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Personally, textually and metaphorically, the inaudible frequency project refer to the sounds that can't be listened (infrasounds, and/or sounds that may hurt the ears), sounds that can't communicate directly or are hard to be understood. I try to express feelings and moments in life through notes-melodies and drum programming.
I think there shouldn't be genres, but music (as the universal word), a language from the soul to the soul.
Can't talk about the music, so I'll let it talk by itself.
SORRY IF I'M DELAYED AT REQUESTS/MESSAGES (DUE TO DIFFICULTIES TO BE ON THE WEB FOR ME RIGHT NOW, HAVEN'T GOT ENOUGH TIME TO CHECK OUT SPACES AND LEAVE COMMENTS (such as thanks 4 adds) AS I WISH I COULD)
DEBIDO A FALTA D FACILIDAD Y TIEMPO PARA CONECTARME, NO PODRÉ DEJAR COMENTARIOS A NUEVOS AMIGOS, COMO QUISIERA :S
< < thanks for listening the inaudible frequencies > >
Tocando en el Noveno Aniversario de Aguascalientes Radio FM 92.7, este martes 17 de Noviembre a partir de las 21:00 hrs. Escúchalo por 92.7 FM y también por Internet en:
Hello ! Lorele-ix, New single of Flamen available on habité records. Download it on junodownloads now !! http://www.junodownload.com/artists/Flamen/releases/
Hello. Best Regards. ARX KAELI - Highway. Released on label Acidsamovar, Russia. Cd packed in wooden box with laser engraving, covered a grey varnish. Time 62 min.
Queremos hacer un disco que trascienda a nivel mundial, en donde todos pongan su granito de arena en las ideas,,, nuestro objetivo es que todos los instrumentos se luscan y hacer un disco realmente interesante y tocarlo en vivo y generar una gran espectativa, Si te intereso, te dejo un video para que te des una idea mas o menos de lo que estamos buscando, nuestra intencion es abarcar todos los estilos del rock instrumental.
Requisitos Tecladista:
1.- Teclado propio. 2.- Buen nivel, creativo, comprometido, etc.
Requisitos Baterista:
1.- Batería propia. 2.- Qué pueda tocar en vivo con METRONOMO ("CLICK").
Interesados comunicarse a los siguientes tels. ó mandar un email: Telefono Fijo Local: 970-94-25 Celular: 449-113-78-58 Email: soloinstrumental@hotmail.com ó soloinstrumental@yahoo.com
El genio detrás de CONTROL MACHETE y muchos proyectos mas como lo son sonidero nacional, asi como parte del roster del crew mas imponente de música electrónica MAD DECENT se presentara en nuestra ciudad.
CELEBRANDO EL 4TO ANIVERSARIO DEL BRIXTON PUB AGUASCALIENTES
We just started the official SToB on Facebook page so please join it! http://www.facebook.com/shaolintempleofboom Also SToB's community at http://www.shaolintempleofboom.com/ has had some new major upgrades please join it here http://www.shaolintempleofboom.com/SignUp.aspx
We just started the official SToB on Facebook page so please join it! http://www.facebook.com/shaolintempleofboom Also SToB's community at http://www.shaolintempleofboom.com/ has had some new major upgrades please join it here http://www.shaolintempleofboom.com/SignUp.aspx
ashh no acepto url ajajajjaa me salio mal la broma eh omar no seas tan fresa y deja satura tu myspace con publicidad ehehe vive el momento es hermoso un html hahaha un gusto verlo ayer mano cuidese y partisipe en el concurso y valla a bailar ese dia http://adherible.blogspot.com/ abrazo¡
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Personally, textually and metaphorically, the inaudible frequency project refer to the sounds that can't be listened (infrasounds, and/or sounds that may hurt the ears), sounds that can't communicate directly or are hard to be understood. I try to express feelings and moments in life through notes-melodies and drum programming.
I think there shouldn't be genres, but music (as the universal word), a language from the soul to the soul.
Can't talk about the music, so I'll let it talk by itself.
SORRY IF I'M DELAYED AT REQUESTS/MESSAGES (DUE TO DIFFICULTIES TO BE ON THE WEB FOR ME RIGHT NOW, HAVEN'T GOT ENOUGH TIME TO CHECK OUT SPACES AND LEAVE COMMENTS (such as thanks 4 adds) AS I WISH I COULD)
DEBIDO A FALTA D FACILIDAD Y TIEMPO PARA CONECTARME, NO PODRÉ DEJAR COMENTARIOS A NUEVOS AMIGOS, COMO QUISIERA :S
< < thanks for listening the inaudible frequencies > >
