Drums: Dave Abbruzzese,
Vocals, Keys & Gtr: J Paul Slavens,
Guitars: Doug Neil,
Chapman Stick: Gary Muller
Influences
David Castell, Darrell Phillips, Art Hays, Joe Cripps, Mike Dillon, Ten Hands and Pearl Jam
Sounds Like
When the disk went in and all systems were go, I prepared myself to listen diligently for signs that Doug Neil, J. Paul Slavens, Gary Muller were fitting collaborators for our famous and infamous, Dave Abbruzzese. I did not have to listen long - - they prove themselves immediately, and by the end of the disk's first track, the beautiful "Brittle", I had forgotten all about it. The entrancing guitars, Whitman-esque lyrics, effortless rhythms and raw sincerity were thankfully a portent. "Don't (Choices)" scathes from the first note to the last. Slavens' voice threatens, "Don't make me choose between the two of you." Who are the two? I don't know. Who are the two for you, is the question. Yeah, ouch. But it's the good kind of pain, keep listening. The guitars are relentlessly mouth-watering, and I am thankful for Neil's birth through a guitar's sound hole. Gary Muller antes up his talents on the Chapman Stick, but beware; this man's rhythm is not for the faint of heart. "High" has a loose, 'driving-in-your-car-to-someplace-excellent' feel to it. It reminded me of an old Rita Marley song, possibly because of the reggae flavor drummed and dashed in. It's a fine example of the laid-back style, yet complex arrangements that make this album a contender for addict-residency in the CD player. "Waiting for Sid," has the unlikely line, "I will give you a dollar/You can go to the store/and buy a bag of oranges..." The album is funny this way - seductive and silly at the same time. Green Romance is not hurried; the band takes the time to scrumptiously pause...again, ...and again, on these two songs. The reward for your anticipation? Only the heart ripping delivery of Neil's slick guitarwork and the ferocious beating of the skins that Abbruzzese hands out. "Sleep," only loosely veiled as an improvisational jam, is a slamming number that makes me see Les Claypool out of the corner of my eye. Harsh and intoxicating lyrics, simply put - it rocks. There is a song I have to group into the Green Pumpkin Barking Orchestra category (the humor of this band, sometimes cynical and sometimes just plain bizarre, must have Frank Zappa spinning and chortling in his grave) - "Bogie Had Leeches" provides unexpected laughs between the suspenseful funk of "Look Away" and "In..Out..It." "Tree" has the Abbruzzese signature that Pearl Jam fans became acquainted with on the Fan Club's Christmas single, "Angel." Slaven's voice though, nips a comparison (of similar emphasis on melodious acoustic guitar) right after that crucial bud. This song, longer than the too-short "Angel," is perhaps a bit too long, but I don't know. Maybe it was a very big tree. "Remains" and "Given the Time" - I left these for last. Green Romance Orchestra did too and I sense a wisdom in that. A part of me (ok, the girly sweet fuzzy-pink-sweater-wearing part) hears the painfully barbed thoughts as sung by Slavens are ones that might have been best left private. But an arched eyebrow doesn't stay arched. The atoms of these songs and this album are not sentiments. Its essential parts are musical. Even if much of the most potent art and music is born out of pain endured and damage sustained, a release this harmonious and exuberant can only be a celebration. Enjoy.
To purchase Green Romance Orchestra's Play Parts I & V,
click here:
Green Romance Orchestra's debut: Play Parts 1 and 5. Dave Abbruzzese,ex-Pearl Jam drummer, born in Dallas, Texas, returned to his native soil to jam with a pair of musicians he'd always admired, Darrell Phillips, whom he played with in a funk band called Dr. Tongue before the Pearl Jam era and guitarist Doug Neil. As to how he ended up with vocalist J. Paul Slavens, formerly of 10 Hands, a Dallas band that was also one of Abbruzzese's favorites, the drummer said he just got lucky. "The three of us got together to play and I called up a friend at a studio in town and asked if he knew any singers who could come out and jam. Paul happened to be there when I called and we got together and created so much music in three days, I said to them, 'fuck, what do you guys think about doing this for six weeks?'" said Abbruzzese, who described the 13-song debut as a mix of swing, jazz, slinky, funky and freak-out rock. Joining Abbruzzese for the six-week recording session that took place in Denton, Texas were singer/pianist Slavens, Gary Muller, also of 10 Hands, on the progressive rocking Chapman Stick and Neil on guitar. Abbruzzese moved his home studio down to a ranch in Denton, turning it into what he calls a "house of music" for more than a year. "I just said, 'it doesn't matter what we come up with as long as we enjoy doing it,' ". Luckily for him, the collaboration gelled and the band cranked out 50 hours of material, some of which made the record and some of which is now sitting in a pile of more than 200 hours of multi-tracked music that Abbruzzese is still working on. "Every song on the album is sonically and instrumentally different. The only concept was to get into a room and jam, work the jam out and while it was being mixed, tear it all down and set it up again," said Abbruzzese about the making of the album.
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