Emmy Awards
Outstanding Individual Achievement in Writing in a Variety or Music Program - The Ben Stiller Show (1993)
Outstanding Writing in a Variety or Music Program - Saturday Night Live (1989)
Профессиональные связи и организации
Saturday Night Live, Mr. Show,
bob — увлечения
Музыка
Brushfire Records, Jack Johnson, G. Love, Matt Costa, ALO, Money Mark, Rogue Wave, Mason Jennings
Фильмы
Filmography
1993 Wayne's World 2,
1994 Clean Slate,
1996 The Truth About Cats & Dogs,
1996 The Cable Guy,
1996 Waiting for Guffman,
1997 Hacks,
1999 Can't Stop Dancing,
2000 The Independent Figure,
2002 Run Ronnie Run,
2004 Lil' Pimp,
2004 My Big Fat Independent Movie Steve,
2005 Relative Strangers Mitch Clayton,
2006 Let's Go to Prison (Director),
2007 The Brothers Solomon (Director),
and more.
ТВ
Filmography
1992 Ben Stiller Show TV Series,
1995 Mr. Show with Bob and David TV Series,
2000 Sammy TV Series,
2003 The Big Wide World of Carl Laemke (TV),
2004 Tom Goes to the Mayor TV Series,
2007 Tim and Eric Awesome Show, Great Job! TV series,
and more.
To Any and All Members of the Media Whom It May Concern:
Let me preface this letter by saying that I know full well what makes you media moguls tick. We all know that this business revolves around the dollar sign, not the art. While I might not agree with your philosophy, at least I can respect it.
That being said, are you guys kidding me? I will be the first to admit that Rogue Wave and I did not exactly see eye-to-eye on the “Chicago x12” project. However, to be honest, I don’t care what Zach, Pat, Patrick, Dominic, and that guy with the glasses have to say about the video. They should just be thanking their lucky starts that I didn’t set the video around Zach going to singing classes so he could learn how to annunciate. This was my creation and all those guys did was provide a soundtrack to it. Fortunately, it doesn’t matter what Rogue Wave thinks. It’s called “Director’s Cut” and it’s clearly in my contract.
What I don’t understand is why most of you appear to have sided with the band on this issue. When a director is given creative control of a music video, there is an unwritten rule that the suits will trust his vision. All that aside, my video was at least twice as awesome as theirs.
I don’t want to make a big deal out of this. All I am “asking” is that you erase any and all traces of the unofficial “Chicago x12” video and promote the hell out of my version. In conclusion, I would like to remind you of my legal team’s 98% success rate in court.
Thanks again for supporting the artistic community,
