"Op het eerste gehoor klinkt deze cd buitengewoon apart en ongrijpbaar, maar na meerdere luisterbeurten bespeur je inventiviteit en originaliteit op deze cd."
"At first listen this cd sounds very special and impalpable, but after a while one can hear the ingenuity and originality on this cd."- Johan Schoenmakers, altcountryforum.nl
'"Bible Milk" serves up a generous glassful of thoughtfully crafted commentaries on modern US life. Musically, this album refuses to lay down in any one bed; with styles ranging from deep south Dobro to positively Gallic accordian playing, it hits many points of the folk / country compass, but never leaves the listener feeling lost or uncomfortable. The songs themselves offer up questions and criticisms of consumerism, capitalism, and blind faith in religion and corporate America, but self-deprecation and the fact that the tongue is firmly planted in JP's cheek means that at no point does this ever feel like a 'protest' album." - Dave Potter, Brussels Belgium
"John Whipple busts out with the kind of story telling and musical craftsmanship that I tend to think of as long gone in American culture. The gritty realism of the lyrics combined with the truly artful and talented musicianship never cease to floor me. Bible Milk is a one of a kind album, and one NOT TO BE MISSED in a sea of horrific, canned, over produced nonsense. A musicians musician...this is the real stuff." - Tiffany Stoneman
....
"John Whipple writes the songs of travelling men; Not the men that sit alone in the attic, scribbling obscure poems in a notebook, but the men who wander the countryside, barefoot and drunken, telling you the story of the women who robbed him. Whipple's emotion comes from a deep cellar inside him, it's not obvious, but it's there and you can feel it like an itch that's just barely out of reach."
-Tobacco Pat
Verily, Whipple's swampy tunes explore the dark days/nights/weekends/fortnights of the soul that come from being poor, aimless and prone to screwing up. His voice carries all the weight and weariness it should. His guitar playing is ragged-a charming negotiation between his fingers and his instrument that only resolves at the end of the song-but effective. The finger-picked chords and the yawn-to-howl slide work conjure exactly the picture he wants, whether it's sad, spooky, plaintive or-in rare moments like “Expectations" just a little sanguine
Randy Harward SLC Weekly
John Whipple's creation is slow, tender and bled out of a single acoustic guitar with plenty of dynamics, breathing and spaces. "I just can't swallow the way I feel," he says in "Real", proving his bad-ass singer/songwriter self. The slide guitar work here is amazing."
Rebecca Vernon SLUG Magazine
Hey there! Thanks so much for the add. We really appreciate the support. Please check us out and let us know what you think. If you like what you hear, please help spred the word about us in your area. Even if you just tell a friend to check us out, that little bit of help goes a long way.
Lots... nothing. Whirlwind year that's for sure. I am playing a show monday at Ash St Saloon downtown (9pm). If you're in town and free it'd be great to see you!
All the Best in New Year 2010!
Cheers,
ROTR, Jaap