"Explorer le passé en regardant vers l'avenir pour éviter de rester coincé dans le présent"
Une phrase de Andrew Weatherall qui résume presque à elle
seule Get The Curse. Nager à contre-courant pour toucher la où ça fait VRAIMENT mal, que ce soit en 1982 ou 2009.
Get The Curse, ça veut dire «prends la malédiction» et pas «va chercher les courses», ça veut dire intoxication totale et pas H&M du mp3.
Get The Curse, ce sont des patronymes un rien singuliers (Clement Meyer, Mikhail, Lelo J. Batista, Olibusta, & Ed), un sens très personnel de l'élégance et la maîtrise des plus obscurs codes de l'art de vivre jackin'.
Get The Curse c'est la punition plutôt que la justice, de la baston vaudou et du muscle and hate, mais c'est aussi et surtout de l'émotion pure livrée ten times faster than the speed of love, une Haçienda d'amour pour fugitifs et criminels, de celles qui se construisent aux tréfonds des plus ténébreuses warehouses et où résonnent les tracks maudits des late-night terreurs zombies, déversés sans remords sur une congregation désaxée lèvant les bras sur un rimshot druggy, les yeux fermés et les mâchoires serrées.
"Go to the past, but look to the future, don't get bogged down in the present" - Andrew Weatherall
A quote that pretty much sums up what Get The Curse is all about : swim against the stream to seek for REAL trouble, whether it comes from 1982 or 2009.
Get The Curse means facedown in filth and not zombie shopping, total sickness and not MP3 Wal-Mart.
Get The Curse is a decadent bunch of sassy Parisian sporting bizarre monikers (Clement Meyer, Mikhail, Lelo J. Batista, Olibusta et Ed) , a very personal sense of elegance and mastering the most obscure codes of a somewhat jackin' art-de-vivre.
Get The Curse is punishment rather than Justice, Get The Curse is voodoo fighting and Muscle & Hate, but it's also pure emotion delivered Ten Times Faster Than The Speed Of Love, an Hacienda of love for the unloved, a 24/7 hi-standard restroom for house criminals and electro fugitives, a place built in the inmost depths of the darkest warehouse, where late-night terror tracks reverberate on sweaty walls, bouncing on a congregation of misfits, raising arms for a druggy rimshot, eyes closed and jaws locked tight.
In less than one year, Get The Curse has become one of the reference websites about electronic music in France (with a huge following growing all over Europe and the USA) and one of the best parties in Paris, selling-out clubs such as Le Bataclan, the Social Club, Nouveau Casino and Le Paris Paris with guests such as Radio Slave, Danton Eeprom, Heiko MSO, Francois Kevorkian, Sebo K, Heidi, Ripperton, Matias Aguayo and Andrew Weatherall.
Maissouille, artiste incontournable alliant la Tribe au Hardcore, présente son nouvel album « Onde de choc ». A cette occasion, le label Audiogenic revient distiller son hardcore sans compromis avec la tournee « Onde de choc » jusqu’au 20 février 2010. Bonus : chaque cd contient un code permettant une réduction sur l’achat d’une place de cette tournée.
Merci à vous surtout. On retrouve quelque part une partie de l'esprit Kill The DJ, graphiquement et dans la qualité des musiques. Après, GTC c'est clairement plus dancefloor/clubbing. :)
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Toujours présent, en vers et contre tout ! Nouvel abus à paraître fin de ce mois :
ABUS DANGEREUX #112 décembre 2009
En Couverture : FUCKED UP Au sommaire: 44 pages avec interviews, colonnes, news, chroniques (cd, vinyles, livres, faniznes, dvd) etc... : Fucked Up, The Fleshtones, Golden Boots, Kylesa, Kap Bambino, Why?, The Gaslight Anthem, Bikini Machine, Santa Cruz, Flying Donuts, Hellbats, The Roovers, Les Soucoupes Violentes, Rotor Jambrecks, Label Infrastion, Label Ici d'Ailleurs, Air Guitare.... + chroniques de livres, cd, dvd...
Ainsi que le sampler inédit 20 titres : Fucked Up (Live inédit), Golden Boots, Why?, 7 Weeks, Kylesa, Hellbats, Flying Donuts, The Roovers, Bikini Machine, The Fleshtones, The Gaslight Anthem, L'amour is The answer, Les Soucoups Violentes, Rotor Jambrecks, Santa Cruz, Kap Bambino, Martin Dupont, This Immortal Coil, Valoy, Clair Obscure.
Hi, Full support by the Minoi music's Team : Minoi family Marcelo Cura Rulian Ross Audiopoint B original If you don't get your promos my friend, drop us a line at minoimusic@gmail.com... Deep & minimal house from the French riviera
Pending the new release "Melotonine" (release date coming soon), i decided to offer you a part of my best recent works in a free EP, "Cupboard Replacement", downloadable in all numeric formats with special graphic art works by Flint on Music AutOmatiK's Website :
We can stay in contact on facebook now... Thanks for your support !
What a tasty musical year this was! To mark the first anniversary of Tasty Bytes Records, we offer you this compilation that revisits the tracks that stood out in our opinion or that had the most impact during our first year. Includes tracks and remixes by: Omni, Alice and the Serial Numbers, Valerna, Push Rec+Play, Nick Bugayev, Nite Cells and Mateo Murphy.
Exclusively on Beatport for 30 days, then it will be out on most major music download sites.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
///////////////////////////////////////////////////////////////////////////////////////////////////// B.YRSLF, MOVELTRAXX & STILL MUZIK présentent "SPANK!" Première édition dans le cadre unique du CAFE CARMEN avec aux commandes de cet évènement 3 entités et un line-up autour d'une passion commune : l'amour de la Fessée... SPANK! Who's Next? /////////////////////////////////////////////////////////////////////////////////////////////////////
Dear Friend There comes a brand new Live Video by NACHLADER (title:SOLL/HABEN) - Live in Berlin - Maria / OstBHF 09 09 16 - What do you think? Feel free to leave a comment. DANKE!
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