THE INSOMNIACS' brand new release "AT LEAST I'M NOT WITH YOU" (April 21, 2009/Delta Groove Music), the follow-up to their critically-acclaimed debut "Left Coast Blues", was recorded in only two days. The Portland, OR-based band led by 27-year old vocalist/guitarist/songwriter VYASA DODSON, together with bassist DEAN MUELLER, keyboardist ALEX SHAKERI and drummer DAVE MELYAN, laid down an astounding set of material that had been finely tuned night after night out on the road over the last two years. This release had the benefit of production help from Jeff Scott Fleenor from Delta Groove and the quality sound of one of the finest recording studios on the West Coast (Clear Lake Audio). Joined by special guests Al Blake (harmonica), Mitch Kashmar (harmonica), Joel Paterson (pedal steel guitar), and Jeff Turmes (tenor/baritone sax), The Insomniacs expand on their original intoxicating formula -- a mix of blues, swing, jump, and roots rock -- and deliver what is sure to become an instant classic.

The Insomniacs seemed to literally explode onto the scene out of nowhere in 2007 as a fully-formed and functional unit delighting audiences with their joyous and highly contagious musical sound and irresistible sense of swing. Their self-produced debut release "Left Coast Blues", recorded in the living room of bassist Dean Mueller, was quickly snatched up and issued on Delta Groove Music, hitting a peak position of No. 5 on the national Living Blues radio charts. Critical praise and industry recognition from the blues community soon followed, garnering the band a 2008 Blues Music Award nomination for Best New Artist Debut, as well as a 2007 Muddy Award presented by the Cascade Blues Association for Best Contemporary Blues Act.

They play vintage instruments and channel a blues style from the 1950's, but there is a distinct new cyberspace bent to The Insomniacs. These musicians, who have quickly jumped into the top tier of clubs, tour endless highways in a beat-up van, babying a gut-string upright, a 1951 Fender "Nocaster" guitar, a 1964 Framus Star Bass, and their Magnatone and Ampeg tube amps.

They fill long drives between gigs by surfing the web on wireless laptops, looking at MySpace and Facebook friends of the clubs down the road, and emailing blues fans inviting them to listen to the band and come to a show. The result is hundreds of plays per day on MySpace, a site usually focused on alternative, pop and hip-hop music. They've engaged a whole new generation of first-time young blues fans, as well as older ones who recognize the roots of their music.

Guitarist Vyasa Dodson, whose exotic name is a Sanskrit gift from his Northern California mother, had a revelation when he switched from emulating Stevie Ray Vaughan and Eric Clapton to studying jump blues masters such as Junior Watson, Tiny Grimes, Charlie Christian, and Little Charlie Baty.  "The Blues isn't dead," says Dodson. "It's just going in different directions. B.B. King and Buddy Guy got started when they were young. The same thing is happening today."

"Blues music just speaks to me," says bassist Dean Mueller, who had his mind blown teaching at Centrum's Port Townsend Country Blues Festival, where he jammed with John Cephas, Louisiana Red and Honeyboy Edwards. "It was just so cool. I knew I had found my home."

Together with Alex Shakeri ..s and Dave Melyan on drums, they bust out with an original mix of blues, swing, jump, and roots rock & roll that has crowds dancing the night away. You can't get that energy from a computer, the Internet, MySpace or a DVD.