'Le beau est toujours bizarre!'
'The beautiful one is always strange'
'Das Schöne ist immer sonderbar'
Baudelaire
Klaus was a face-elfin and painted as a Kabuki robot. He was a style--a medieval interpretation of the 21st century via Berlin 1929. He was a voice, almost inhuman in range, from operatic soprano to Prussian general. He was a master performer--a master of the theatrical gesture. Above all, he was a visionary. He said the future is based on the needs of the artist, deciding how to live and living that way every minute. Klaus, the man from the future, lived that way in the present, and held out his hand saying, 'Come with me. You can do it too.' His vision was naive, quaint, almost foolish, but forceful in its purity and innocence. Even at his most wildly ridiculous ('Lightnin' Strikes') or quaveringly sublime (Purcell's 'Death'), there was an acknowledgment of impending apocalypse that lent it conviction. For Klaus, apocalypse was a metaphor for purification, and as the oddball optimist surrounded by cynical detachment and resignation, he dared to believe in a better world.
is mir noch aus jugendzeiten bekannt, habe gestern einen film über ihn gesehen, der war gut, hat mir sehr gefallen, lief auf arte..., viele grüße andreas
I found two great quotes to describe Klaus.. (there are more too, but too many to list here), one:
"An art form requires genius. People of genius are always troublemakers, meaning they start from scratch, demolish accepted norms, and rebuild a new world." --Henri Langlois
Second:
I can barely conceive of a type of beauty in which there is no Melancholy. ~Charles Baudelaire