Akira Ishiguro- Guitar, Romain Collin- Piano/ Keyboards, Jordan Scannella- Electric Bass, Jordan Perlson- Drums
Influences
Joshua Redman, Kenny Garrett, Greg Osby, Chris Potter, Rage Against the Machine, Nirvana, No Doubt, Green Day, Weezer, Stevie Wonder, Donny Hathaway, Bjork, Norah Jones, Lamb, Siger Ros, Square Pusher, Aphex Twin, Dilengers Escape Plan, and Jamiroqui
Sounds Like
Spectrums blur the lines between jazz, electronica, progressive rock, and jam-band styles, making the piece sound like a cross between Miles Davis, Bela Bleck and the Flecktones, and the Dave Mathews Band(Jazziz Magazine)
"In my travels, I am exposed to hundreds of saxophonists every year. Ian Rapien is by far the most unique saxophonist I have heard in years", says best-selling saxophone recording artist Walter Beasley. "In addition to his incredible delivery his compositions are equally impressive. In my opinion Ian represents the best of the new young musicians poised to take instrumental music to the next level."
Ian grew up in Orange County, California, an extremely vibrant music scene for numerous genres including Rock, Rap, and DJ based dance music styles- all of which would go on to influence him in ways he would never have dreamed when first concentrated on the study of jazz. Starting the alto saxophone at age 10 in the elementary school music program, he continued stayed within the adademic musical environment through high school. Upon switching to the Tenor Saxophone and displaying exceptional talent throughout his early teens, he applied for and recieved a scholarship to the prestegious Berklee College of Music in Boston, Massachuttes.
While at Berklee, a school renowned for it's enormous musical resources, Ian had the opportunity to participate in a variety of musical endevors, ranging from traditional big band music, to jazz groups pushing the progressive scene, while studying with world renowned musicians such as Joe Lovano, Kenny Garrett, Walter Beasley, George Garzone, and Hal Crook. Upon receiving his degree at Berklee, Ian was awarded the woodwind achievement award, given to a woodwind student who displays outstanding talent, and best represents the department inside and outside the school.
Rapien "blurs the lines between jazz, electronica, progressive rock, and jam-band styles, making the piece sound like a cross between Miles Davis, Bela Bleck and the Flecktones, and the Dave Mathews Band" (Jazziz Magazine). Always in search of creating new forms of expression, Rapien created his group Spectrums in 2002, envisioning a new brand of jazz that could excite both jazz musicians and those newer to the idiom. The plan? To fuse contemporary genres such as electronica, rock and hip hop- the styles he was exposed to early in his native southern California- with jazz and funk, all to be performed by a quartet comprised of the brightest young jazz musicians on the scene today. Having always been fascinated with sound effects stemming from rock and electronic music, Ian added electronics to his saxophone upon the creation of Spectrums to further stretch the surreal soundscapes Spectrums produces. The final result has had audiences at their feet at every venue, from the average bars with the average Joe to the most legit jazz clubs with musically sophisticated audiences.
Rapien has performed extensively, with extensive performances on both his native West Coast, and his current location in New York, where he has lived since 2006. Ian performs in the New England area in countless groups, which have included performances on stage with Telarc Recording artist Hiromi, Smooth Jazz Legend Walter Beasley, percussionist Eguie Castrillo (Arturo Sandoval, Tito Puente, Paquito DRivera), and drummer Kenwood Denard (Maceo Parker, Wayne Shorter), and an opening with Spectrums for guitarist John Scofield. Ian has also appeared on several recordings, including the vocal jazz sensation Syncopations debut release A New Dance, Warr Guitarist Kai Kurosawas Doubts, and Paul Im and Remember Rockefellers Lightness of My Being. While at the school, Ian was also featured in the October 2003 collegiate issue of Jazziz Magazine, highlighting twelve of the brightest jazz musicians in the country.
While having accomplished so much at an early age, Rapien remains humble. Never one to remain on his haunches, Ian is thankful for the opportunities he has had, but is always in search to improve.
Ian, thanks for the add request. Great playing with you as well... let's do a session soon. And, man, great "Inner Urge" - one of my favorite tunes, which you nailed like a crazy mofo!
ha ha you put the suicide girls at the end of your friends - as we did.... You know what real beauty is about, don't you? See you soon Ian! Louis (bass of Soundchaser)
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