Dj’s, Producers and label owners, Andy Riley and Laurence Ritchie AKA Inland Knights hail from Nottingham UK, a city with a rich musical legacy, particularly for house music.
They met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade soundsystem from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilised with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties, and their club nights became local institutions that ran for years with packed dancefloors, and still do to this day!.
By ’98 Laurence and Andy had made the inevitable step into production and the same year the Dropmusic label was born with the release of ‘Inland Knights vol 1’. As Inland Knights Riley and Ritchie undertook a busy schedule in the studio to write tracks for Drop (almost all of the early output was entirely Inland knights, despite many monikers).
Dropmusic has gone on to become one of the most highly regarded house labels in recent years(with 60 plus releases to date), and Inland knights have gone on to become one of the most respected production outfits in the house world, regularly taking on remix duties for fellow labels and producers. Highlights include the accliamed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, cd compilations and remixes for NRK and Om Records, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently Inland Knights album to mark 10 years of Dropmusic entitled ‘Dust till Dawn’.
Currently, as well as remix and production commitments, the pair maintain a busy international Dj ‘ing shedule, and can be found most weekends playing somewhere in the UK or Europe, as well as regular visits to the U.S, Australia, New Zealand and South Africa.
Andy also records under the Toka Project pseudonym , and Laurence under the alias Larry Fives.
Mes: Love toms programming track and the Damien's remix....whooot!Nice wun fellas! Your on a roll:)
Andy Toka Project/Inland Knights: yeah really cool!.....loving sun city hustlers track...and programming is wicked......definately gonna get plays from me
Giom: Loving the original mix and also Tom's new original tune, programming! Paaaaaaarty!
Gav Littlemen: Love the original and Programming
Ben (Brown/Unpopular) i like all the tracks. my favourites of real thang are the original and toms mix - especially like the rudebwoy b-line and old style beats of the TSI mix.my favourite of the whole release is programming - i think mostly cos of the samples and the way they are arranged. its good fun.
Mike (Kolour): sch's original broke new ground for these guy's sound. it has a nice disco vibe that works really well in the mix. i've been playing it since john sent it moons ago. the mastering on it came out perfect too. really brings the tune to life.damien's remix features more of the vocal and that's never a bad thing as far as i'm concerned. he churned out yet another remix where he takes the original tune and makes it his own. this is definitely something i'll play tom's remix is definitely a departure from the other two versions. he adds a level of filth to it that contrasts the dynamic of the EP just enough to give it that 'something for everyone' feel.
Quell: I LOVED Damien's old/new school remix and the original version of that track and i really like Toms 'programming' track.
Strakes (Lost My Dog): Original mix of Real Thang is sounding good – r
