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The flourishing career of pianist Inon Barnatan takes him to some of the most important music centers and festivals worldwide. Just 30 years old, Barnatan is rapidly gaining international recognition for his poetic and passionate music making, communicative performances and engaging programming. In April 2009 he was awarded an Avery Fisher Career Grant, one of the most prestigious prizes in classical music.
Summer 2009 concert highlights for Mr. Barnatan include a return engagement with the San Francisco Symphony (Tchaikovsky Concerto No. 1) and performances at the music festivals in Aspen, Vail, Santa Fe, Bridgehampton, and Blossom (Rhapsody in Blue with the Cleveland Orchestra).
Barnatan has developed and curated a project of Schubert’s late solo piano and chamber music works, which will be presented by the Chamber Music Society of Lincoln Center at Alice Tully Hall in the fall of 2009. The Schubert Project has been performed to great acclaim at the Concertgebouw in Amsterdam, the Festival de México and at the Library of Congress. Among his collaborating performers are Jonathan Biss, Kirill Gerstein, Shai Wosner, Liza Ferschtman, Alisa Weilerstein, and the Jupiter, Belcea, and Borromeo String Quartets.
Also in 2009-2010, Barnatan performs concertos by Rachmaninoff and Beethoven (Nos. 2, 3 and 5) in a variety of venues, and Beethoven’s “Waldstein” Sonata at the 92nd Street Y in New York. A tour with frequent chamber music partner Alisa Weilerstein includes a concert at the Kennedy Center. His season finale, in May 2010, is a solo recital at London’s Wigmore Hall.
Other recent recital highlights have included the Metropolitan Museum of Art in New York, the Louvre Auditorium in Paris, the “Rising Stars” series at the Ravinia Festival in Chicago and the Gilmore Festival in Michigan. In the summer of 2008 Barnatan made his debut at the Lanaudière Festival and at the Aspen Music Festival where he played a recital of Liszt and Messiaen.
As concerto soloist, Barnatan made his American concerto debut in 2007 with the Houston Symphony Orchestra. He has also performed with the Israel Philharmonic Orchestra, Netherlands Chamber Orchestra, Orchestre de la Suisse Romande, Shanghai Symphony Orchestra, Jerusalem Symphony Orchestra, Porto Symphony, London Soloists Chamber Orchestra, Orchestra of New Europe, Haifa Symphony, Israel Chamber and Jerusalem Chamber Orchestras, with such conductors as Lawrence Foster, Philippe Entremont, Nir Kabaretti, James Gaffigan and Kynan Johns.
Barnatan has performed at Carnegie Hall, Music@Menlo, the Delft and Verbier Festivals, as well as Salla Verdi in Milan, the Royal Festival and Queen Elizabeth Halls in London, the Musikverein in Vienna, the Arts Theatre in Shanghai and Salle Gaveau in Paris.
An enthusiastic chamber music player, he has just completed three seasons as a member of the Chamber Music Society of Lincoln Center’s CMS Two. He participated in the Society’s first iTunes digital download, released by Deutsche Grammophon.
Other chamber music performances include the complete Beethoven piano and violin sonatas at the Concertgebouw in Amsterdam with violinist Liza Ferschtman, the Bergen International Festival in Norway, the Vancouver Chamber Music Festival, the Ravinia Festival, the Verbier Festival and the Lyon Musicades. Inon has collaborated with such musicians as the Jerusalem String Quartet, Cho-Liang Lin, Miriam Fried, Gary Hoffman, Ralph Kirshbaum, Jonathan Biss, Martin Fröst and Paul Neubauer. Inon was awarded the prestigious Andrew Wolf Chamber Music Prize in Rockport, awarded every two years to an exceptional chamber music pianist.
Barnatan’s debut CD of Schubert piano works was released on Bridge Records to great critical acclaim. London’s Evening Standard wrote, “the young, Israeli born pianist Inon Barnatan is a true poet of the keyboard: refined, searching, unfailingly communicative…this is musicianship of the highest caliber.” Gramophone recommended the recording in its November 2006 award issue, calling Mr. Barnatan “a born Schubertian” and praising the CD’s “sensitivity, poise and focus”. His second CD of works for piano and violin by Beethoven and Schubert with violinst Liza Ferschtman has also won many accolades, and was described by All Music Guide as “a magical listening experience”. Barnatan has appeared on many radio and television stations throughout the USA, Europe, Asia and Israel.
Passionate about contemporary music, Barnatan regularly commissions and performs music by living composers. He has played works by Kaija Saariaho, George Crumb, Judith Weir, Avner Dorman, Thomas Adès, George Benjamin and others.
Born in Tel Aviv in 1979, Inon Barnatan started playing the piano at age four. He made his orchestral debut at eleven, and studied with Professor Victor Derevianko. In 1997 he moved to London to study at the Royal Academy of Music with Maria Curcio (a student of the legendary Arthur Schnabel) and Christopher Elton, and has coached extensively with Leon Fleisher. In 2006 Mr. Barnatan moved to New York City, where he resides today.
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A super-song, a mega-composition, something that astonishes people, that makes them sob, laugh and rejoice. No “sophisticated” art but no cheap entertainment either. Take the best of pop, jazz, tango, opera, operetta, klezmer, soul, blues, minimalist music, virtuosic violin-music (Paganini, Wienawsky, Sarasate) and so on, or compose your own style. Everything is fine as long as the audience is crazy about it. Concerning the playing technique the composition is expected to be sophisticated, challenging and unconventional. It is expected to combine new effects with innovative sounds and hot rhythms.
Instrumentation: 2 violins
Duration: approximately 5 minutes of music
Awards: 1. Prize: 3000 Euros Heinrich-Vetter Preis 2. Prize: 2000 Euros Bourgier-Seisser-Cleve-Werhahn-Preis 3. Prize: 1000 Euros Pro Musica Viva Maria Strecker-Daelen Preis 4. Prize: 400€ Additionally, there will be two extra prizes of the PE-Förderkreis for students of music: each consists of 250 Euros!
Deadline: 01.07.2009
Course of events: With the professional counselling of Prof. Sidney Corbett we will determine a preselection (in total six compositions) among all the compositions sent in. That preselection is presented to the audience at the concert of awardees (on the 18th of September 2009 at the Reiss-Engelhorn Museum, Mannheim). The audience is going to vote for the awarding.
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