ERIC ENTRENA, RICHIE HAWTIN, LANK, TOM NOVY, KAROTTE, AUDIOJACK, PATRICK M, CARLO LIO, FABRIZIO MAURIZI, MARC ANTONA, MARCUS SCHULZ, DEAN FACER, TONY VERDY, AMO and NAVAS...
... the sky is clearing, tender sunrays strike one's skin again, the air is fresh and clean and sometimes one can even watch a rainbow.
This situation represents pretty much the musical atmosphere of Krama's second album: Mighty bass structures form a clean and solid foundation, on which sunny melodies swash out of trancy depths, accompanied by forcing rhythm structures. Since 2001, Dimitris Violitzis and Elias Garanis from Greece have constantly developed their very own definition of Power Progressive Trance.
The epic flow of their music is inspired by their musical background, which includes minimal Progressive Trance on the one hand but also classical and Celtic music, New Age sounds and even some Metal.
The intense effectiveness of Krama's tunes could already been witnessed on many different Progressive floors where the two dudes always delivered excellent shows.
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