JERRY LEE BRICE
From Hollywood to Bollywood, Jerry Brice’s distinguished industry career makes him a favorite mentor for many animation students at The Art Institute of California—San Diego. In addition to his assistance in developing the animation style for Fox Television’s prime time series “King of the Hill” and serving as timer and character layout artist on the series, his work can be found in several feature films, including Walt Disney’s “Oliver & Company” and “The Little Mermaid,” and Ralph Bakshi’s “Cool World.” Jerry’s animations have also sparked life into music videos such as Paula Abdul’s “Opposites Attract” and Eminem’s “Role Model.” He has also left his pen mark on the television series “The Simpsons,” “He-Man,” “She-Ra” and “Brave Starr.” Before joining The Art Institutes, Jerry served as overseas director and studio instructor for Net Guru, an animation company in Calcutta, India. Brice knows the power of mentoring with an industry authority—he studied under the “guru of all screen writers,” Syd Field, while earning his Bachelor of Fine Arts degree in Film Graphics and Animation at the California Institute of the Arts. He strives to incorporate the benefits of the mentorship philosophy into his everyday classroom activities. Most recently, Brice teamed up with some of his students to develop and illustrate the animation sequences for the ABC primetime television special, “The Jessica Simpson and Nick Lachey Variety Hour,” for revered Los Angeles studio 23DFilms
This is a video I Produced, Directed, Animated for Motown Records with my brother, Jeff Brice (producer) and Bruce Smith (creator of The Proud Family). The name of the production company was Brice Productions.
I was working at Disney Feature Animation on The Little Mermaid during that time as an Assistant Animator.
THIS WAS A PRESENTATION FOR A NEW SERIES THAT I DEVELOPED WITH THELLUS SINGELTON, KRANDEL CREWS, AND EDITOR, STEVE BRAY.
Kelly Crews, a producer from the Cartoon Network, was our Consultant.
I was a Character Designer and Animator on this.
This Paula Abdul video was directed by Michael Patterson. I was an Animator and Assitant Animator on it.
I was a Lead Animator on this video.
This was Commissioned by MTV from my No Joke Comic that ran in the "Source" and "URB" Magazines.
If you think it would be funny, you can dedicate it to Micheal "Kramer" Richards, before Jessie Jackson outlaws the use of the 'N' word.
Imagine Magazine 3 years ago
Kemo The Blaxican 3 years ago
Dana DeRocko 3 years ago
Naeem Oba 3 years ago
BIGMAN 3 years ago
BIGMAN 3 years ago
Imagine Magazine 3 years ago
BIGMAN 3 years ago
purple price 3 years ago
BIGMAN 3 years ago
10 of 55MoreImagine has a spectacular issue planned for April with articles/ Interviews on Julie Newmar and Stan Lee... Watch for it! http://imaginedaily.com/
SOLDADO
MAD LOVE FOR THE SUPPORT.
IN THE STUDIO WORKING ON THE NEXT RELEASE
NEW ALBUM COMING 2010
ONE MOVEMENT
ONE PEOPLE
Please come by and check out my tracks! I HAVE BEEN WORKING HARD, ther is a music video on the way, and plenty of pics added all the time!!!
SALUTE!
Shooting a movie in Kansas this Summer Super Stars and everything...
I know your a baller but I'd love to have you come down...
The entire city is backing us..
I'd put you in charge and give you what ever budget I can...
You'd only have to stay for a day or two...
Pre and Post production facility already in place...
Final cut pro Hd and Hd cameras in place as well...
Please Jerry I know it's far but I would love your help...
Talk it over with the wifey and let me know...
Okay Jerry, no harm done.
I understand what you are saying.
Thanks for the advise.
All things are considered.
Yes, I'd still love to work with you.
Happy Holidays! Jerry Lee
Decembers issue has launched.
http://www.imaginedaily.com
Thank you,
Melanie C. Jordan
I shoot shot films, music documentaries, and music videos. It has the traditional film look and depth of field married with film, was just wondering if you knew any further details is all. And as for the school thing, I learned from some of the top TV producers and directors as to how to use the pre and post equipment. I still would like to have a seasoned vet such as your self in my corner. Either way it's all good. And thanks for all of your advise...
Check out my profile And Let me know Do you like me YES or NO http://www.doulike.us/photos/4292448.html?b=4&w=46
Question sir, if we shot using a panasonic 100 dvxa 24p cameras will we get pixels if we were so lucky to make it to the big screen? Just wondering, cause I know people who shoot the trailors on one format and then when they get the budget they go back and reshoot everything. I would like to just be done with it once were comfortable with a product we can stand behind. Plus, from my expeirance you can never capture the same magic twice, I may be tripping though. Set me straight here sir, and I'll take your word for it...