What is GUD?
GUD (pronounced "good") is Greatest Uncommon Denominator, a print/pdf magazine with two hundred pages of literary and genre fiction, poetry, art, and articles.
Our hardcopy issues are 5"x8", slightly narrower than a mainstream paperback but solid in the hands and easy to read.
GUD's also available in a number of eBook formats via Fictionwise, and beautiful PDF straight from us! Need more convincing? Check out what critics have said about Issue 0 and Issue 1.
Issue 3 is crammed full of stories and art, with poems, Flash fiction and an entertaining report to leaven the mix. Whether we're battling a mechanical daemon in "A Song, a Prayer, an Empty Space" or experiencing jealousy towards unusual rivals in "Soon You Will Be Gone and Possibly Eaten", we're following the theme of Mechanical Flight into strange and unexpected places.
Flight, the dream of humanity for years without number, has come a long way since the Wright brothers flew almost the length of a Boeing 747 using a lawnmower engine. The US Space Shuttle takes off like a rocket and lands like a plane. An ice runway has been built in Antarctica to facilitate flights from Hobart. Solar-powered aircraft grace our skies. And GUD Issue Three seeks to fly to even stranger places--why not take your seat, buckle yourself in, and enjoy the ride?
Issue 2 celebrates Heaven, Earth, and Space in-between; it is touched by religion, grounded in technology and comfortable with the occult.
Including a language-stretching piece triggered by the Talmud from the legendary Hugh Fox, poems by haiku heavy-hitter Jim Kacian, the surprisingly touching “By Zombies; Eaten” from Christopher William Buecheler, and an alien perspective on human spirituality by Tina Connolly in the remarkable “The Salivary Reflex”
— all part of a drool-worthy two-hundred page selection of over twenty authors and artists.
Issue 1 comes to life with Darby Larson's "Electroencephalography" where an experiment in robot-building goes terribly awry. And if you've ever woken up with an unexpected physical deformity—say, an arrow in your heart—you'll truly enjoy the next story. There's also a smattering of flash fiction and psychedelia; a straight-out story where things aren't what they seem, poetry that takes you from the perverse to the sublime, some magic realism, science fiction, and a few letters to another species thrown in for good measure. We haven't forgotten those of you with a literary bent. In addition, the artwork in this issue is particularly strong, with oil paintings, watercolors, photography, and photo illustrations complementing the words with which they are paired.
Issue 0 leads with Debbie Moorhouse’s Sundown, a near-future science fiction reflection on death and life. It follows through with a solid variety of works from semi-gritty fantasy; far-future time travel; modern sci-fi humor; historical paranormal; mainstream literary; a fable; poetry that doesn’t rhyme but has a rhythm (involving coffee, mayhem, love, death, and television); reports concerning poetry and software and narrating a journey to a poetry conference in Taiwan; and art of all sorts, from humorous and surreal line drawings through haunting brush work and even a single-pane comic from a celebrated illustrator.
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