| Influences | If ever a band epitomized the spirit of Jazz-Rock - it was If.
Born of the early Seventies, this highly popular and innovative British band
created an exciting new blend of musical influences. The founder members were
all top rated jazz musicians, but with youth on their side, they were readily
accepted in the world of pop and rock. Most jazz music relied heavily on open
ended jamming on familiar, well worn standard tunes. By the late Sixties this
just wasn't good enough as progressive rook bands were proving much more
adventurous than their jazz counterparts. The birth of jazz-rock was sparked by
the success of American pioneers Blood, Sweat & Tears and
Chicago who brought a new clarity and blues power back to big
band jazz. In 1969 If was born and
the new band began to develop their own sound and approach. They used tightly
written sax and guitar arrangements, deployed to back a powerful young lead
singer. This new concept provided the way ahead for many musicians who might
have languished on the under-funded, under-publicised jazz club circuit.
If recorded a succession of albums,
toured extensively throughout Europe and America and played to large,
appreciative audiences. They also enjoyed all the fringe benefits of the rock
life style. When several members of If
held a reunion meeting in March 1997, they laughed long and loud at their shared
memories of the good old days.
The band’s structure was quite different from
BS&T or
Chicago. Says John Mealing: "One of
the original things about our band was that we didn't have a trumpet. The front
line was all saxes and guitar and most of the other jazz-rock bands had
trumpets." Jim Richardson remembers the band's first rehearsals at a pub in
Islington called The Pied Bull, which was run by a gentleman fondly known as
'Mad Phil' who was originally a ballroom dancer and still had the 1930s movie
star hair style to prove it. "He was a great character. I remember him saying
that If was going to be BIG!"
They released their first album simply called
If with its
distinctive metallic cover design in 1970. The band’s name was chosen by their
manager and was noted more for its fashionable brevity than anything to do with
the Rudyard Kipling poem. Says Quincy: "I remember one tour with Yes
and If. Someone said it sounded like Egg and Chips! But it was
a memorable name and the album cover won a design award."
If 2 was released
[later] in 1970, followed by
If 3 (1971), and
If 4 (Waterfall)
(1972).
Quincy feels the Europe ’72
album serves as both a timely reminder of a great band and also fills the gap
left by the studio albums. "Our performance on those albums was never quite
right. We'd record a new song but they'd only start to develop once we’d played
them on gigs." Jim agrees: "This captures the essence of the 'live' band.
There's one track on here that Dick wrote called "What
Did I Say About The Box Jack?" that we used to play at every gig. On
this CD it goes on for about twenty minutes. We used to tag things on and it
became longer and longer!" The strange title comes from an episode when the band
were recording the song for their first studio album. Lew Futterman's friend
Jack McDuff was in the control booth and they were having a heated discussion.
Lew's voice suddenly came over the PA saying: "What did I say about the box,
Jack?" Well, you work it out. Some of the songs like "Waterfall"
were first heard on the album
If 4 but these are
all different 'takes.' The band's main soloists are featured in turn. Dick plays
an extended flute solo on "Waterfall"
and John Mealing plays piano on "The Light
Still Shines" followed by Morrissey on soprano sax; Terry Smith gets
stuck into an angular guitar solo on "Sector 17"
and Dick plays tenor on "Throw Myself To The
Wind" and more flute on "I Couldn't
Write And Tell You". John Mealing switches to organ for "Your
City Is Falling" which also provides a drum feature for Dennis Elliott.
Everyone gets to shine on "What Did I Say About
The Box Jack?" which also has a powerful blues vocal from John
Hodkinson. The demise of the original If
was hastened when Dick Morrissey became ill in the Summer of 1972 and the
band came off the road.
Dennis Elliott went on to join Foreigner which became hugely
successful, while Mealing and Richardson left to pursue separate careers. John
Hodkinson sang with Darryl Way's Wolf (Night Music
LP, 1974). He later returned to his home in Manchester where he still sings
locally. Jim played in the house band at London's Talk Of The Town venue for a
few years, and also toured with Georgie Fame. Dave Quincy
formed new group Zzebra with Terry Smith which included Loughty
Amao (flute and tenor sax), Gus Yeadon (piano and vocals), Liam Genockey (drums)
and John McCoy (bass). They released the
Zzebra album in 1974, then Terry left to go to Sweden with Dick
where they lived with their families for a while. Dick later revived If
for the final albums Double Diamond
(1973), Not Just Another
Bunch Of Pretty Faces (1974), and
Tea Break Is Over, Back On
Your Heads (1975). The following year Dick began working with guitarist
Jim Mullen in Morrissey/Mullen. Dick also did some work with Herbie Mann and the
Average White Band in New York.
CHRIS WELCH, London, 1997
(Taken from the Repertoire CD release, "Europe '72"
REP 4653-WY) |