The Heatherley School of Fine Art
"Established in 1845"

Male
100 years old
London, Chelsea
United Kingdom



Last Login:5/6/2008
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Status:In a Relationship
Here for:Networking
Hometown:London
Zodiac Sign:Capricorn
Children:Proud parent
Education:Grad / professional school
Occupation:Art School



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   The Heatherley School of Fine Art's Blurbs
About me:
Founded in 1845, Heatherley's is the oldest independent Art School in London and is among the few Art Colleges in Britain that focus purely on portraiture, figurative painting and sculpture. From small beginnings, Heatherley's has over the years expanded to offer a diploma in Portrait painting, a diploma in figurative sculpture and a one year continuing studies / portfolio programme. Alongside these full time courses Heatherley's run thirty part time courses ranging in subject from Life Drawing, to Oil Painting, Watercolour, and Printmaking. During the Summer months we offer a series of holiday courses lasting five days each and taught (as all our courses are) by experienced tutors who are all practicing artists.
Among those artists that were taught by the first Principal of Heatherleys (James Matthews Leigh) and subsequent Principals were Dante Gabriel Rossetti, Sir John Everett Millais, Sir William Russell Flint, Sir Edward Coley Burne-Jones, Henry Moore, Walter Richard Sickert and the illustrator of Wind in the Willows and Winne the Pooh, E H Shepard. The principles set out by Leigh and kept alive by his successors are still the principles upon which Heatherley's now runs. Whilst teaching traditional techniques, tutors encourage students to find their own voices and apply what they have been taught to their own ends. The work our students produce ranges greatly in form and style: from iconography to abstract sculpture, from classically inspired bronze and marble figures to contemporary oil paintings. Our end of year exhibitions in June and July for the full - and part - time students give us an opportunity to show off the work they have done during the year and attract large numbers of visitors from all over the world. Heatherley's is now based in the heart of Chelsea, London just off the Kings Road where the studios are brimming with students and each class is as industrious as Leigh’s own were in 1845.
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Who I'd like to meet:
"I've always loved drawings.. when you draw you look much more intensely at something" (Henry Moore)

   The Heatherley School of Fine Art's Friend Space (Top 4)
The Heatherley School of Fine Art has 46 friends.
 Stig-art 


 Wayne Gerard Trotman 


 Keayleen 


 Charlotte 





The Heatherley School of Fine Art's Friends Comments
Displaying 7 of 7 comments  ( View All | Add Comment )
Tonelise





Dec 3 2007 2:44 PM

come to this!
Photo Sharing and Video Hosting at Photobucket
Aristides Aleman





Oct 16 2007 3:18 PM

Hola
Thank you for your friendship
Greetings from Tijuana Mexico

SERIE ZOOLOGIA
BIRDS / Charcoal on paper / Visit my web site for complete image
Tonelise





Aug 18 2007 5:18 AM

Ex Heatherley's Students and ex heatherley's model exhibits work: Tonelise Rugaas: Drawing and painting Natalia Avdeeva: Drawing and painting. Annabelle Brotherton: Drawing. Camilla Shivarg: Sculpture. Private view: 29nd August 5-8. Refreshments. Exhibition continues until the 2nd. September. Sunday closed Old Chelsea Town Hall. Corner of King's Road and Sydney Street. Tube: Sloane Square. Buses: 11, 22.
Folk Art... L'art que j'aime





Apr 13 2007 6:41 AM

Thanks you for the add !
Wadii
AbstractionGirl





Mar 13 2007 10:49 AM

Thanks for the add!
Emmuska Orczy





Mar 6 2007 11:34 PM

W. B. Yeats





Mar 6 2007 4:19 AM

TURNING and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
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