please visit the high horse productions myspace page to listen to some of the other projects i'm involved with. those projects are more acoustic in nature.
"Experimental guitar work, implementing a diverse palette with focus on temporal & rhythmic elements.
Two minutes after the CD arrived was in my player, two more minutes to hear the first track, that was enough to see that this CD is interesting enough and need to be heard, that is why I am writing this one.
First of all the music can be considered as Ambient, but not that classical full of sounds ambient that we are used to. This music is calm and balanced, very clear and pure, simple as much as possible. That is the powerful combination that makes this work so nice! Listening to this CD your consciousness became still and relaxed, no other sound can bring your attention. The music has its own style that brings you in some magical but realistic world where you are calm and can collect your thoughts."
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"Badger’s equipment setup does Frippertronics proud, wherein his guitar is a guitar as well as a synthesizer, loop generator, and sample trigger. His music openly adopts an “ambient” tag although there’s definitely more rhythmic structure here. Badger frequently composes pieces—“Code,” “Vault,” “Egret”—that are beeping, rotating, floating rock’n’roll satellites, merging the tapped notes and chords of the late Michael Hedges with the technical arsenal behind Vernon Reid’s six-string screams and whispers. More interesting, especially knowing one set of hands generated this work spontaneously, are the noises and notes that move beyond the guitar realm. The arrangements and tweaking of “Beat On” and “Magnetism” create a virtual string section; “Tremble” adds illusory hurdy-gurdy and muted horns while “Flame” evokes a field of nighttime crickets. The interlude “Old Spiders” may be Badger’s technological zenith, an angular piece that evokes a large modern orchestra.
. . . Badger’s work is too pleasing and—despite the absence of any overdubs—polished to ignore. (AB)"
". . . wonderful ambient music live, and using mostly incoherent pieces of gear, incorporating both primitive and modern equipment that’s not necessarily designed or intended to go together. He’s created beautiful and rich ambient tones, infused with rhythms by using subtle pulses .. which create an amazing soundscape that drives at a calm pace.”Beat on” is my favorite track off of his new album, Metasonic. Metasonic was created solely on a single guitar, and ends up sounding nothing like a guitar at many points on the album. I love guys who can pull this off without sounding trite or repetitive. I’m really blown away that this whole album was created on guitar – there are parts that leave me puzzled, as I don’t know how in the hell he gets some of the sounds out.
. . . This whole album was recorded live without any overdubs. Some parts of the album lead me to believe that it’s a bit improvisational, but doesn’t come off sounding confused at all. Overall the album is really wonderful and a unique piece of art."
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Hey there neighbor.. Were playing some pretty cool shows next week and next month, let me know if your bored enough to do a DC trek Ive got plenty of guest spots to both.. hope alls groovy over there.
Hola from AIO in Miami! Hong Kong, Osaka and Tokyo stand up! Just to let you know if you're in the area to check out, Arepaz Immigrante Orchestra founder, La Mano Fria art exhibition just started at Beams in Hong Kong, as well as a series of smaller exhibitions throughout Japan such as Tokyo (Harajuku & Shibuya) and Osaka (Shinsaibashi). Dates for all 4 are: 4|10 - 4|26 .. at Hong Kong (Causeway Bay) at Beams T.
And the mini exhibitions are the same dates: 4|09 - Golden Week.. in Tokyo Beams T Harajuku and Shibuya 4|10 - Golden Week.. at Osaka Beams T in Shinsaibashi. A busy year for Beta Bodega Coalition as we celebrate our 10 year anniversary of founding the first record label! Paz y Arepaz!
OUT NOW on Idiosyncratics Records : Phil Maggi - Blue FIelds in Paramount CD
Blue Fields in Paramount is a very personal and fascinating opus, a beautiful introduction to the style of this talented artist, that could be qualified as 'dark psychedelia for daydream believers'. It has been mastered by James Plotkin (Khlyst, Khanate, Old, Phantom) and is out now as a stricly limited to 300 copies ekopack edition with a fantastic artwork by czech artist Jan Karpisek.
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