Janes Rejoice

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Silvia

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Released: Jan 1, 1999

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Silvia
3:12
2,524 plays
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Lucy ’n’ Henry
3:44
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Canyons
4:25
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Dream 'n' Dance
4:31
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Reality
3:30
580 plays

Total Plays: 8,274 / Plays Today: 2See All Featured ►

General Info

Genre: Folk / Rock
Location Copenhagen, Hovedstaden, De
Profile Views: 27762
Last Login: 12/1/2011
Member Since 5/15/2007
Website www.janesrejoice.dk
Record Label Cope Records
Type of Label Indie
Bio
In the wake of the somewhat rough and primitive 4. album, Afterglow from 99, the ride to come was destined towards the opposite side of the forest. Stripped bare and soul cleansed, we decided to take a deep breath and behave good. The next recordings would skip the tough for the gentle - trade 'cool' for the mellow and dim. This new string of songs seemed far more melodic. They asked for increased sensibility and needed another kind of vision. We figured that the answer had to be found somewhere in the cross between acoustic guitar and lyrical 'keys'. Drum programming would be met by real kit and percussion, as the withdrawn electric guitars could expect assistance from different types of wind instruments. Various basses would be used, , , the fretless, the double bass - and 2 ladies were 'flown in' to feed the reviving harmonies milk and honey. Pretty soon a series of unforeseen pictures began to bloom - intriguing and enigmatic to explore. If the aggressive bents were fading, the scenic voltage was liable to rise. It took some time to finish the voyage, but eventually we got home. Obliging and hovering, (we're even airborne again) – suddenly this UFO appeared. 11 tunes of life, love and fate. 11 ways to enter, , , or head off. Take your time and enjoy ~
Members
Søren Nørregaard - Vocals, acoustic/electric guitars, harp, bouzouki, kalimba, bicycle, some hand drumming and banjolin. Hans Henrik Præstbro - Keyboards, upright piano, accordion, programming and some drumming/percussion. Boi Holm - Authorised/bigger electric guitars, lap-steel and slide. Flemming Muus - Bass guitars. Anders Pedersen - Drums and percussion. Helene Lindhardt + Anne Pedas - Harmony vocals.
Influences
Every squirrel behind branches and leaves. The merry bird above the tree. All kinds of weather - our trailblazing ancestors and the inscrutable vessels of life itself. . .
Sounds Like
Something we heard in our minds and inner ears a couple of years ago -

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Quiet Words and Tenderness - From Totem 2006

05:08 | 328 plays | May 15 2007

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.. Get the album TOTEM on TDC.DK or iTunes
Get the cd on cdskiven.dk
Get other Janes Rejoice albums on TDC.DK

Quiet Words and Tenderness - From Totem 2006 - Casper Joel Monitor Film

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In the wake of the somewhat rough and primitive 4. album, Afterglow from 99, the ride to come was destined towards the opposite side of the forest. Stripped bare and soul cleansed, we decided to take a deep breath and behave good. The next recordings would skip the tough for the gentle - trade 'cool' for the mellow and dim. This new string of songs seemed far more melodic. They asked for increased sensibility and needed another kind of vision. We figured that the answer had to be found somewhere in the cross between acoustic guitar and lyrical 'keys'. Drum programming would be met by real kit and percussion, as the withdrawn electric guitars could expect assistance from different types of wind instruments. Various basses would be used, , , the fretless, the double bass - and 2 ladies were 'flown in' to feed the reviving harmonies milk and honey. Pretty soon a series of unforeseen pictures began to bloom - intriguing and enigmatic to explore. If the aggressive bents were fading, the scenic voltage was liable to rise. It took some time to finish the voyage, but eventually we got home. Obliging and hovering, (we're even airborne again) – suddenly this UFO appeared. 11 tunes of life, love and fate. 11 ways to enter, , , or head off.
Take your time and enjoy. . .

Influences:

Every squirrel behind branches and leaves
The merry bird above the tree
All kinds of weather -
our trailblazing ancestors and the inscrutable vessels of life itself

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