Twenty-two years after its original release, Joan's autobiography And A Voice To Sing With will be re-released as a trade paperback on July 21, 2009, by Simon & Schuster. Joan's is a journey of the spirit, told with intimacy and passion as she shares her introduction to folk music and her baptism as its first female star in the coffee houses of Cambridge, Massachusetts. She recounts her musical and personal entwinement with Bob Dylan; her marriage to David Harris, and their painful breakup; and the joy she found upon the birth of her son, Gabriel. With a new introduction by acclaimed music critic Anthony DeCurtis, this book is the story of an American cultural icon. Marked by the openness and vulnerability that have touched us in her music, and the passion and integrity that have informed her politics, this is a disarmingly frank and stirring memoir of the life and work of one of the most extraordinary performers of our time. You can pre-order yours at Amazon
On April 28th, the Collector's Editions of both Gone From Danger and Ring Them Bells were released. Gone From Danger includes a bonus CD of Joan's 1997 performance on public radio's Mountain Stage. Joining Joan on eight of the ten songs from the album are Dar Williams, Sinead Lohan, Betty and Gene Elders, and Richard Shindell. Ring Them Bells (previously released in the UK), features an additional six tracks, including three solo songs, and one additional song with Tish Hinojosa, one additional song with Indigo Girls and one additional song with Mary Chapin Carpenter. Both Collector's Edition CDs are on Joan's label, Bobolink, and distributed by Razor & Tie.
March 24 was the release date for Grammy-winning classical guitarist Sharon Isbin's Journey To The New World, which includes the "Joan Baez Suite: Opus 144," a piece by John Duarte comprised of songs from Joan's early career: "Once I Had A Sweetheart," "Rambler Gambler," "House of the Rising Sun," "The Lily Of The West," "The Unquiet Grave," "Silkie," "Where Have All The Flowers Gone," "Rake and Rambling Boy,&" "Wildwood Flower," and "The Trees They Do Grow High." The Sony Classical label CD also features Joan's vocals on"I Am A Poor Wayfaring Stranger" and "Go 'Way From My Window." Click here to order from Amazon.
Joan's new CD, DAY AFTER TOMORROW, is in stores (online and offline) now, on the Bobolink label (distributed by Razor & Tie). Produced by Steve Earle, the album includes "Day After Tomorrow" (Tom Waits/Kathleen Brennan), as well as three songs by Steve Earle, two by Eliza Gilkyson, one each by Thea Gilmore, Patty Griffin, Diana Jones, and Elvis Costello/Joseph Henry Burnett ("Scarlet Tide").
On July 22nd, Telarc Records released the new Maria Muldaur CD called Yes We Can! This album showcases the work of some of the most socially conscious songwriters of the past half-century, and along with Joan as a special guest, features appearances by Bonnie Raitt, Odetta, Jane Fonda, Holly Near and Phoebe Snow.
Wildflower Records releases Born To The Breed: A Tribute To Judy Collins on October 14. Joan is among the 15 artists contributing a track, offering a beautiful version of Collins' "Since You've Asked."
Look for Joan's guest appearance on the new Thea Gilmore CD, Liejacker. Joan duets with Thea on the song, "The Lower Road." And Thea returns the favor on Joan's Day After Tomorrow.
On February 10, 2007, Joan was honored with a Lifetime Achievement Grammy Award by NARAS (The Recording Academy). The following evening she appeared on the Grammy Awards television broadcast introducing a performance by the Dixie Chicks.
Joan Baez is so ingrained in the collective consciousness as the archetypal coffeehouse folksinger that it's hard to remember that unless you happened to be hanging around Harvard Square at the close of the 1950s, you never got the chance to hear her perform in an intimate room. While still a teenager, Joan Baez appeared at the Newport Folk Festival in 1959, a musical watershed that - while lacking the galvanizing electricity of Elvis' hips, the Beatles' haircuts, or Bob Dylan's ellipsis and amplification - has had just as profound and durable an influence on American and international music mores. What makes the musical revolution Joan Baez pioneered so particularly remarkable is that it occurred so quietly and with so much personal restraint, grace, and humility that, to this day, as it continues to move forward in gentle organic rhythms, it seems too much in harmony with the natural order to feel like a cataclysm.
The 1960s were a period of cultural renaissance and political upheaval. Popular music, and especially rock and roll, began to articulate the exhilaration, conflict, yearnings and turbulence of the era. What Joan Baez introduced into the explosion was the strength, intelligence, and complexity of the feminine principal. Given an impossibly pure and crystalline soprano, a sense of personal integrity subject to confusion and endless questioning, acute intuition and painful instinct, Joan Baez, unlike the novas and divas of that, or any, era relied on something more deeply human that mere star-power. She could've been the big sister of everyone in the audience except she sang with the piercing clarity of an angel.
For the past nearly 50 years, as a singer, musician, social activist, and goodwill ambassador, Joan Baez has kept her pact with the spirit of her voice. Throughout her career, she has followed a pattern of mutual mentoring, begun when she first met Bob Dylan. She continues the pattern with striking results on recent tours that have included onstage collaborations with a range of talented young writers and performers, including Dar Williams, Eliza Carthy, and Josh Ritter among others.
ohhhh thanks for ur add!!! I adore ur music, i heard Diamonds and Rust sung by Judas Priest for the 1 time, and i loved it, then i listened ur and i think it's wonderful!!!! I love this song! U're great Joan!!!!!
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