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Named after one of the most imaginative and infamous key roles in the Israeli occupation, D9 is as merciless as this monstrous bulldozer, ramming reality in its' forehead with their post apocalyptic hectic predictions, directed towards the Israeli state and the worlds' systematic moral corruption, fueling their fury with an offensive portion of old school hardcore punk, and generating this boiling wrath into an original crushing blend of sly grindcore and bare boned power violence hostility, with a fair amount of devastating sludgy riffage and obscure electronic noise intervals to make their squashing sound even more quirky and disturbing.

Recommended if you like Dropdead, Pig Destroyer, Man is the Bastard, Burmese, early Facedowninshit, Capitalist Casualties, Dystopia and Siege.

A brutal slap in the face coming your way from Belgium's Raxinasky. With six tracks, representing six cathartic days in less than 45 minutes, Raxinasky are taking their multi-ultra-anti-musical and hateful attitude one step further into a sonic battlefield of nihilist prog-core, slanted death metal, deranged NO-WAVE and mutant grindcore revolts.

Recommended if you like The Flying Luttenbachers, Monno, Ruins, Hella, ZU, Happy Family, Discordance Axis and Cephalic Carnage.

not a tribute album for the legendary U.K Grind-Crust band, nor a religious initiative, but a glimpse into the cathartic underground of the Japanese and Israeli noise and doom scenes.

All tracks are previously unreleased & exclusive for this compiation; blasting off with the traditionally-oriented and bizarre doom of Osaka's Ryokuchi, This is an exquisite slow-paced 10 minutes guilt trip down memory lane. Next up are Jaffa's Cadaver Eyes, taking this trip off track with their corrosive Sloth-Doom: Zenocide drag you down the wilderness, while wiping the soil with their lo-fi sludge-core indignation, and then cums LietterSchpichDiet, with their demonic Doom-Dub and heliocentric swirl: MONEYI$GOD are up next, spreading their own cancer with a lethal dose of industrialized and Sludge-grudge, before Poochlatz poison the air with their battered Power Electronics and primitive industrial: Jerusalem's Remesh elaborate the damage with a hellish ceremony of their own, dripping gradually brutal drops of industrial-noise before Osaka's Nerveless wraps it up with a squashing, heavy as fuck, guitar-drone that would linger on and on.

The Lord never seemed so pleased.

*due to a printing error, Nerveless appear in the credits as Neverless.

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Influenced by the pagan-industrial of Coil or Swans, and the contemporary avant-garde black metal of Leviathan or Xasthur, while wallowing in self-loathing, Remesh's "Choke" is a bit more than 15 minutes of epic-noise anointment, accompanied by deviant sensibilities of refined abhorrence.

Collaborating Torture is one of the last known recordings made by Matt Gibney AKA Hollowing, who died in January 2006. Gibney, a member of SOIHADTOSHOOTHIM who was also running the important Rectrix label and mail-order, was joined here by the prolific Maor Appelbaum (Grave in the Sky, Poochaltz and Maurizio Bianchi, to name but a few...) to create a brooding and massive 54 minutes track of dark pitch-black ambient of hypnagogic swirls and industrialized drones. Sometimes subtle, yet mostly haunted and delirious, this is highly recommended if you like Wilt, Murderous Vision, Brighter Death Now, Aidan Baker, Z'ev, Daniel Menche, The Caretaker and John Duncan.

Like demented twins in crime, Burmese (tUMULt / Load Records) & Cadaver Eyes rephrase Doom, Grindcore and Power Electronics by using an agonizing mechanism of plain brutal aesthetics, ascending these genres to a higher level of cognitive surge.

This split CD is difficult and pungent, a warm spew in the face and an endless buzz in the eardrum that fiercely occupies the brain and treats the grey cells as if they were an ashtray. A crude awakening and a classic case of ponderous self indulgence.

(Something on the Road / Woolwung / Heart & Crossbone)
Named after River Lagan in Belfast, here comes a new sonic oddity from Israel, this time by Lietterschpich members David OPP (also; Barbara and Cadaver Eyes) and Lil' Oof (also; Panda Porn).

The Lagan Tapes is the aftermath of a Lietterschpich gig at the Sonorities Festival held in Belfast in 2005. The day after, while killing time before the flight back to Israel, David and Lil' Wolf found themselves walking across The River Lagan whereas David was thumping on fences and banging on random garbage cans with his bare hands, while Lil' Wolf was documenting the rawkus with her broken Sony TCM-323 Cassette-Corder that gave this recording its' essential lo-fi quality.

The result sounds like a regressed Gamelan workshop that evolved into an occult of modern primitives, providing tribal rhythms & haunting sounds reminiscent of MCMS, Crash Worship, Pain Teens, early 80's Sonic Youth, 23 Skidoo, Gamelan Son of A Lion and the Ince Ore & Lemon Bear Orchestra.

14 tracks, total running time: just under 30 min

Juxtaposing noise-core, grind and doom, with strong hints of black metal, it's hard to accept the fact that Barbara's instrumental line-up is comprised only by a drummer (David OPP A.K.A Cadaver Eyes) and a bass player (Re-em H), both of them also deliver the screams and perverse whispers on their first album in four years, a hectic and mindless anti-musical rupture.

For fans of Today Is the Day, VOG, Truman's Water, Burmese, Lightning Bolt and Pig Destroyer.

If Mark Stewart was joining Khanate and Bad Brains were playing black metal, there's a slight chance that a resemblance to what Lietterschpich (Hebrew for Liter of Cum) has achieved with their debut album will arise. This bleak digital-doom-dub shriek is bound to slap the hard-core fans of innovative harsh music.

It doesn't get more extreme than this! Featuring members of Barbara and Grave in the Sky, this is highly recommended if you like Throbbing Gristle, Volt, Stallagh, Menstruation Sisters and White Mice.

The Sludge-core scene is injected with a poison: Horror movies DVD subtitles are being gargled and forced into song lyrics, backed up by heavy poundings and black metallic space-rock dirges, on this new release from Rani Zager (Poochlatz /Lietterschpich), Maor Appelbaum (Poochlatz/Sleepless/Screening) and Matan Shmuelly (Armilos).

Check this out if you're into Hey Colossus, Corrupted, Gravitar, Darkthrone and Electric Wizard.

Against all odds, we strive for excellence - we pray for prey, but shudder helpless - what's the meaning of this perverse? I've got them infecting on the flaws, questioning the truth - if needed, they will convert heaven into a burning hollow space - but once anxiety will slap me back, sanity will strike some points - could it be that everyone needs a miss to flourish?

Get down to it and finish the job: Poochlatz debut CD, Victims of Self Preservation, is out now - a limited edition of only 999 copies

Ultra noise distortion with; Maor Appelbaum: bass and production, Rani Zager: distorted vox

Future grindcore is here, this release contains; "NO TIME TO HASTE" recorded aug, 2001 @ Austin Enterprise by Steve Austin of Today Is The Day, and "THE ACQUISITION OF POWER OVER FIRE EP" recorded at Day-Dream 2004.

19 tracks + 5 more tracks = 42 MIN of blasting future grind - these 24 annihilating tracks range from ultra blasts to death doom and from black metal to industrial noise.

MILDEW aka; OVESH, David Opp, [drummer of] Shalosh Hait, barbara, Lietterschpich, & Cadaver Eyes] from blazing fast to super slow, dark & repetitive electronics, drum machine gone out-of-control, a digitized binhexed godflesh floating in cyber-outer-space. -- Recorded back in 11.1998, this project marks the birth of Cadaver Eyes - played live only once: [TransHudson Gallery, NYC, 1999] - tracks appeared in compilations, soundtracks & installations in the US & Japan.

This release includes "EXTERNAL CONTROLLER 1.06b" [interactive piece, runs on Mac & PC] CD RUNNING TIME = 50MIN

"The recording quality is top notch, in an overblown, loud as fuck blowout, as BARBARA tears through 9 songs of harsh black metal / prog punk brutality, with a crushing bass guitar attack, crusty witch vocals, and fastpaced drumming.

Lots of weird math-y breaks amongst jazzy tornado thrash and slow, sludgy dirges"
taken from crucial blast
over 40 min, 9 tracks.

"3H" hcb-001 [released 1991 as OPP-001]
post punk trio, vinyl released in jerusalem 91,
a limited edition, hand numbered, found 20 or so
copes in storage.

[price gone up due to shipping costs]