The trick with reg reeds is to get the top note slightly sharp and everything below getting progressively sharper as you move away from the reed.
When you position a “rush” all the way up to just above that top note, it should bring it down to pitch. Aim to have the top note just in tune when the pin is half way in/out.
Proceed to the next note adding something like soft wax to the rush just at or above the note hole until it is just in tune. Do not use tac as it sticks to the inside of the bore and is VERY DIFFICULT to remove.
Tune the rest of the notes each in turn as you move away from the reed.
Because you did this with the pin at the half way point, you should have freedom to sharpen or flatten from that middle point.
You will find that in different environments you may need to add or remove some wax to bring any particular note into tune.
Each time you make a change to a certain point along the rush, keep in mind that it will have an effect on all the notes below that point and you may have to make corrections below as a result of an adjustment made above.
I often use single core insulated electrical wire with some of the insulation removed and the rest cut into small sections which I can move up and down. If the insulation doesn't slide easily, I add a little Teflon grease.
James Keena, Pipe Maker, who for several years supplied the Gentlemen of Connaught and Munster with Pipes, Chanters, German Flutes, etc. takes
this Method of letting his Friends and the Public know that he now lives at Balnacargy, within 5 Miles of Mullingar on the high Road leading to Longford, where he carries on Said business in an extensive manner and hopes that his Assiduity and care, the newest fashions now in Taste, as also several Inventions discovered by the said Keena, will merit the continuing Custom of his friends and the Public in General.
Nov. 27, 1770
A selection of other sets of union pipes made by James Kenna
Hello James thanks for being our, your music is wonderful as your land, infondo Sardinia and a little Lirlanda are alike, I would like your comment on my thanks and a kiss to your land for me.Luis .
grazie dell'amicizia..un giorno bisognerebbe mescolare le sinfonie del sud italia con la vostra buona musica per vedere cosa ne viene fuore..continua sempre così
Hi James thank for the add.Your pipes has a great sound, and listen by listen they make me want to buy one of them for learn to play it. Greetings from Liguria
Jams, Jams Kenna ! Thanks for writing me on this SPACE ! That's a Hell of a set of Pipes you have there, James ! Have you, your-self, been around all those years ? If so, contact Aubrey De Grey in England, he could have a job for you,in the Anti-Aging Movement ! Meanwhile, speaking of AGE-ing, do you have any Pastoral Pipes (in Ireland) owned/measured up? The reason I'm asking is there's this man here in California, Mike (G#) Sharp, who wants to make one. He has the Sean Reid Society CD-Rom with Mr. Garvin's measure of Alan McLeod's H. Robertson set, I just wondered if there are any others "hiding out" at the National in Dublin,or elsewhere... in Erin ? Keep Up The Good Work and more (David) Power to Your Elbows ! Sean na Peeps
Wow. The sound of this pipes is just amazing. It's really great that we can hear it, instead of just looking at it getting dusty in a museum. Thanks to all the people who made it possible. So, how is it to be the guardian of such a national treasure?