Randomshift
Hop Man Jr
Neil The Fish
Mary Ploppins
Bob
Influences
Psychedelia, Sun Ra, Krautrock, Japrock, Musik Concrete, Afrobeat, High Life & all the rest
Sounds Like
"...a melting pot of free tribal drumming, Hawkwind swirl, Krautrock pulse and Sun Ra scrunge, Gnod are less of a band and more of a cosmic collective.. heavily percussive and bass led, covered in reverb and delayed guitars.. everything working in unison towards a climactic explosion,
or shimmering off into the distance.."
- Paul Robertson, Bad Acid (Tab 7)
To order, email ingnodwetrust@hotmail.co.uk and we can set up a paypal or cheque transaction.
Overseas heads, drop us a line and we'll figure something out.
All releases will be available to buy from us at shows.
Volumes 1, 2 & 3 2007 (Self-released CD-Rs) - SOLD OUT
Aquarian Downer (split CD-R release w/ White Hills) - SOLD OUT
Three Sticks A Penny – (Handmade CD-R) - SOLD OUT
Sludging Relentless Pound – (Handmade CD-R) - SOLD OUT
The Somnambulist’s Tale – 90 copies (SloowTapes) – SOLD OUT
"... a true cosmic phenomenon, with a light show to match their psychoactive output...
Two lengthy excursions that grew organically… a twinkle of hand bells that were synth piloted into guitar riffs that literally lit runways straight into your brain... The last track rippling with a seriously insistent riff that the keyboards feed upon in jutting jigsaws... all rivers have their source… vocals slurring the mixture in mellifluous shadowing or delayed to fuck on an infinite broken mirror, peaks of feedback angling across in random pirouettes, the drums nail-gunning that fluid duvet down in a steady soak of adrenalin... If you ever get the chance to see them… take it..."
- Cloudboy, Rottenmeats
"... this wayward collective take their cues, both musically and spiritually, from the free-range outer edges of Krautrock and spacerock. Within minutes they absorb you, if you let them, into some strange transcendental state best described as a reasonable simulation of the effects of mild hallucinogens....
....We first saw them at one of WGF's earliest forays back in the Star & Garter where they basically made us feel like we'd done loads and loads of drugs. We hadn't. And they've done much the same many times since, rarely repeating themselves.... amorphous mass of sounds, wibbling analogue keyboards, rattles of drums and handbells, chant-like mantras, until gradually things start emerging like early life-forms from the primordial soup - a rumble of deep dub bass, a heavy beat, and we're off. And instantly transported into some underground Krautrock "happening", where we will be staying for the rest of the evening. One of them wanders around the space in front of the growing crowd, not so much singing as preaching echoey vocal vibes a la Damo Suzuki and occasionally blowing into a melodica as the trip gathers pace..."
hey guys, hope yr all well. you got a gig in copenhagen? sweet! i'll see you there damn it. i probably couldn't get you a gig, but if you want i could ask my mate in Malmö about nights/venues/promoters and whatnot there. is only across the water like. miss ya all. xx
a crippled band is better than no band! hope you'll better soon!! me kindo crippled, too due to cold wet england autumn air, but will give you a scream/shout/whatever, cuz da JAM must go on!!!
Tickets SELLING FAST! £7 adv avaliable from (more on the door): wegottickets.com seetickets.com Ticketline Picadilly Records
Grouper (US) has her latest – Dragging A Dead Deer Up A Hill – of three albums on Type Records. She has also been involved in collaborative releases, contributing a track to Xiu Xiu’s Remixed & Covered and four tracks to a split release with Inca Ore. Her other contemporaries are Belong, Growing, Tim Hecker, Windy & Carl and Atlas Sound.
Jasper TX (Sweden), with a hefty back-catalogue of releases on labels such as Miasmah, and collaborations with buddy Machinefabriek, is an essential domestic appliance in the household of conceptual music. He is comparable to artists Fennesz, Sigur Ros, Múm and Tape.
Intricate and atmospheric songsmith, Danny Saul (UK) performs with different combinations of musicians, making each gig a unique event. His forthcoming release is "Harsh, Final", and he also performs with Greg Haines as Liondialer.
Fieldhead (UK) music delights in tape hiss, bleak landscapes and decaying analogue loops. He is also a member of The Declining Winter and Glissando. His debut album, "They Shook Hands for Hours" is released soon on Home Assembly.
"Thank You is an athletic rhythm/action unit from Baltimore, made up of Jeffrey McGrath, Michael Bouyoucas, and Emmanuel Nicolaidis. The band has been building up a reputation via their live show, combining tribal beatdowns, organ freakouts and joyful chanting which has left audience members overwhelmed, and ready to spread the word.
This is the first set from the slightly tweaked Beach Fuzz line-up with Fliss Horrocks now playing guitar alongside Tom Settle and Nick Mitchell. Seven tracks of clattering drums, chugging and wailing guitars, screaming keyboards, mellow, lilting pastoral improv and moaned vocals.
Pay by Paypal to goldenlabrecordings@hotmail.co.uk
Recorded at The Bowling Green pub in Manchester on 17th November 2008, when Bridget was on tour with Marcia Bassett, this is a maximal 25-minute set of epic guitar brutalising and deep, moaned vocal incantations. Employing a bow and 'metal' effects pedals, the resulting cacophony is orchestral in scope, rendering almost unreliable the memory of one woman and her instrument. Somewhat akin to Bassett's duo with Matthew Bower, Hototogisu, the deeply layered tones created by Hayden offer, upon first exposure, a somewhat icy auditory experience, but as the recording settles in, the richness and sheer breadth of sound wraps around you like a feather quilt and shifts your perception almost 180 degrees. A truly magnificent set from this former Vibracathedral Orchestra member.
Limited to 80 copies with sleeves printed on recycled paper using soya based ink
Pay by Paypal to goldenlabrecordings@hotmail.co.uk
