Photo of Irka Mateo

Irka Mateo

Irka Mateo Radio

General Info

  • Genre: Folk / Jazz / Latin

    Location BROOKLYN, Un

    Profile Views: 17564

    Last Login: 8/25/2011

    Member Since 2/6/2008

    Website irkamateo.net

    Record Label unsigned

    Type of Label Unsigned

  • Bio

    Irka Mateo's artistic career has been one of breaking boundaries to embrace people's deepest humanity. Her art has incubated in Spain, France, Brazil, Canada, the United States and her native Dominican Republic. In the Dominican Republic Irka – a Taina – is an important cultural figure – of some controversy. In the mid-1970s she was a candidate member (a gymnast) of the Dominican Olympic Team. In 1992 her performance in Santo Domingo – where generals of the former Balaguer regime were in the audience, ended with her leaving the country to Canada. The occasion was Columbus' 500th anniversary landing and Irka's performance of 1992 rankled the sensibilities of the military elite. In Canada Irka surrounded herself with the best artists in that country, performing to enthusiastic audiences regularly at the Montreal Jazz Festival (she performed three times) and numerous other events and venues. It was also in Montreal that she recorded the Spanish-language version of Sucre Amer, a song in defense of Haitian sugar cane workers–the recording that lead to her opening for the Fugees when they played in Haiti in 1996. The desire to reconnect with the culture of her native Kiskeya (Hispaniola) led Irka to return to the Dominican Republic in 1998. Over the course of the next 10 years she immersed herself in the island's folk music; which is founded on popular religious celebrations and the Taino culture that remains there. This exploration infused her music with a unique and magical dimension; with compositions that speak of love, folklore, and influenced by native-Afro Caribbean rhythms. This work also lead her to co-found Guabancex, Wind and Water Society dedicated to the popularization and preservation of native culture. A key moment in any Irka performance is when she dons a native headdress during the singing of Anacaona – the song is a passion play of the Taino queen hanged by the Spanish Conquistadors. Along with her field work, Irka performed in concerts and festivals in the Caribbean and Latin America; including a performance in front of 100,000 people in Mexico City. It is live where Irka channels her particular charisma. Whether in front of soccer stadium in St. Kitts filled with an initially luke-warm audience, or the intimacy of a few score people in New York's Nuyorican Poets Cafe (where she received a Taino Award), Irka has a way of embracing the crowd. Within moments of her taking the stage people are engaged in call and response chorus to music of passion and uplift. In 2008, Grammy Award winning producer, Daniel Blumenfield, of GoodandEvil, Inc. (Sex Mob's Sexotica; The Klezmatics' Wonder Wheel) discovered Irka in Santo Domingo and brought her to New York. She has since released the album Anacaona (in 2009). She is currently working with Blumenfeld on a new recording.

  • Members

    Irka Mateo: Voice, Music and Lyrics. Yasser Tejeda and Antonio Brito:guitars. Peter Nova and Antonio Gonzalez:base. Percussion: Guarionex Aquino, El Abuelo and Edgar Molina Arrengements: Peter Nova: Anacaona. Yasser Tejeda and El Abuelo: Liborio and Hombre de la Tierra.

  • Influences

    Dominican Folk Rythms and Brazilian Music

  • Sounds Like

    ..Sur con Durci...... .. .. .. .. ......Add to My Profile.. | ..More Videos..

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