poster for show "JIVULA" Titi & Gulabi (photo Louis Vincent) Gulabi singing with "chundri" (photo Véronique Guillien) project for poster (photo Louis Vincent) Gulabi flying (photo Véronique Guillien) Gulabi & Titi "Pooja dance" (photo Louis Vincent) Gulabo on stage (photos Louis Vincent) "Gulabo" & Titi -Jaipur-1999 (photo Véronique Guillien) Book's cover about Gulabi's life -editions naive/actes-sud including Titi's poetry - Editions du Garde Temps Gulabi at fourteen at the kalbeliya camp with family (Liaqat A Bhatti) Titi & Gulabi by Eric Roux-Fontaine Portrait at fourteen with Chundri (Liaqat A Bhatti) photo Louis Vincent
Etkilendikleri
poster: Hot spot / Louis Vincent cover project by Eric Roux-Fontaine
IF YOU WANT TO KNOW MORE ABOUT THE TITI ROBIN MUSICAL CONNEXION, GO ON: http://www.myspace.com/thierrytitirobin .. Visit Titi's site!
"family in kalbeliya camp near Pushkar (Rajasthan)" (photo V. Guillen)
"Thierry "Titi" Robin is an exceptional artist both for his personality and his artistic sensitivity. His previous musical achievements were characterised by a coherence of style, derived from his Gypsy culture, which for him is an inexhaustible source of inspiration and the basis for colourful artistic marriages with Roma artists from all over the world.
But the recording that was received with greatest acclaim from the critics and listeners was in 1993, "Gitans". On "Gitans", Robin was joined by Roma musicians from Spain to Rajasthan, including 'The Gypsy Queen of Rajasthan,' Gulabi Sapera, a vocalist of unique voice timbre, who enriched this project with warmth and tenderness.
His friendship with Sapera has led to their co-operations on numerous occasions, resulting in Rakhi.
The opening track, "Holi Yaad," introduces the listener to the unique atmosphere of the album. Gulabi's singing is calm and nostalgic; the minimalist but balanced rhythm section and the delicate sound of Robin's guitar immerse the listener in a pleasant swing. The following tracks intensify this feeling. As it progresses, a reggae vibe appears and becomes a pervasive element of some of the tracks to follow. Gulabi's voice often converses with male voices (Bruno El Gitano, Farid, Roberto Saadna 'Yakeen,' Saway Nath 'Neem,' and 'Rumba de India'), making the music more complete. Tensions subtlely rise and fall down. Paradoxically the most ascetic track 'Bichu Rap' draws the greatest attention. It is a kind of a dialogue between a woman and a man or even a quarrel. It is overflowing with emotions: joy, anger, grief are expressed in a theatrical way, to leave no one indifferent to what is being sung.
"Shadi ke badh" comes back to the mood of some previous tracks. Robin's first solo reminds us that it is their common achievement, even as he devotes it almost entirely to Sapera. In his previous work the instruments he played - oud, bouzouki or guitar - were always in the forefront. This time is different; his instrument is still important but is played consciously in the background to expose what is most valuable in this project, Gulabi Sapera's voice.
Rakhi is not so directly appealing as Gitans or other earlier works. But it is uniquely successful, fully linked to the previous achievements of the artist and a continuation of his chosen path. The sense of artistry and authenticity makes the album undoubtedly worth listening." - Piotr Pucylo, extracts from ROOTSWORLD article
OMG! SHUKRIYA SHUKRIYA, Bahut Dhanyavad. I am so thankful for you adding me :D---- Titi, U are AMAZING & Gulabio, Speechless. Showing as much love as possible :D
hello sir and ma'am hope you are enjoying lots of smiles....well thank you for accepting my friend request... i request you to please comment on my music too...i hope you will like my songs.....your comments will be valuable to me........ thanks take care
J'ai visionné le reportage sur Gulabi, quelle femme impressionnante et quelle force de vivre. Musicalement, vous me faites voyager sur la planète "GulaTiti" si généreuse et paisible à la fois. Merci! WAN
Merci pour l'amitie qui nous est precieuse....votre musique nous a charme....quelle magnifique fusion si naturelle! une musique nouvelle et enracinee... Nous reverions un jour de collaborer avec vous, si l'occasion s'en presentait. Namaste, Hindol and Clio
Hi Happy Easter to you. I wish you happy holidays and serenity. My thought is aimed at people of the earthquake in abruzzo who hope to recover as soon as the serenity, peace and life in their city. Happy Easter Gianfranco
BONJOUR GULABI,TITI, SOUTIEN A DANIEL THENADEY : 40 ANS D'ACTION CULTURELLE ( LA KEROUEZEE, AR SEIZH AWEL, CENTRE CULTUREL LES ARCS DE QUEVEN, ESPACE GLENMOR, ETC... DES HAUTS LIEUX DU JAZZ, MUSIQUES DU MONDE, MUSIQUES TRADITIONNELLES, CHANSON... DES MILLIERS D'ARTISTES SOUTENUS. MERCI DE M'AIDER! JE VIENS DE ME FAIRE VIRER TRES, TRES BRUTALEMENT, SANS RESPECT, DE LA DIRECTION ARTISTIQUE DE L 'ESPACE GLENMOR DE CARHAIX, AU PREMIER JANVIER 2009, EN PLEIN MILIEU DE LA SAISON CULTURELLE! PAR ETAPES, DEPUIS 7 ANS 1/2, CHRISTIAN TROADEC, MAIRE POPULISTE DE CARHAIX, S'EST DEBARRASSE DE TOUTE VIE ARTISTIQUE ET CULTURELLE, TRANSFORMANT CETTE RARE ET BELLE SCENE VOUEE, ENTRE AUTRES, AUX MUSIQUES DU MONDE... EN VULGAIRE SALLE DE CONGRES: UN DETOURNEMENT DE LIEU PUBLIC VERS DU COMMERCIAL PUR. JE NE SUIS, EVIDEMMENT, PAS REMPLACE: DISPARITION D'UNE PROGRAMMATION ARTISTIQUE ET D'UN BEAU THEATRE. J'ATTENDS VOS REACTIONS DE SOUTIEN A thenadey.daniel@wanadoo.fr SIGNATURE DE LA PETITION ET INFORMATION: VOIR LE SITE http://combat. culturel. free. fr/carhaix A DIFFUSER LE PLUS LARGEMENT POSSIBLE. LE FAIT EST TROP GRAVE POUR ETRE LAISSE SOUS SILENCE. LE MONDE DE L'ART, LES ARTISTES, LE MONDE CULTUREL... SONT AINSI MEPRISES, PIETINES. JE COMPTE SUR VOUS, CHERS AMIS! DANIEL THENADEY
THANKS FOR ADD...YOU'RE SO GOOD
