MySpace a place for friends

Unfortunately we are not able to listen your tracks on your My Space profiles but you are more than welcome to send links to our A&R Jan Jakomin jan@jesuslovedyou.net
Do not forget to include your contact details and a short biography!

Interview with Valentino Kanzyani @ Jesus Loved You event - Sugar Factory: Amsterdam on 23rd May 2009

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... :::Nima Gorji - Futurism EP ::: ...
Cat.no: JLY 017 * Format:digital

includes Futurism (original) & Futurism (Anthony Collins Remix)

What better way to get aquatinted with this great artist, than by listening to this dance floor monster in disguise. Nima Gorji, a man of the world, son of a travelling musician from Teheran, is an exceptional musician on his own. His electronic meets organic productions reflect the versatile cultural influences he was exposed to as a kid and after fleeing his homeland, moving throughout the Europe ‘till finally settling on the white isle. His premiere release on Kanzyani’s label is a unique mishmash of deep house and eastern ethnic sounds, which perfectly reflect the underground vibe, dominating the Ibiza in the summer of two-o-nine. And if the original doesn’t satisfy your taste for the deep house, then let yourself go with the Freak ‘n Chic head honcho Anthony Collins, who takes the Futurism even deeper to into the electronic underground.

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... :::Jackie Misfit – Kundi La Mapendo EP ::: ...
Cat.no: JLY 016 * Format: 12& digital

includes Kundi La Mapendo (original) & Kundi La Mapendo (Nima Gorji remix)

This outstanding piece from Jackie Misfit, London based deejay, producer, vocalist and multi instrumentalist presents a harmonic collision between primal Africa and western culture. Complex in its structure, based on polyphonic singing technique called "jodel" and articulated together with the dance, Pygmy music has much in common with contemporary dance music. The concept was to create the impression that the instruments were played by the tribe to give the impression of being around them. To gain that, Jackie used variety of drums, whistles, harps, instruments built of coconut shells, animal skins and sanza wood by Pygmies and vocals recorded in Congo rain-forest during the tribal rituals. It’s crafted in the western manner but the inspiration, basic repetitive patterns, vocals and instruments used in this production are original. Together with the title that translates as the Community of Love, and works as homage to the humanitarian organization in Congo that is focused on preserving Pygmies and their culture.

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