Francisco López, Brume/Christian Renou, Eric La Casa, Hafler Trio, Michael Northam, Marc Behrens, Christopher McFall, Matt Shoemaker, Ubeboet, Akio Suzuki, Hazard/BJ Nilsen, Thomas Köner, Chris Watson, Lionel Marchetti, Loren Chasse, Eric Cordier
Juan José Calarco's work is mostly based on field recordings; some raw, some processed and even some fake ones. His main interest is in the urban landscapes, not documentary but in the different edges of sound and its impressions.
free released for your look+listening as DVD+CD / .iso files / mov+mp3. DOWNLOAD -> www.myspace.com/ryutakwbt
DVD/mov is including two "table-top guitar" solo, two duo performance,
some studies and some more. 104.min Stereo. duo with Celebrante in Una Casa Buenos Aires,
Ryusaku "Rutang" Ikezawa in YahiroHIGHTI, Tokyo.
CD/mp3 is including a recording of acoustic resophonic guitar solo. It is a contemporary local blues that has sewwt tone. 21.min Monoral.
Catch the auditory hallucinations and modulations caused by chain of movement and interference without no computer in this works. it is magical and beautiful. hope to enjoy, sincerely.
Está disponível para donwload(mp3/vbr,qualidade próxima a de cd)e também em CD"ICHI"wich
que é uma reunião de músicas e gravações de paisagens sonoras (diferentemente das faixas no myspace que limita a uma baixa qualidade) em cd, com áudio de alta qualidade e encarte personalizado. Para maiores informações entre em contato. Gracias!
Hey Juan. How are you doing? Did I ever send you a copy of my new album? I'd like to send you one, if not. Message me your mailing address. Hope all is well with you!
ContraMusikProduktion is presenting the debut album by Canadian female sound artist "Rita Galetti". You can hear drones, sound sculptures, experimental guitar sounds, field recordings, electro acoustic, noise, ambient and more. No doubt, "Falter" is an excellent debut!
Olde skozey fetisch performance newly posted @ YouTube. It was the first ever Noise Pancakes at Pubis Noir. There were three audience members in attendance.
