DIR/ACTOR DEVON MALIK SCOTT aka EMCEE IHNDUST3

Emcee Ihndust3 IMPERIOUS has many first as a pioneer emcee which include the following: -1st Pioneer Luminary emcee ever to set the standards for any other mixxed raced non traditionally viewed as emcee types. -1st Pioneer EMCEE to be apart of an GLAM Hip Hop group, MOBB MALICIOUS -1st Pioneer EMCEE from the streets of the HOLLIS QUEENS to go full circle in a EMCEE battle mode.[FIGHT CLUB THE UNVIEWED EPISODES] -1st Pioneer EMCEE to use the echo chamber, AUTO TUNE AND THE WISPER RAP STYLE, behind MY voice, and every one followed.[STILL KEEPING BEATBOXING AND GRAFFITTI ART ALIVE IN HIP HOP CULTURE TRUE B BOY STYLE!IT AIN 'T JUST A TREND TO ME... -1st Pioneer EMCEE UNDERGROUND RAPPER to have a record deal IN 2 CONTINENTS AND STAY PUSHING TWO INDEPENDANT LABELS worldwide. -1st Pioneer EMCEE to introduce Hip Hop to other cultures and nationalities besides the TRADITIONAL.[BIG SHOUTS TO ALL MY ASIAN, HINDU, RUSSIAN SLOVIC COUNTERPARTS ON THE MIC ;CHECK THE FACEBOOK ROLODEX!] -1st Pioneer HOLLIS EMCEE to be on national television show OF MY OWN AND CABLE FUNDED["THE RYHTHM;ADELPHIA CABLE 3 OF CNY, NEW YORK ROCKSTV.COM] -1st EMCEE to be DIRECT DOCUMENTARIES "A BROADWAY" SAULGOODE.COM, WRITE SCREEN PLAYS FOR HBO FILMS"THE GREAT DIVIDE"; ACT IN, STAR IN WEBISODES ...FOR TV ..AND THE INTERNET.. WHILE APPEARING AS A FEATURED EXTRA IN [MY FILMOGRAPHY] RUNAWAY" THE MOVIE Movie Extra · Manhattan, New York DIRECTOR TOMMY STRAUSS THE RUNAWAY BACKGROUND EXTRA FEATURED EXTRA IN THE BAR SCENE InBetweenMen.com THE SERIES actor · Manhattan, New York http://InBetweenMen.comSchedule:Coming Soon, Fall 2010Starring:Nick Mathews, Ben Pamies, Max Rhyser, Chase Coleman, Michael Sharon, Sidney Erik Wright, Dewanda ...Wise Written By:Quincy MorrisDirected By:Jennifer GelferAwards:Producers: Sidnei Beal III Plot Outline:In Between Men is a sexy, new, original dramedy about All- American guys who feel caught between two worlds, not truly knowing where they fit in. This groundbreaking web series draws attention to masculine, straight appearing gay men who find it difficult to relate to many aspects of the gay community and feel they have more in common with their straight peers. In Between Men centers around four "out" friends living in Nyc, who are not defined by their sexuality and who believe that being gay means nothing more than simply being attracted to other men. Through wild adventures, racy storylines, joys and pains, underscored by the pulse of New York City, In Between Men examines the relationships the men have between each other, their lovers and the greater community. See More "CHARLIE CHRIST: The Gospel According to Fools!" film Actor Extra · Stamford, Connecticut "CHARLIE CHRIST: The Gospel According to Fools!" This NYU student feature film aims to fuse the styles of "Indiana Jones" and "Monty Python: and the Holy Grail." i starred as a ZOMBIE, PEASANT SOLDIER and/or a LGBT SOLDIER. SCREEN WRITERS GUILD ACCREDITED SCRIPT "CLOUD NINE" Writer · Manhattan, New York CO WRITTEN BY KHALID NICHOLS TJAMAL NONI, A COMEDY ABOUT COLLEGE STUDENTS STRUGGLES WWITH FINANCES AND A DRUG HABIT TRYING TO GRADUATE A COMEDY DRAMA. FORCE AND FLOW FILM Actor · Brooklyn, New York LEAD ACTOR IN FILM ABOUT THE LIES OF PEOPLE AND HOW THE PRESENT FALSE PERSONAS TO GET WHAT THEY WANT..The video, inspired by con men, is about the play between identity and surface. It will be shown this fall in a group exhibition in London..DIRECTOR Sara-Lena Maierhofer .. AXIUM CASTING INC "belly" the movie Actor · Manhattan, New York extra'd in the opening scene of belly by hype williams in the tunnel night club in manhattan.... A BROADWAY" THE MOVIE WWW.SAULGOODE.NET Director · Manhattan, New York THE MOVIE "A BROADWAY" I DIRECTED THE 74 TH STREET PORTION OF THE DOCUMENTARY;OF WHICH EACH BLOCK OF MANHATTAN WAS RECORDED SEPARATELY AND INTELLECTUALLY MAPPED FOR CULTURE AND ITS INDIVIDUAL CHARACTERISTICS THE FIRST MOVIE OF ITS KIND. ValoreBooks.com, The Beaver Movie. ExTRA · Manhattan, New York in the chase through manhattan scene of the beaver from columbus circle to union square.featured extra "GANGSTA BITCHES the movie" Director Ed Bonfanti In Jan 2011 role of Fight Club actor IN THE MOVIE"GANGSTA BITCHES" A COMEDY FILMED ON The location [Soho Gallery for Digital Art located in Manhattan and the address is 138 Sullivan St. New York, NY 10012] IN WHICH I PLAYED A STREET WISE CLUB FIGHTER IN AN ORGANIZED FIGHT CLUB BASED ON THE MOVIE OF THE SAME TITLE FOR THE MAIN CHARACTER OF THIS PARODY:COMEDY THRILLER "TO BE KING THE MOVIE"DIR Steve Rahaman[FALLING LEAVES FILMS LIVE ON THE SET STILLS FROM "TO BE KING THE MOVIE" A BOXING EPIC COMING SOON FROM FALLING LEAVES FILMS DIRECTED BY Steve Rahaman Writer/Director/Actor Falling Leaves Productions, LLC., THIS IS THE MAIN SCENE; FILMED ON LOCATION AT THE STARRETT BOXING CLUB[WWW.SCBTC.COM] IN BROOKLYN, I PLAYED AS A LEAD FIGHT CROWD EXTRA..IN THE MOVIES CLIMATIC ENDING A MUST SEE....LOOK FOR IT GOOGLE IT VAMPERIFICA THE MOVIE http://www.vamperifica.com/ ExTRA · Brooklyn, New York VAMPERIFICA" THE MOVIE: Bruce Ornstein, Director and Co-screenwriter A clueless, flamboyant college kid discovers that the soul of a great vampire king resides within him. A blood river productions film http://vamperifica.com/contact MMI Records has signed SCREEN WRITERS GUILD accredited script writer/ rapper and singer ihndust3. MMI Founder Devon Scott had this to say: "It's true and the album is incredible! Anyone who has closely followed the label knows that we have never been one dimensional in the bands we have signed and the records we have released. While we have been making a meaningful impact on the current state of heavy music, the true theme to MMI has always been about progressive music, not just metal/rap/r and b. Ihndust3 is one of the most progressive vocalists I have ever heard! Known in his genre for being the fastest yet the most melodic, the most technical yet the most harmonic, the marks Ihndust3 has left in music are something I will always love. The fact that Ihndust3 booked one way Greyhound tickets to LA/SF/OAKLAND and lived on the streets until they were able to get discovered and signed is true artist dedication to their craft. This same spirit is something that has allowed many MMI bands to organically build their careers and achieve their dreams.” Never before had this hybrid of styles been accomplished in music, transcending the current styles of East Coast and West Coast hip-hop with their own sound and style, that put the empire state on the map like no other. Ihndust3 is also one of the only people to direct, act, rock, pro ball, and do stand up comedy; which is a true reflection of his unmatched diversity as a singer and rapper as well as universal love for his unique style. MMI Records will be releasing unending mixtapes quarterly which will feature the top emcees in the business. Check out the awesome artwork and previews of the albums at www.myspace.com/IHNDUST3 and catch IHNDUST3 on tour near you performing with a full live band. For IHNDUST3[SHORTY SHYTSTAYN] Drops & Interviews Phone: 305 846 2170 or BMWOTFKA@HOTMAIL.COM FOR DEMO PLEASE INQUIRE VIA EMAIL!!!!!! AND THE DVD/CD/MP3/IPOD WILL BE MAILED TO YOU WITHIN 7 BUSINESS DAYS OR AVAILABLE FOR UPLOAD AT MY YOUTUBE ADDRESS WWW.YOUTUBE.COM/IHNDUST3 AS FAR AS TV /MOVIES /DOCUMENTARIES ARE CONCERNED READ THE FOLLOWING: MM MI ENTERTAINMENT CORP.[MOVIES ;MUSIC ;DOCUMENTARIES;ECT]MISSION STATEMENT IN TODAYS HOLLYWOOD, THE BUSINESS IS DRIVEN BY YOUR HARD WORK AND INDIVIDUAL EFFORT..NO ONE IS GONNA JUST HAND YOU CAPITOL AND FAME DOESNT COME FROM WELFARE OR APATHY ITS EARNED, TRUE INDIVIDUALLY WE MAY MAKE A SPLASH HERE AND THERE ;BUT IF WE COLLECTIVELY JOINED TOGETHER PIECE BY PIECE, WE CAN FORGE OUR DREAMS AND MAKE THEM REALITY...INSTEAD OF STRUGGLING SOLO ;WE NEED TO TEAM UP AND FORCE OUR VOICE INTO TODAYS ENTERTAINMENT MAINSTREAM!!!!!!!!!!! IF THE SO CALLED MAJORS WONT FUND US WE HAVE TO FUND US.....SO PLEASE JOIN WITH ME...POOL KNOWLEDGE INTELLECT CAPITOL MAN HOURS TO ACHIEVING OUR GOAL ..LET THE DAYS OF APATHY AND RHETORIC ABOUT WHAT WE GONNA DO BE OVER ....LETS START ACTUALLY DOING....IF YOUR WITH ME READ ON AND JOIN IN WITH ME ;CONTACT ME AND LETS WORK TOGETHER.....HELP BE A FOUNDING PARTNER AND NOT SOME OTHER COMPANIES PAWN, INTERN CO HEAD, WRITE DIRECT ACT, BE A GRIP OR SOUND SPECIALIST A CPU ASSISTANT, IN ANYWAY YOU CAN CONTRIBUTE WE NEED EVERYONE..THE PEOPLE UNITED CAN NEVER BE DEFEATED.....IT HOLDS TRUE FOR FAME AND BUSINESS ALSO..... Hook us up with your contacts Success in media, like in most businesses, is all about who you know. We have a huge team with extensive skills and expertise, and an enviable network of media people we can call on who have agreed to work side by side and contribute in any way they can ;or where they can help. But our network can never be big enough. We have a library of 10, 000 or more worldwide contacts in the creative industry available in our online “office” media database. You can help us right now by getting into it and establishing new relationships with those people so they feel encouraged to support us. Read this if you’re based outside of the US: You don’t need to be based in the united states to help on MM MI ENTERTAINMENT CORP.The Internet makes it possible for us to work together regardless of where you are, even if you can’t do the physical work like camera operation or coffee runs. All our systems are set up to work online so we can collaborate without needing to be in the same room. As long as you have a computer and broadband connection you can get involved. We need help in many different ways, so don’t write anything off. Geography is irrelevant - if you have a dream, come and get it regardless. One of the simplest things you can do is to just to introduce us to people you know - people with skills and experience that can help us physically do the production, and of most importance, people who can connect us into the right places to make the film a success when it launches. Our biggest weakness is in distribution, so we need to reach as many people in as many countries as we can in that industry to make sure we can make our production costs back and deliver a good return to the people who have believed in us and bought shares. We want to know amazing people with extraordinary talent, of all backgrounds and nationalities. Everyone is welcome to contribute. People that: Can refresh us with a new perspective; Are untarred by industry malaise; May be inexperienced newbies with unique vision; Are old hands that have done it all before and dynamic, and generally: Driven and energetic types who can catalyse any part of what we’re doing. These are just a small selection of the types of sectors we need introductions to: Distribution There would be nothing better for us than a theatrical release and its an ambitious goal for a project with such modest resources. It would be a dream come true for us all, production staff and cast. If you can make that happen, please get in touch. We need to put MM MI ENTERTAINMENT CORP out on DVD/youtube/myspace/facebook ect. and achieve a certain target number of deals with broadcasters, TV platforms and sales outlets to make our money back. If you work in distribution, drop us a line as you won’t believe how cool we are in terms of deal terms, and we’ll work with you in any way you want to produce a customised feature that is just right for your company and/or platform that sets it apart from the rest. With all the rights available in one package we can go cross-platform and makes things happen more quickly than you can imagine, without any of the politics you are used to. Production We’ve got some superb personnel with incredible vision and enthusiasm on our team but there will never be enough, as there is always enough room for more. If you know anyone who could help us to make the production more professional or add something magical, make sure you patch us in so we can work together. Marketing We’re not going far without marketing, and we have a very unique plan to make MM MI ENTERTAINMENT CORP. Maybe you love the concept of the corp and it’s drama and can see a way to make it hit home and increase the reach of your brand somehow. Maybe you just want to lend your expertise because you have some great ideas. Introduce us to creative people. TV & Radio We need to publicise the corp via the mass media in any way we can, but we also want it screened in the underground there afterwards too. We can adapt it for both and add elements/angles to it that can fit each company we work with. If you want additional interactive elements, to re-mix/mashup scenes, to take apart various pieces, to feature it in a special segment, need interviews or just want to make a big deal out of it, we’re totally there. If you work in TV or radio, or think we would benefit from knowing your friend who does, drop us an email. Just send us an email and we’ll get a connection request over to you so we can start talking. Contribute your skills & expertise Anyone can get involved in being part of MM MI ENTERTAINMENT CORP as it is designed to give us a step up in the world. No matter what you want to do in life, what limitations you have, what barriers you face and no matter what disappointments you’ve suffered in the past, if you’re willing to get your hands dirty and lose your passion on this project, we want you with us. There’s no age restriction, you don’t have to be based in the US, you don’t have to have experience and you don’t have to be some big name. In fact, the less tarnished by the industry you are, the better. All you need is passion. You need to claim it for yourself, carve out a place, and be persistent. Show us you’ve got character and you want this. Don’t hesitate, just get in there. Take the initiative. If you want a step up to reach your goal and a first opportunity towards your dream, get your ass in motion. The most important thing you can contribute is what you know. You may be able to catalyse the project and shortcut things in a way we couldn’t have beforehand, so if you think you could help, get in touch. We need help in lots of areas, but these are just a small selection: Camera Operation/Grips We need a lot of experienced hands who know steadicams, cranes, dollies and infrastructure work (grip labour) backwards. There are also plenty of opportunities for work outside the main feature when a camera is free, including the “Making Of…” featurette. Lighting The use of lighting makes or breaks a film, and this one is no different; equally, poor lighting makes a film look cheap and amateur. It’s everything. If you’ve got an artistic eye as well as experience in putting together lamps, framing, camera sensitivity and know how to make things look beautiful, lend your eyes to our DoP. Set Design Our budget isn’t going to let us build elaborate Hollywood-style sets where we can blow the hell out of everything and re-build it the next day over cocktails and caviar, so we need to make the most of what we have. Look through the script and tell us what your vision is for how the buildings and scenery look. Then tell us how we build it on favours with no money or resources. Continuity Pulling everything together isn’t easy, hence the need for organised people to know exactly where we are from moment to moment in the script, especially when the locations and scenes are filmed in order. If you’ve got an eye for detail, military time management skills and can cope with eccentricity in your stride, come organise us. Assistant Direction Too many cooks may spoil the broth, but our set is going to benefit from an organised group of young directors working together in tandem to give their thoughts and feedback for the director and DoP to consider as they shoot. The more eyes, the less we miss. Feel free to get your first tentative steps in directing a mainstream film, just by picking up a coffee. Sound Engineering Movies with bad sound suck, big time. It’s something you never notice until it goes wrong, and is massively important to get right. If you have experience in operating mics, designing soundscapes, recording audio and processing material afterwards, get out your copy of Cubase and get into one of the teams working to give us the perfect 0db signal. SFX & Stunts Guns. Fire. Explosions. Blood. Smashing. Fighting. All the hallmarks of a great night out, but also the most fun you can have on a movie set. Unfortunately also things you need licensing and safety for, as well as long-term experience and the appropriate qualfications. As one of our weakest areas, we need help more than anywhere else. Video Editing/FX The movie will be working on a 5:1 ratio of footage captured to employed material, and put together as HD in Final Cut Pro (why would we use Avid?). As this process is intensive we can only take on people with heavy experience, although if you wanted to help editors by sitting alongside and making their lives easier, be our guest. Graphic Design Maybe its time you used that gift for transplanting chicken heads onto Barack Oboma in Photoshop for something a bit more challenging. There are no limits on the movie’s branding and anyone can put together their own ideas for it - posters, covers, banners, images, music, you name it. If you’ve got an idea, bring it over to us so we can see. Web/Digital Think you could set up webcams so people could watch us on set live on the net? Spend more time than you should on MySpace and Facebook? Know the incredibly boring details of video encoding? Maybe you know where we should be posting, how Google ranks what we’re putting out or who we should be talking to. Email us, you sexy nerd, you. Business Development Movies are a lot more fun and fast-paced than working 9to5 in a stuffy office, and may just be the challenge you’ve needed for a long time. If you know sales, marketing, dealmaking and networking like you could do it blindfolded, we could do with your energy and imagination to add to what we’ve already got, as there’s never enough. Translation The movie is in English, but ultimately if we want to take it to a higher level it will need to cross language barriers in other parts of the world. The DVD will need subtitles, the website will need options for non-English speakers, and we may even include extras for different countries that give distributors an incentive to license from us exclusively. Line Management You’re hated, but you’re essential. You’re the people who tell us what we should be doing when we don’t want to, or can’t do. But we have to listen to you anyway. If you’re good at keeping things together, organising crazy people, keeping on top of madness, have the patience of a saint and love the buzz of a set, strap on a helmet and crash through the door. Running/PAs You can’t claim it’s slavery if you volunteer yourself, but you will get a walkie-talkie, so it’s not all bad. Having dogsbodies slaves hamsters people around to get the little stuff done is the very lifeblood of a set and a production. There are never enough hands on deck, so anyone who wants to pitch in is welcome to join us and enjoy the production experience. General Mothering It may be the most fun and most rewarding job in the world, but it’s stressful in with the bargain. Add sensitive egos to that, and you’ve got a potentially explosive mix. Bring us sandwiches, offer someone a hug, interject words of wisdom or just stop someone from killing someone else or throwing them off the side of the building and you would have made everyone’s day. If you’ve read all that and still want to get involved, all you need to do is get in contact with one of the team and introduce yourself. The most helpful thing you can do is outline very quickly and simply how you’d be able to work with us help out and what your qualifications and experience in that area are (if you don’t have any but are keen, just say so - it won’t prejudice your chances at all). Please bear in mind that although we want to make sure everyone gets paid as much as they can, the budget we have means that a whole world of this will be unpaid. We know that’s not ideal, but we will cover expenses and of course, public credit for what you’ve done that you can use to gain further work. At the very least you will get experience, have a lot of inspiration and encouragement from working with a friendly and determined creative team. You will be noticed, appreciated, recognised and if nothing else, we’ll definitely get you drunk. Tell people what we’re doing The only way we can get the volume of share sales to raise the funds is getting enough publicity to guarantee the necessary website viewings throughput. If we are working on the basis that 1% of people who view the site will buy, we need 5M people to know about what we’re doing. That may sound like a big target but its entirely possible just through 1 or 2 mentions on a major-league broadcaster’s news programme or national magazine’s editorial spot. If you’re a member of the press, please tell the world what we’re doing. If you believe in the mission, please tell the press to feature us. It’s the sole deciding factor in whether we make it big or not, and the hope of a lot of people depends on it. so almost any audience is a relevant target and beneficiary. All our publicity needs to drive people to the website to buy shares. The end goal is the sale of 50, 000 shares or more, and then demand for our product. Please make sure you save copies of any press coverage so we can feature it on this website and in the video footage. If you do plug what we’re doing, please let us know. We can help track the subsequent throughput and give you detailed feedback . We can put thanks, links and credits to every media outlet on our site and promotional materials that have helped us - to direct new visitors to them in return. Give Us An Audience We’ll talk to anyone who will listen about what we’re doing - if you find the project inspiring or just want to give us a chance to reach people, ask us to travel over to you and speak to the group and/or audience you are a part of. That could be a university class, a business conference, a church, a professional association or anything where there are a lot of people who could benefit or be entertained by what we are doing. We’re happy to talk about a specific part of the whole process rather than the whole thing if necessary. National & Regional Newspapers Press is absolutely key to our success and journalists are busy people who need a good story that will sell papers and interest people. You can use the standard set of press releases to approach both smaller local newspapers and the bigger national brands to ask them to give us some coverage. Email people individually and personally to tell them our story so they are encouraged to feature us and direct people to the website. Contact details of journalists and editorial staff are normally printed in the paper itself. If you are a journalist, please give us some coverage in your article/column as we believe our unique project is an inspiring and interesting initiative that your readers will be curious about, interested in investing in and something for all of us to believe in. Feel free to use our library of press releases to quote from (available from the materials page) and any of the team will be happy to give you an interview on short notice if you need us to. If you want to do something more fun like a promo, competition, special deal or custom feature, we’d love to. Magazines Magazines tend to be periodical and based around specific subject areas (as opposed to news and general interest), so features tend to be based around an annual schedule of planned topics and more weighty content. Because they are a slower turnaround and more permanent they give us a real chance to reach a wider range of people. Contact editors, feature writers and freelance contributors on our behalf to let them know what we are doing, but please remember they work to a specific topic schedule and need to understand clearly that their targeted niche of readers will be interested in the film because of its process and applicability to their subject. Every magazine lists its staff in its credits, so you can find names and contact details by looking for the index. If you are a magazine journalist or feature editor, please consider helping us by publicising our project and movie in your editorial as any of your readers are free to buy shares in it, and many of the elements of the project itself may be of interest and/or use to them to use in their own areas of interest or trade. Feel free to use our library of press releases to quote from (available from the materials page) and any of the team will be happy to give you an interview on short notice if you need us to. If you want to do something more fun like a promo, competition, special deal or custom feature, we’d love to. TV Broadcasters The big one. Just one feature on a mainstream broadcaster (BBC, ITV, C4, Five, Sky, Virgin, MTV etc) could give us every single person we need in one fell swoop. If we can get on local or national TV news, or get featured on a mainstream TV programme, we can benefit from a huge surge in traffic and share sales that could see us reaching our target weeks before we thought we would. You can call/email producers, newsdesks and commissioners to get them to feature us. Please bear in mind that they are incredibly busy people and tend only to take material that is instantaneous/current, and also, like magazines, tend to work to a topical schedule agreed in advance. If you work for a broadcaster or are a producer, you could change everything for us just by giving us a plug on your show, no matter how brief. We can get video material over to you, as well branding graphics and personnel for short-term interviews whenever and wherever necessary. If you want to do something more fun like a promo, competition, special deal or custom feature, we’d love to. Local & National Radio Radio might be depreciated in the UK but it is still a force to be reckoned with. Premium times are breakfast, lunchtime and the drive home from school/work (drivetime) and although dominated by the BBC and GCap group, it can still drive millions of people to the movie itself. You can call/email DJs, producers and researchers to ask them to give us some coverage in their show’s editorial sections (news is provided by IRN, a centralised service). An important thing to remember is that the website address must be stated clearly at least twice for people to remember it. If you are a radio DJ or radio producer, please plug our movie project on your show. All your listeners are able to buy shares in the movie and the inspiring nature of the story may just cheer up a long crappy journey to/from work, or a dead lunch hour. Any of us are available over the phone to do a last-minute ISDN link interview and we can supply audio trailer material if necessary. If you want to do something more fun like a promo, competition, special deal or custom feature, we’d love to. Blogs We love them. There are millions, and there are no lists per se, but this project is something we believe most bloggers will absolutely love. And the best thing is most are really cool - laid back, enthusiastic, open-minded and willing to help. There’s no great database of them as they keep getting more and more pervasive, but a link or two from some of the big traffic sites can start a viral ripple that can send a lot of people our way. If you come across a great blog, drop the author a line on their email address and ask them to link to our site and talk about what we’re doing. They can send us a pingback directly via our website software so we can connect right back to them and direct visitors their way in return. Just be honest about what we’re trying to achieve, first and foremost. Social Networking The ultimate basis of what we’re doing is to get as many people to know about it as we possibly can. We need you to tell everyone, everywhere - your family, friends, colleagues, neighbours, strangers, your doctor, local wildlife, and even the people you hate. It doesn’t matter how you do it, or how you manage it, we just need you to do it. And when you’ve told them, tell them again. Then tell them to tell everyone they know too. Send out an email to everyone you know introducing us with a link to the website. Then ask them to email everyone they know; Post bulletins on MySpace about it and invite people to add our profile; Ask friends who write blogs to post links/banner images to the movie and invite people to buy shares; Post the website to your Facebook profile and invite everyone you know to join our group. Then ask them to invite everyone they know; Email the administrators/editors of big sites, mailing lists and collaborative groups asking them to send out an email to their subscribers on our behalf to promote what we’re doing; Digg our website whenever and wherever you can; Put the website address on your MSN/Yahoo/AIM status and social site statuses; Email video bloggers on YouTube and ask them to talk about the project, as well as encourage people to tell their friends; Plug us on web forums and blogs and ask people to spread the word (make sure to clear it with the webmaster and forum members first as it can be a serious breach of etiquette). Lend us production resources Our budget is small, but our determination and resourcefulness isn’t. We have big ambitions and we want to create something amazing that will inspire all and make them want to do the same. There’s no doubt about it, we are going to have to beg, borrow and very possibly steal (apologies in advance for that).Assist us in pull off a miracle and achieve the impossible. With your help, we can. We can do it if you get us there. If you believe in us, and believe in what we’re doing, please get involved and do us favours we didn’t know we needed. Who knows? You might just be able to give a competitor The Finger in the process. Why not surprise everyone and do something totally out there that we never thought we’d be able to include? Have you got a helicopter per chance we could take aerial shots with? You can help us by: Giving us a heavy discount, even if you’ve heard it all before; Better still, giving it to us for free of charge as a favour; Lending us things we wouldn’t normally have access to; Advising us on the best choices, not necessarily the ones that will make you the most money; Pointing us in the right direction. We don’t have many resources so keeping the budget strictly under control is paramount - almost all the money is going on paying crew and hiring specialist filming equipment. If you can help us by cutting our costs and supplying what we need at minimal cost, we can do something amazing and unique. Some of those things are below, but imagination and creative suggestions are warmly welcomed: Filming Locations Can we clear out your office and film a lot of people being brutally shot at close range in it? If you have a space that would fit the scenes in the script, invite us to have a look and use them for filming. We need lots of places you probably don’t even realise - an office, a London pub, receptions, shops, greenery, flats, bedrooms and more. If we could use a proper studio, wow. Rehearsal Space Our luvvie daahlings can only do so much in Starbucks and over the phone, so having somewhere to not only audition them but to get everyone to play out the lines and sequences going on screen is essential. Ideally rehearsal space needs to be private, secure, theatrical in nature (e.g. hall, theatre, cinema), so if you have an empty space, please let us fill it for a few weeks. Camera Equipment Our biggest budget expenses are the hiring of HD cameras (x10-20) and camera equipment (steadying, cranes, dollies, rigging, automation etc) for around 2 weeks, so if you can help us get this down, please get in touch with our DoP. Yes, you’ve heard it all before, but your generosity would make a real difference. The cost is massive and it could change everything. Lighting Equipment Just behind camera gear on the spreadsheet is lighting equipment hire, which is always exorbitantly expensive and highly specialist. If you can help us by providing lights, cabling, scaffolding and infrastructure, it would change everything we’re doing and free us up to make the film as professional as what comes out of Hollywood. Sound Equipment Professional sound is absolutely crucial to everything we want to do, so we need to use the best audio kit we can. Mixers, soundcards, boom mics, wiring, stabilising hardware and sequencing gear are just the start of a long list you could make a lot smaller just by taking the time to help us reach our goal. If you’re a supplier or an expert, please get in touch. SFX Equipment & Materials Obviously we can only get this from very expensive specialist suppliers (< 50 in the UK) and as such can only fall on their generosity and faith in us for what we’re aiming to accomplish. We need *dramatic* pyrotechnic and mechanical effects - replica guns, blood squibs, minor explosives, smoke, sheet glass etc. Help us beat Hollywood and BBC1 at their own game. Props It’s the small things that make a difference and add up on the bill you never really think about in comparison to the bigger things like camera hire. We will be making a list of the objects and accessories we need, but possibly the biggest issue is old computers and office equipment (Michael is going to destroy an office), as well as small touches like flowers. Costume, Wardrobe & Make-Up All the cast could wear their own clothes, but if you could deck out our characters for us you’d be changing the whole aesthetic of the film. Maybe you work at a store and/or theatrical supplier and can lend them out to us on return, or can sell us what we need at trade price as a special exception. Maybe you have access to goods that are ex-display or slightly damaged we could use. Computers & Software Licensing A lot of our team simply have immovable desktop PCs, so laptops would be invaluable on set to co-ordinate our online collaboration and help those without access to them in the first place - not just for looking at Facebook, but possibly for blowing them up later on too. We’d prefer to use legitimate software when editing (rather than downloading it from BitTorrent) and the more CPU/RAM/HD workstations we have, the better it will look in the end. If you could lend us the machinery for 2 weeks on set and a few weeks after, a lot of geeks would love you for a very long time. Professional Printing Promotion and distribution are both huge costs that mainly occur after the majority of the budget has been spent on destroying everything and paying as many people as we can, so if you can help print DVDs, posters, invites, flyers and materials we’d normally have to fork out a lot of money for, it would take a lot of long-term worry off our minds. Transport We’re not paying for expensive taxi-cabs but we do need Transit hire and people who can get us all from one place to another. Maybe you can drive us there, or lend us the vans. We need to put crew in cars and somehow keep everyone happy along the way. If you have space, time, wheels and want to see this happen, drop us a line and be that unsung guy we can count on. Event Venues The glory and glamour of movies is all in the screening and theatrical display after filming, and we’re no different. We’d love to have a big dramatic affair to showcase what we’ve achieved afterwards and you might be able to help us do that. We need a place to do the screening (would love the Royal Festival Hall for this), somewhere to hold an after-party, a place to do the Battle-Of-The-Soundtrack-Bands and a bar or two we could get the crew and cast into to let off steam. Telephone Accounts It may be taken for granted but it’s essential. Ideally we want to do everything through Voice-Over-IP to keep the cost down as we’re going to be making a lot of calls to many different countries or people. Maybe you work at a telecoms company or mobile carrier that could give us a hand with handsets and cheaper accounts for a few weeks to keep us all connected. Food/Catering An army marches on its stomach, and we will have 50-60 hungry, bloodstained, crazy, hypoglaecaemic obsessives working around the clock to do more than they possibly should in less time than they can do it in. Bring food, and lots of it. Keep us awake and full of energy so we can get to our goal with our health and sanity intact. Booze If we can’t pay everyone, we can at least get them blind drunk to say a huge thanks for every second of effort and energy they’ve put into helping us achieve what we set out to do. Work hard, play hard. If you can keep us stocked with all manner of poisons so we can celebrate the good and the bad, it may just stop a lot of people doing what Michael does. Tranquilisers, Massage & Psychotherapy It just be a stretch, naturally, but if you’re asking for all this you might as well go the whole hog. Thank you for visiting! We talk about the issues in society that are often overlooked as if it doesn't exist. Our music is for the people that must work and sacrifice to have something in life. With that being said, we would like to welcome you to our world, and we offer you an open invitation to join our rapidly growing fan base. This site can be navigated by either directly clicking on the links to your left, or by using the next or back buttons above. above will return you to this page. Please sign our guestbook and let us know how you feel about our site and the overall image of our company. You may also visit the page of our artists by going to the artist page and clicking on the links. 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Whether an artist is looking for music, a place to record, or both, we have the capabilities to put an artist ideas on wax and deliver it to the public. We have our own recording facility, composers, producers, and engineers in-house. Whether you are an independent artist or a major label artist, our team of dedicated and experienced musicians will turn your ideas into reality. Please contact us if you would like US to be involved in your next project. We have a catalog of music and artists that would be interested in featuring on your album or mixtape at reasonable rates. SO NOW SPREAD THE GOOD WORD ;CONTACT ME HERE OR AT MY MANY WEBSITES LISTED BELOW THANK YOU NOW LETS GET FAMOUS!