Holly Yarbrough
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It’s You I Like
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General Info
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Genre: Indie / Jazz / Swing
Location NASHVILLE, Tennessee, US
Profile Views: 29995
Last Login: 10/6/2011
Member Since 6/2/2006
Website www.hollyyarbrough.com
Record Label Vintage Discs (www.vintagediscs.com)
Type of Label Indie
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Bio
Critical Acclaim for Mister Rogers Swings! During 1968-2001, Mister Rogers’ Neighborhood was one of the most popular of all children’s television series. Its laidback and warm host Fred Rogers had a music degree and always made sure that jazz was heard on his programs. Holly Yarbrough, in her jazz recording debut, pays tribute to Mister Rogers by singing 16 of his songs including his opening and closing themes “Won’t You Be My Neighbor” and “It’s Such A Good Feeling.” But rather than this being strictly a children’s CD, the music is actually sophisticated bop-oriented jazz. Ms. Yarbrough interprets the friendly lyrics with an attractive voice, sensitivity and a solid sense of swing. She is joined by guitarist Richard Smith, pianist Lori Mechem’s trio, violin, cello and three horn players including the late tenorman Boots Randolph. The solos and arrangements are high-quality jazz and Holly Yarbrough’s singing is a delight. ---Scott Yanow, author of ten jazz books including Jazz On Film, Jazz On Record 1917-76 and Trumpet Kings Excerpts from Syndicated Columnist Maxwell Chandler’s in-depth review: The album’s initial description would make it seem a thing of kitsch or at best an ironic thing for hipsters to put on during a cocktail party. Not at all, aside from the words to the well known “Won’t You Be My Neighbor” this is a legitimate album free from all camp. Someone devoid of knowledge of Mister Roger’s music would just think it is a really good jazz album. An odd starting off point for a project, to be sure, but one which surprisingly succeeds. Although this is the music of Fred Roger’s, the album is not meant to “teach life lessons”. It has been said that a good singer could sing the phone book and it would sound good. What could in other people’s hands come across as overly saccharine; works here. Throughout the album Holly’s voice gives off a sexy but fun vibe similar to June Christy in a good mood. “I Like to be Told” adds a sultry component to the album. Here is Mister Rogers with a martini in his hand, breaking hearts. Without overacting or burying the original intent the song is subtly changed in Holly’s hands. There is a laconic blues, the piano softly tinkling in the spirit of the best saloon songs The album over all is happy but manages to switch emotional gears; although always within the realm of the positive. When called for, Holly’s vocals have a romanticism without an overly burning immediacy which would effect the delightful organic sense of tension. The slow smolder makes Holly’s magic all the more potent. The entire piece can be found at: http://www.jazzreview.com/article/review-6525.html.. Biography Holly Yarbrough was born in Santa Monica, California. Her father, Glenn Yarbrough is a well-known recording artist with over seventy albums in his discography. Her Grandfather was a square dance caller in the Black Hills of South Dakota, and her Grandmother sang with the Paul Whiteman Orchestra. Holly has studied at the Interlochen Arts Academy, Bard College and the Nashville Jazz Workshop. After attending at her Grandfather's bedside while he was in hospice care, she began volunteering for hospice through Compassion in Action. Since 2006, she has worked for Alive Hospice in Nashville, Tennessee. She is currently pursuing certification as a therapeutic musician through the Music for Healing and Transition program. -
Members
Musicians I've worked with: Richard Smith, Boots Randolph, the Lori Mechem Trio (Lori Mechem, Chris Brown, Roger Spencer), Stuart Duncan, Roy Agee, Julie Adams, George Tidwell, Pat Bergeson, Will Barrow, Julie Adams, Mark Baldwin, Steve Conn, Kenny Malone, Dave Pomeroy, Ed Tossing. -
Influences
Louis Armstrong, Tony Bennett, kd lang, Ella Fitzgerald, Alison Krauss, Duke Ellington, Israel Kamakawiwo'ole, Keola Beamer, Mahalia Jackson, Peggy Lee, Ray Charles, Tom Waits -
Sounds Like
Ella Fitzgerald, Sarah Vaughn, Betty Carter, Billie Holiday, Norah Jones, Eva Cassidy, Judy Garland, Rosemary Clooney, Doris Day, Glenn Yarbrough
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Holly Yarbrough
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Photos
Music
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6 Songs | Sep 21, 2008
Comments
- Diane Marino7 months ago
did you see this yet? http://is.gd/n1Qy7a
- Diane Marino7 months ago
did you see this yet? http://is.gd/n1Qy7a
- Diane Marino8 months ago
what do you think about this song? http://www.myspace.com/maintainrecords/music/songs/one-4-me-72817965
- Bianca A. Barrios1 year ago
Hello,how are you? - Bianca A. Barrios1 year ago
Hello,how are u? - Bianca A. Barrios1 year ago
Hello,how are you? - Bianca A. Barrios1 year ago
Hello,how are you? - Bianca A. Barrios1 year ago
How are you? My new friend.Thanks for adding me. - Ray Wyatt1 year ago
I sure do love your music Holly!
http://www.rayspace.com - Ray Wyatt1 year ago
I sure do love your music Holly!
http://www.rayspace.com
Bio:
..
Critical Acclaim for Mister Rogers Swings!
During 1968-2001, Mister Rogers’ Neighborhood was one of the most popular of all children’s television series. Its laidback and warm host Fred Rogers had a music degree and always made sure that jazz was heard on his programs. Holly Yarbrough, in her jazz recording debut, pays tribute to Mister Rogers by singing 16 of his songs including his opening and closing themes “Won’t You Be My Neighbor” and “It’s Such A Good Feeling.” But rather than this being strictly a children’s CD, the music is actually sophisticated bop-oriented jazz. Ms. Yarbrough interprets the friendly lyrics with an attractive voice, sensitivity and a solid sense of swing. She is joined by guitarist Richard Smith, pianist Lori Mechem’s trio, violin, cello and three horn players including the late tenorman Boots Randolph. The solos and arrangements are high-quality jazz and Holly Yarbrough’s singing is a delight.
---Scott Yanow, author of ten jazz books including Jazz On Film, Jazz On Record 1917-76 and Trumpet Kings
Excerpts from Syndicated Columnist Maxwell Chandler’s in-depth review:
The album’s initial description would make it seem a thing of kitsch or at best an ironic thing for hipsters to put on during a cocktail party. Not at all, aside from the words to the well known “Won’t You Be My Neighbor” this is a legitimate album free from all camp. Someone devoid of knowledge of Mister Roger’s music would just think it is a really good jazz album. An odd starting off point for a project, to be sure, but one which surprisingly succeeds.
Although this is the music of Fred Roger’s, the album is not meant to “teach life lessons”. It has been said that a good singer could sing the phone book and it would sound good. What could in other people’s hands come across as overly saccharine; works here. Throughout the album Holly’s voice gives off a sexy but fun vibe similar to June Christy in a good mood.
“I Like to be Told” adds a sultry component to the album. Here is Mister Rogers with a martini in his hand, breaking hearts. Without overacting or burying the original intent the song is subtly changed in Holly’s hands. There is a laconic blues, the piano softly tinkling in the spirit of the best saloon songs
The album over all is happy but manages to switch emotional gears; although always within the realm of the positive. When called for, Holly’s vocals have a romanticism without an overly burning immediacy which would effect the delightful organic sense of tension. The slow smolder makes Holly’s magic all the more potent.
The entire piece can be found at:
http://www.jazzreview.com/article/review-6525.html
Biography
Holly Yarbrough was born in Santa Monica, California. Her father, Glenn Yarbrough is a well-known recording artist with over seventy albums in his discography. Her Grandfather was a square dance caller in the Black Hills of South Dakota, and her Grandmother sang with the Paul Whiteman Orchestra.
Holly has studied at the Interlochen Arts Academy, Bard College and the Nashville Jazz Workshop. After attending at her Grandfather's bedside while he was in hospice care, she began volunteering for hospice through Compassion in Action.
Since 2006, she has worked for Alive Hospice in Nashville, Tennessee. She is currently pursuing certification as a therapeutic musician through the Music for Healing and Transition program.
..
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Member Since:
June 02, 2006Members:
Musicians I've worked with: Richard Smith, Boots Randolph, the Lori Mechem Trio (Lori Mechem, Chris Brown, Roger Spencer), Stuart Duncan, Roy Agee, Julie Adams, George Tidwell, Pat Bergeson, Will Barrow, Julie Adams, Mark Baldwin, Steve Conn, Kenny Malone, Dave Pomeroy, Ed Tossing.Influences:
Louis Armstrong, Tony Bennett, kd lang, Ella Fitzgerald, Alison Krauss, Duke Ellington, Israel Kamakawiwo'ole, Keola Beamer, Mahalia Jackson, Peggy Lee, Ray Charles, Tom WaitsSounds Like:
Ella Fitzgerald, Sarah Vaughn, Betty Carter, Billie Holiday, Norah Jones, Eva Cassidy, Judy Garland, Rosemary Clooney, Doris Day, Glenn YarbroughRecord Label:
Vintage Discs (www.vintagediscs.com)Shows & Events
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