Discovered by Arnaldo DeSouteiro in 1998, when playing with his pop band “Linha Amarela” at Rock in Rio Cafe, Pescara was soon recommended to Ithamara Koorax and Dom Um Romao. Deeply impressed, Dom Um hired
Pescara as the new bassist for his group in 1999, and he has toured extensively with him, besides recording on Dom Um.s two latest albums (“Lake of Perseverance” and “Nu Jazz Meets Brazil”, both for JSR).
He also took part in an all-star benefit project (“Street Angels”) for the London-based Mr. Bongo label, playing on tracks led by Luiz Bonfa, Pingarilho and Ithamara Koorax. Pescara is also one of the featured artists on
“Friends From Brazil 2001” and “Rio Strut”, as a member of the Brazil All-Stars unit, along side Deodato, Koorax, Dom Um, Joao Donato, Claudio Roditi etc. Since then, his performances have been praised by such critics like Ira Gitler, Patrick Dalmace (Jazz Hot), Douglas Payne, and Alex Henderson (All Music Guide). But nothing compares to his outstanding debut album as a leader, Grooves in the Temple, carefully recorded (during four years!) in Rio de Janeiro and NY, with state-of-the-art digital techniques. The repertoire was carefully chosen, mixing surprising treatments of very famous songs (“Comin. Home Baby”, Led Zeppelin.s “Kashmir”, Jimi Hendrix.s “Power of Soul”) and haunting Pescara.s originals in tribute to bass heroes Jaco Pastorius,
Marcus Miller and Tony Levin. “This all serves to whet one.s anticipation for Grooves in the Temple, as auspicious a debut, perhaps, as Jaco Pastorius 1975 solo debut”, states the renowned jazz historian Douglas Payne in the liner notes.
Pescara studied music in the FASCS, ULM, and EMM, and electric bass with renowned bassists Claudio Bertrami and Arthur Maia. Pescara took a lot of invaluable acoustic bass lessons with Nicolaus Tchevtchenko. Writer and Musician, he often writes several articles to various kinds of music magazines like: Tok Pra Quem Toca, On and Off, Rock Brigade, Audio Musica & Tecnologia, Backstage, TKT News and Cover Guitar. Among the many books he has written, most of them currently in-print: Arthur Maia Transcriptions (editora MPO), six volumes of TKT Electric Bass Course (TKT Music Adviser), Dicionario de Contrabaixo Eletrico (H.Sheldon editora), Contrabaixo Completo para Iniciantes (Irmaos Vitale Editora), Manual do Groove (Irmaos Vitale editora), and Harmonicos (HMP editora). In 1994 the bassist published
the Video Workshop O Contrabaixo Completo by MPO Video. Since then, Pescara has appeared in many recording projects and live dates with such artists as Arthur Maia Project Band, Celso Fonseca (opening for Stanley Clarke at Rio.s Metropolitan concert hall), ZERO, Dom Um Romao, DJ Marcelinho DaLua, Roberto Menescal, Eumir Deodato, Carlos Lyra, Sylvio Cesar, Ithamara Koorax (with whom he toured in Europe and Asia), Lord K, Luiz Bonfa, Mario
Castro-Neves, Thiago de Mello, Ney Matogrosso, Jadir de Castro, Marcio Montarroyos, Jose Roberto Bertrami (Azymuth), Nabby Clifford and portuguese composer/singer Fernando Girao.
Pescara also received international critical acclaim for his debut solo album, “Grooves in The Temple”, produced by Arnaldo DeSouteiros (Joao Gilberto, Joao Donato, Dom Um Romao, Ithamara Koorax, Luiz Bonfa) with an all-star line-up. Among the members of the dream-team are: Dom Um Romao, Eumir Deodato, Luiz Bonfa, Joao Palma, Glauton Simmas Campello, Ithamara Koorax, Claudio Infante, Laudir de Oliveira, Claudio Zoli, Paula Faour, DJ Dudu Dub, Guilherme Isnard, Sergio Vid, and Alfredo Dias Gomes, plus Guto Goffi, Maurício Barros and Jose Carlos “Bigorna” Ramos from Brazil.s top rock band “Barao Vermelho”. Pescara is one of the first Mobius Megatar touchstyle player in Brazil, also playing Chapman Stick on recordings with Ithamara Koorax (“Love Dance”/Milestone-Concord, and “Brazilian Butterfly”/JSR USA - IRMA Italy), Dom Um Romao (“Lake of Perseverance”/JSR-IRMA), Eumir Deodato and
Brazil All-Stars (“Rio Strut”-Milestone), Luiz Bonfa and Lord K (“Street Angels”/Mr Bongo), ZERO (“ElectroAcustico”/Sony Music) and Sallaberry (“Sambatuque”/TumTum Home Music).
Influences
GROOVES IN THE TEMPLE
(Jorge Pescara plays: DAlegria custom basses, Megatar touchstyle 12str, Elixir strings, StudioR amplifiers, PowerClick in ear system)
==
There is a vast legacy of jazz bassists whose distinct presence commands the voice of a song or the entirety of a disc. Electric bassists are unquestionably fewer by far. Even those upright bassists who-ve strapped on an electric bass have not dominated with voltage the way they-ve asserted their acoustic individuality.
While the electric bass has been used extensively in jazz since Wes Montgomery-s brother, Monk, first juiced up the Mastersounds in the 1950s, only Jaco Pastorius has propelled the electric bass into a worthy jazz voice.
Other great electric bassists such as Stanley Clarke, Marcus Miller, Bill Laswell, Steve Swallow, Jamaaladeen Tacuma, Chuck Rainey, Gary King or Tony Levin have probably become better known for other things – composition, production or an apt ability to perfectly complement or drive another leader-s voice. None have really compelled the electric bass to the head of a date.
Its a legacy that-s due for a change.
Meet Pescara. Born Jorge Luiz Pescara, January 14, 1966, in Santo Andre, Brazil, Pescara is a craftsman of the highest order. What he does with an electric bass is magical. What he does with the many other instruments in his arsenal, some of his own invention, is magisterial. What he does with a melody, even the most familiar of melodies, is nothing short of enchanting.
GROOVES IN THE TEMPLE is Pescaras first recording as a leader. It-s an electric and seemingly eclectic showcase for his uncanny mix of technical excellence and emotional sensibility.
One listen may prove surprising. Most rhythm players who lead sessions like this drown you in their sound. Pescara does not. He realizes his contribution is to the heart of each tune, pumping the blood and beating the rhythm. He never makes you aware that he-s driving the body. Just like a heart, his is a life force – not a forced feeding.
You may already know Pescara from Dom Um Romao-s LAKE OF PERSEVERANCE (Irma/JSR - 2001) and NU JAZZ MEETS BRAZIL (Irma/JSR - 2002), Ithamara Koorax-s LOVE DANCE – THE BALLAD ALBUM (Milestone/JSR – 2003), The Brazil All-Stars-s RIO STRUT (Milestone/JSR – 2001), Zero-s ELECTROACUSTICO (Sony – 2001), Carlos Pingarilho-s STORIES AND DREAMS (JSR - 2003) or STREET ANGELS, an all-star session with Koorax, Luiz Bonfa, Lord k and Pingarilho (Mr. Bongo - 2000) or Leilah-s CORRENDO PERIGO. Or you may have heard him perform in his native Brazil with as part of legendary percussionist Dom Um Romao-s band or bring down the house in his duo performance of "Bye Bye Blackbird," with the dazzling chanteuse Ithamara Koorax, with whom he toured Europe in 2003.
This all serves to whet one-s anticipation for GROOVES IN THE TEMPLE, as auspicious a debut, perhaps, as Jaco Pastorius-s 1975 solo debut. Pescara starts with his rendition of "Comin Home Baby," Herbie Mann-s 1961 hit from HERBIE MANN AT THE VILLAGE GATE (Atlantic), which featured co-composer Ben Tucker on bass. It was the first song Pescara selected and recorded for the album. Here, he lays down a slinky funk groove with one bass and alternates the song-s melody with the baritone saxophone of reed player Widor Santiago (Flora Purim, Milton Nascimento, Fourth World) using another. During Santiago-s solo, listen to Pescara spice up the groove using his "funk fingers" technique - a la Tony Levin – where he uses two little drumsticks in two fingers of his right hand to "stick" (slam/touch) the strings. It is also worth mentioning that drummer Dom Um Romao recorded this song for the first time on Sergio Mendes's album MY FAVORITE THINGS (Atlantic) in 1967.
Next, Pescara sneaks into the spooky old school funk of "Laura Lee," a sound check of Eumir Deodato-s signature seventies grooves. "In this one," Pescara tells, "I had the opportunity to showcase my grooves collection from the seventies, something I adore. I grew up listening to the grooves of Anthony Jackson, Gary King, Will Lee, even Ron Carter during his electric days. I love this CTI aesthetic." Maestro Deodato brought the song to the session, gave it its funky foundation and contributed the slinky, intoxicating electric piano solo, propelled bodily by Pescara-s rhythmic basswork. "To record with Deodato," Pescara adds "was just a dream come true!" Check out how Deodato scores the melody for his and Pescara-s electric instruments, their voices and the ethereal vocals of the otherworldly Ithamara Koorax.
Joao Paulo Mendonca's "Miles Miller," name checks the great collaboration between Miles Davis and Marcus Miller, heard on such landmark albums as TUTU, AMANDLA and SIESTA. Here, Pescara pays tribute to the great bass master (and, it seems necessary to state, tremendously inventive composer) by suggesting not only the Miles/Miller collaborations but also the exploratory jams Miles did in the 1970s when bass master Michael Henderson was laying in the cut. The result is a reflection of Pescara-s diverse influences, taking in everything from Miller to Bach, Levin to Torn, Genesis to Earth, Wind & Fire and King Crimson to Return To Forever. Pure fusion. Note here Brazilian guitarist Claudio Zoli-s George Benson-influenced solo (a reference, no doubt, to the many recordings Benson made that featured Miller throughout the 1980s), the way Pescara-s clever arrangement includes bass clarinet (another axe Miller grinds with amazing abandon) and Pescara-s entrancing bass solo using the MuTron II "envelope."
Following "Miles Miller," the bassist plunges headlong into the seminal rock anthem "Kashmir," a favorite Led Zeppelin concert number first heard on the 1975 album PHYSICAL GRAFFITI. Pescara, playing an 8-string fretless bass (the same model used by Mark Egan), imbues the stone classic with an acid-jazz groove not unlike Javon Jackson-s equally surprising take on Frank Zappa-s "Zoot Allures." "I also love rock," Pescara proclaims. "This song is so good that I wanted to do two versions, one instrumental and another with vocals." In the instrumental version, Jose Carlos "Bigorna" Ramos alternates between the soprano and tenor sax to give the song the exotic colors the title commands. Bigorna, Mauricio Barros (organ) and Gutto Goffi (drums) all come from the famous Brazilian rock band, Barao Vermelho – so they-re on familiar ground here. "We used mostly analog synthesizers and vintage keyboards," Pescara says, "to achieve a 70s sound that makes the most sense to my musical background. So, Mauricio Barros used the Hammond organ with that famous Leslie sound. For the main riff, I used the fretless bass tuned in fifths. During the tag, Bigorna kept improvising, so we decided to keep the two tracks simultaneously." In one of them, notes Pescara, there's a surprisingly appropriate quote of "Caravan." For the vocal version, Guilherme Isnard, leader of Brazil's top rock band, Zero, of which Pescara is currently a member, channels his David Bowie influence into another provocative fusion.
By now you-ve probably noticed how skillfully Pescara combines multiple musical influences into a single world view. If not, it becomes readily apparent when you reach Pescara-s beguiling East-meets-West composition, "Grooves In The Temple (Ordem dos Templarios)." "There-s no common bassline in this one," says Pescara." Actually, there are two independent grooves played by using the tapping technique and they complete each other. Each line can be heard in a different channel, thanks to the stereo mix." Roberto Marques's trombone bounces delicately off the twisted rhythm of something suggesting Michael Jackson-s "Don-t Stop Til You Get Enough," in homage to the great Urbie Green, whose 1976 performance of Stevie Wonder's "Another Star" (featuring Anthony Jackson on electric bass) launched Pescara's admiration and idolization of the bone great. "The trombone reflects the West," Pescara philosophizes, "while the zither reflects the East. The guitar suggests antithesis and the bass projects synthesis. The drums and the heavy percussion are like the Earth. The trombone is like the Air. The guitar – which benefits by a Brazilian rhythm suggested by Dom Um Romao – wets the sound with water, and the solos put fire in our souls." Amen.
Next, Pescara pays tribute to his main inspiration, Mr. Pastorius, who the young bassist calls "the greatest genius of the electric bass." in Bill Milkowsky-s book, THE EXTRAORDINARY AND TRAGIC LIFE OF JACO PASTORIUS (Miller Freeman Books), Jeff Berlin refers to Pescara-s hero as "our great emperor of the bass." thus the title of the song, "The Great Emperor Of The Bass." Accompanied only by Dom Um Romao-s varied percussion and vocal effects, Pescara employs multiple basses and bass effects to eave a tapestry of Jaco-s melodic magic. Here, the bassist and the percussionist do a short quote of Arthur Maia-s "Song For Nana." It-s a transcendent whole that may also call to mind Dom Um Romao-s work with Stanley Clarke on the 1972 Muse album DOM UM ROMAO.
Pescara moves back to jazz-rock fusion with "Power of Soul," the Jimi Hendrix tune originally heard as "Power to Love" on the 1970 album BAND OF GYPSYS. Pescara gently begins what he calls his "apocalyptic arrangement" of the song with a nod to Sting, another of the bassist-s idols, and the Police man-s 1987 performance of Hendrix-s "Little Wing," arranged by Hendrix specialist Gil Evans on the singer-s NOTHING LIKE THE SUN album. Working in tandem with keyboardist Joao Paulo Mendonca, Pescara builds to the song-s main theme, dramatically voiced by Ithamara Koorax (in whose band Pescara currently performs) and Sergio Vid (who sings the bonus vocal version of the song included here). Producer Arnaldo DeSouteiro, a specialist of Creed Taylor-s CTI/Kudu label – and producer of many of the CTI/Kudu CD reissues – suggested incorporating Bob James's 1974 arrangement of the song heard on Idris Muhammad-s legendary CTI/Kudu album, POWER OF SOUL. The vocalists reproduce the horn parts and Dom Um Romao-s congas follow the same rhythmic concept percussionist Ralph McDonald played on Idris Muhammad-s famed version. Note the incandescent solos of vocalist Ithamara Koorax (whose amazing voice evokes here the sound of a guitar), keyboardist Paula Faour (whose debut solo album, COOL BOSSA STRUTTIN was released with critical acclaim by JSR/King Records in December 2002) doing a ferocious miniMoog solo, and guitarist Dudu Caribe (who spars with Pescara in homage to Hendrix and whose fuzz guitar early on also suggests Joe Beck's performance on Idris Muhammad-s version).
Arthur Maia-s beautifully exotic "Funchal," a theme made popular by Maia-s group Cama de Gato, gets an East-oriented arrangement that pupil and fellow electric bassist Pescara says is inspired by the sounds of India. "My mystic side is reflected here. I wanted to explore all the melodic possibilities of the Piccolo Fretless bass, a very difficult instrument that requires a very special technique. Because there are no frets, it has a short scale (25") and sounds an octave higher than the normal electric bass. You could call it a sort of baritone guitar! I have used an exotic tuning, D A D F (from low to treble), a lot of slide and a piece of equipment called the E-Bow that allows me to obtain an infinite sustain and reach the sonorities of typical Indian instruments with a hypnotic effect." The result may remind you of the ethereal journeys Weather Report took when guided by bassist Alphonso Johnson and drummer Dom Um Romao or the more dazzling moments of David Byrne and Brian Eno-s score to THE CATHERINE WHEEL. "All sounds here," Pescara adds, "were made by the Piccolo Bass or by the percussion instruments (tabla etc). Claudio Infante is the baddest!"
Pescara is next heard with the late, great Luiz Bonfa (1922-2001) in one of the composer and guitarist-s last recording sessions. They perform Bonfa-s delightful jazz waltz, "Sofisticada," a song first heard on the composer-s 1970 album for RCA, THE NEW FACE OF BONFA (which also features Dom Um Romao and was recently reissued by JSR/BMG). "It is an eternal honor to have Master Bonfa playing on my album," says Pescara. The two first met through Arnaldo DeSouteiro when the producer was making the all-star STREET ANGELS benefit album in 1999. There they recorded "Strange Messages" together. Here, Pescara adds some electric bass muscle to Bonfa-s dreamy, enchanting melody and slyly quotes (in a walking bass pattern) the Bonfa standard "Manha de Carnaval," from the BLACK ORPHEUS soundtrack. "This song is such a charmer," Pescara adds. "It really speaks for itself."
"Meteor" is another one of Pescara-s tributes to Jaco Pastorius. It starts out as a sort of etude in the classical tradition – an exercise that allows the musician to depart upon multiple explorations of a single theme or idea – with Pescara manning the Stick Contrabass, an axe the bassist describes as a "percussion instrument that plays notes." Once again, the title of the song was inspired by a phrase from Bill Milkowsky-s book, in which reedman Ira Sullivan refers to Jaco "like a meteor streaking across the Florida night sky." "Dom Um Romao was in the studio at the time," Pescara notes, "and right out of the blue began to play along, using only mallets. It sounded so good and so spontaneous that producer Arnaldo DeSouteiro – who has a great ear and always knows just when it-s right – asked the engineer to keep the tapes rolling. We just jelled perfectly here." Pescara cautions that "although the piece may sound simple, the stick requires very good technical dexterity, especially in the tapping technique. There-s a part where the hands have to exchange position in the low and high parts, like the way Stanley Jordan plays. It-s tricky, but it sounds good."
Eumir Deodato-s "Black Widow," a song first heard on the composer-s 1976 album VERY TOGETHER, is a showcase for Pescara-s amazing arranging skills. Here, he lets a thoroughly unique horn section comprised of oboe, bassoon, French horn and flugelhorn carry the melody. It's an uncanny mix that's driven not by guitar (as in Deodato-s original) but rather by the bassist-s melodic Stick figures (an homage to Pescara-s Stick idol, Tony Levin, the bassist on Deodato-s original). Pescara balances the harmony by using his right hand to play the high notes and his left hand to play the bass line. "It-s a huge responsibility to arrange a theme by Eumir Deodato, one of music-s all-time greatest arrangers," says Pescara. "However, since I accepted such a difficult task, I let my feeling flow and tried to achieve a kind of sensual groove approach. The result, I-m proud to say, was approved by Deodato himself, who called to say "congratulations, Mr. Arranger!" after producer Arnaldo DeSouteiro played a rough mix of the song for him." You-ll no doubt notice the insistent groove propelled by ambidextrous percussionist Laudir de Oliveira, Pescara-s aid-de-camp and one of Brazil-s first percussionists to add his rhythmic talents to American pop (Chicago, the Jacksons, Joe Cocker and many others).
Perhaps Pescara-s greatest accomplishment is how succesfully he has – in only his very first album – taken so many divergent styles, musical combinations and varied instruments and delivered a cohesive whole. It sounds very much like the result of one distinctive voice. It is. It-s Pescara. And such is the journey of GROOVES IN THE TEMPLE, Pescara-s love letter to the sounds, rhythms and musical influences that have made him the musical magician you-ve just heard.
================================================================================
Douglas Payne
June 30, 2004
================================================================================
(Mr. Douglas Payne is regarded as one of the most important historians in the contemporary jazz scene. He has writeen liner notes for albums by such artists as Lalo Schifrin, Clare Fischer, Hank Crawford, Lonnie Smith, Cal Tjader and Phil Upchurch. He also created a fabulous website about CTI Records at www.doupayne.com/cti.htm).
Sounds Like
Selected Discography in www.allmusic.com :
2009 Sallaberry (Sambatuque) Tum Tum Home Music
2008 Ithamara Koorax (Brasil Canta com Ithamara Koorax) Cedem
2007 Elixir (Brazilian Great Music vol II) Elixir Strings brazilian's endorsees cd
2007 Megatar (TouchStyle Cd) Megatar cd (mp3's endorsees, books, etc)
2007 LinhAmarela (Linha Amarela) Independente
2007 Ithamara Koorax (Brazilian Butterfly) IRMA Italy
2006 Compilation (Bajista) Bajista Magazine
2007 ZERO (O Quinto Elemento) C&C Celebration
2006 Ithamara Koorax (O Vento) IRMA Italy
2006 Ithamara Koorax (The Best Of Ithamara Koorax) JSR / EMI
2005 Jorge Pescara (Grooves in the Temple) JSR USA / VoicePrint UK
2005 Various Artists (Brazilia the Very Best of the New Brazilia Sound) IRMA Italy
2005 Luiz Bertoni (Constante Movimento EP) Giraffe Dying records
2004 Various Artists (Chill Out Cafe vol 9) IRMA Italy
2003 Sister Bossa vol 4 (Cool Jazzy cuts with Brazilian Flavour) IRMA Italy
2003 Lord K (Com Ropa) K & Rivero Produções
2003 Ithamara Koorax (Love Dance the Ballad album) Milestone records / Fantasy
2003 Ithamara Koorax (Someday the Ballad album) King records / JSR
2003 Dom Um Romao (Groovystation EP) IRMA Italy
2002 Sister Bossa vol 3 (Cool Jazzy cuts with Brazilian flavour) IRMA Italy
2002 Chill Out Wear (Chill Out Wear) IRMA Italy
2002 Compilation (A Day in Rimini) Jazz Station Records / IRMA Italy
2002 Brazil All Stars (Rio Strut) Jazz Station Records / Milestone records
2002 Dom Um Romao (Nu Jazz Meets Brazil) Jazz Station records / IRMA Italy
2002 Pingarilho (Stories & Dreams) Jazz Station records
2002 Juliano Torres (Cancoes que Conquistaram o Mundo) Independente
2001 JSR All Stars (Friends From Brazil 2001) Jazz Station records / IRMA Italy
2001 Compilation (Gradation Transition) IRMA Italy
2001 ZERO (Electro-Acústico) Unlimited Music / Sony Music
2001 Dom Um Romao (Lake of Perseverance) Jazz Station records / IRMA Italy
2000 Street Angels (A Benefit Album...) Mr. Bongo UK / Jazz Station records
2000 Fabio Pestana (Faces) SETO ES
1999 Coletanea (Som das Lonas) Rio Arte / Secretaria de Cultura RJ
1999 Edu Helou (Ser) H. Music
1998 Celso Fonseca (Out of the Blues "single") Geleia Geral
1998 Flor de Lis (Flordelis) Gospel Music
1998 Jadir de Castro (Ziriguidum... e Deus Criou o Samba! ) Jazz Station records
1998 Linha Amarela (LinhAmarela EP) demo tape
1998 Paulo Morgado (The Mystical Dream... EP) demo tape
1997 Laura Finocchiaro (Eco Glitter) Dabliu / Eldorado
1997 Mello Jr. (Plugged.) Independente
1996 Renato Grinberg (Caetano Sem Palavras) Camerati discos
1996 Evandro Palma (Retratos do Brasil) Independente
1996 Geisan Varne (Caldeirao de Arruda) Seven Gates records
1996 Lika Meinberg (Lika Meinberg) demo tape
1996 Luis Fernando (Luis Fernando) demo tape
1995 Leila (Correndo Perigo) Mix House / Eldorado
1995 Flavio Lara (Sede de Viver) Stage Diver records
1995 Aldo Landi & Band (Perception) Independente
1995 Sergio Zurawisky (Sergio Zurawisky) demo tape
1995 Zé Ramalho ("pre-produçao do Cd" Unplugged)
1994 Adolar Marin (Oratoria) DBS
1994 Iza Bronze (Verdade ou Loucura) demo tape
1993 Sydnei Carvalho, Maurício Leite e Jorge Pescara (We Know the Way Each Other) Editora Tok
1992 Gertez Palma (Gertez K7) Independente
1989 Angélica (especial de Natal: Noite Feliz) rede Manchete de Televisao
Quero cumprimentá-lo pelo seu aniversário e também desejar a você e à toda a sua família um maravilhoso e abençoado ano de 2010 com muita música, muita saúde, muita paz, muita prosperidade, muito amor, muita inspiração, muito sucesso e grandes realizações!!!
Que cada dia represente um novo recomeço... E que possamos amar, perdoar, ajudar e viver cada vez melhor, com muita felicidade e infinitas alegrias a todos os momentos!!!
Hello Jorge, thankyou for the friend invitation. Wonderful music here in your space...cool little videos. Thankyou for sharing...you are an amazing guitarist... Wishing you a wonderful year ahead. May you be showered with many blessings from above :)
Hola Jorge! Thanks so very much for your gracious add and a very good morning to you! You have wonderful music on your page and you have great music influences as well. Have a wonderful week, Wishing you and yours a Very Safe, Healthy, and Merry Christmas, and Happy New Year, many well wishes, blessings, and inspiration to you, and much continued success to you. All best! Arlene :D http://www.myspace.com/arleneweiss http://blog.myspace.com/arleneweiss
Thanks for the invitation, Jorge! I'm very impressed by your music, you sond great! Moreover you've got some really nice instruments. Wish you a successful new year. Greetings from Poland. AG
Tudo o que queiras ser, serás... Só basta: ter o dom da entrega, os ouvidos atentos, os olhos da alma abertos, a capacidade de entender o que houver a ser entendido, a perseverança do guerreiro, a bondade do irmão atencioso. E o mais importante: querer, querer e querer... Tudo isso tu já tens, para atingir o que desejas, diz a palavra "magica". Ou seja, dá um passo e voa com as asas totalmente abertas. Essas asas são tuas, só a ti pertencem, é um presente de Deus e o que Deus dá, ninguém nos tirará!!! Voa irmão, voa como só tu sabes voar!! Salve Jorge, Salve a tua chegada.....
Será bom tudo o que fizermos, pois os Mestres não fazem nada "por acaso". A tua força é e será suficiente para enfrentar o mundo real/irreal do dia a dia. A tua vontade de saber, cada vez mais se vai fortalecendo com a Energia da perseverança e do próprio Bem que tudo acaba por dominar. A tua Fé será um trunfo durante toda a tua vida, pois os segredos do som, vão-se revelando em todos os momentos que te dispões a querer que isso aconteça. Nunca esqueças de uma coisa: Já és irmão da música desde que nasceste... Que os teus Guias abram o caminho por onde andas, Salve.
Hi Jorge, I'm digging on your tracks and compositions. Just wanted to thank you for your comment. We're pretty proud of our history and have a lot of fun with it.
Slice Two (with Megatar TouchstyleBass) ================================================
Desafinado (Seoul-Korea) =================================================
Jorge Pescara with Funk Fingers 2 =================================================
Dom Um Romao trio =================================================
Pesca querido,
Quero cumprimentá-lo pelo seu aniversário e também desejar a você e à toda a sua família um maravilhoso e abençoado ano de 2010 com muita música, muita saúde, muita paz, muita prosperidade, muito amor, muita inspiração, muito sucesso e grandes realizações!!!
Thanks for sharing your beautiful music! Best, Soren
<img alt="iTunes sell </a>
Hello Jorge, thankyou for the friend invitation. Wonderful music here in your space...cool little videos. Thankyou for sharing...you are an amazing guitarist...
Wishing you a wonderful year ahead. May you be showered with many blessings from above :)
love and light
angelhugs
Margo xx
Hola Jorge! Thanks so very much for your gracious add and a very good morning to you!
You have wonderful music on your page and you have great music influences as well.
Have a wonderful week, Wishing you and yours a Very Safe, Healthy, and Merry Christmas, and Happy New Year, many well wishes, blessings, and inspiration to you, and much continued success to you.
All best!
Arlene :D
http://www.myspace.com/arleneweiss
http://blog.myspace.com/arleneweiss
Thanks for the invitation, Jorge! I'm very impressed by your music, you sond great! Moreover you've got some really nice instruments. Wish you a successful new year. Greetings from Poland. AG
thanks for the add ,,
saludos desde Barcelona, master
Salve
Tudo o que queiras ser, serás...
Só basta: ter o dom da entrega, os ouvidos atentos, os olhos da alma abertos, a capacidade de entender o que houver a ser entendido, a perseverança do guerreiro, a bondade do irmão atencioso. E o mais importante: querer, querer e querer...
Tudo isso tu já tens, para atingir o que desejas, diz a palavra "magica". Ou seja, dá um passo e voa com as asas totalmente abertas. Essas asas são tuas, só a ti pertencem, é um presente de Deus e o que Deus dá, ninguém nos tirará!!!
Voa irmão, voa como só tu sabes voar!!
Salve Jorge, Salve a tua chegada.....
F. Girão
OGUM OGUNHÊ
Thank's for the add Jorge!
Very good work! Vive la Musik! Merci and good luck from Quebec!
Thanks Jorge for your friendship & add,i like your music work alot!!
Será bom tudo o que fizermos, pois os Mestres não fazem nada "por acaso". A tua força é e será suficiente para enfrentar o mundo real/irreal do dia a dia. A tua vontade de saber, cada vez mais se vai fortalecendo com a Energia da perseverança e do próprio Bem que tudo acaba por dominar. A tua Fé será um trunfo durante toda a tua vida, pois os segredos do som, vão-se revelando em todos os momentos que te dispões a querer que isso aconteça. Nunca esqueças de uma coisa: Já és irmão da música desde que nasceste...
Que os teus Guias abram o caminho por onde andas, Salve.
F. Girão
OGUM OGUNHÊ
prazer em te conhecer
lindo som !
Olá Jorge Pescara,
Hey Jorge,
thanks for your support
great playing bro!
Peace
May you have your feet on the ground, your heart in the stars and clarity in your mind.
Fala Grande Jorge! No fim de contas o prazer foi todo nosso em estarmos juntos.
Olá Jorge tudo bem?
Gostaria de fazer uma jam contigo....
Abração
Kaiymã
Salut Jorge! you have a powerful groove! Thanks for your music! all the best from Paris, Pierre
OI JORGE!! OBRIGADA PELO REQUEST!!
TA BEM LEGAL O SPACE DE VC!
EU TE CONVIDO PARA DESCUBRIR O MEU UNIVERSO MUSICAL.
UM GRANDE BEIJO PARA VC E SUCESSO!!
DESDE ARGENTINA.
KHADYHA
ola jorge!!
que prazer foi ter gravado contigo,
um abraço enorme
Márito Marques
Fala Pescara!!
Mt bacana ter te conhecido e tocar contigo!! Agora é marcar mais gigs e curtir!! Ontem foi muito legal!!
Abração,
Luiz
Bro está a ser muito fixe a cena dos D.gang...é um prazer enorme trabalhar com musicos como tu;-)
Que te corra tudo bem no gig com o Girão
Abraço brow
David Jerónimo
Gracias a vos!
Bienvenido y Feliz
Primavera!!!!!!
Besos
Cris
Querido Jorge Pescara!
Amigo do Peito!!
Obrigada pela entrega nestes Amigos que são os do Peito!!
Abração forte do pessoal todo e até breve!!
:):)
E ae primo blz ?
ta em portugal véio ! Muito bom !
Boa sorte pra vc aí
Quando sera q vamos fazer um som juntos... espero q isso aconteça algum dia.
Grande Abraço !
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