Kamyka
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The Jewel Light
6:01
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General Info
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Genre: Alternative / Nu-Jazz / Other
Location SILVER SPRING, Maryland, US
Profile Views: 4744
Last Login: 1/26/2011
Member Since 7/22/2007
Website ....www.aishakahlil.com</font
Type of Label Major
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Bio
...... .. A multi-talented vocalist, dancer, actor, composer, and instructor, AISHA KAHLIL (Kamyka) possesses a dynamic, innate power and range in jazz, blues, traditional, contemporary, and African vocal styles and techniques. .. Ms. Kahlil’s interest in music was evident at an early age. She was a member of local choirs in her native Buffalo, New York, and during her high school years performed as a vocalist with the Buffalo Philharmonic Orchestra in several productions, including Porgy and Bess, Carmen Jones, And The Messiah. During this time she also sang the role of Monica in a special WGBH production of Menotti’s The Medium, and performed at Carnegie Hall in Julius Eastman’s avant-garde composition, The Thruway. She worked concurrently with the Studio Arena Theatre and the Buffalo Black Drama Workshop, where she became interested in the music of such jazz artists as John Coltrane, Leon Thomas, Betty Carter, and Pharoah Sanders. .. By the time she entered college as a theatre student at Northeastern University in Boston, it was clear that Ms. Kahlil possessed an intuitive inclination for vocal jazz. Although her formal training had been in European classical music, she began experimenting with innovative, improvisational vocal techniques. During the same period, she studied voice and music theory at the New England Conservatory of Music, and performed with Ebony Jua, a local jazz ensemble that toured the East coast music circuit. While at Northeastern, Aisha directed M(Ego) and the Green Ball of Freedom”, “Where We At?”, a play by Martie Charles, and performed and directed “Sister Sonji”, by Sonia Sanchez. .. Following her studies, Ms. Kahlil spent three years in the Bay area, where she worked as a dancer and instructor with The Raymond Sawyer Theatre and Halifu Productions, while performing and recording with the avant-garde jazz trio Infinite Sound. She then returned to Boston as an established vocalist, dancer, and choreographer, and there worked with such groups as Stan Strickland and Sundance, and The Art of Black Dance and Music, in addition to her instructional work at the Institute for Contemporary Dance, The Boston Center for the Arts and as a consultant to the Boston public school system... Ms. Kahlil’s artistic pursuits have taken her to New York City, where she studied extensively at the Alvin Ailey School; and with Frank Hatchett, Pepsi Bethel, Fred Benjamin, and Emiko and Yasuko Tokunaga. She also appeared in the Joseph Papp off - Broadway production of The Haggaddah, co-composed and performed in the musical, Two Thousand Seasons, and danced with such companies as Titos Sampas’ Tanawa. During this time, she also performed with jazz musicians Talib Kibwe and Abdullah Ibrahim (Dollar Brand), and Sun Ra and his Solar Arkestra... Since her arrival in Washington, D.C, she has worked with the D.C. Black Repertory Theatre and The Sounds of Awareness, and has been featured in the Smithsonoan Institutions’ “Jazz in the Palm Court” , in which she presented a special performance of the music of Gertrude “Ma” Rainey, the “Queen Mother of the Classic Blues”, to rave revues. Aisha has taught and performed for the African Heritage Dancers and Drummers, and at the Dance Place. She has also served as artistic director for the Youth Ensemble of Dancers and Drummers at the Levine School of Music, directed and choreographed for the First World Dance Theatre, and co-directed and performed for the First World Productions which she founded with her sister, Nitanju Bolade Casel, with whom she co-wrote the original production “Bright Moments in Great Black Music”. As a member of Sweet Honey in the Rock, Ms. Kahlil has been voted “Best Soloist” by the contemporary A capella Society for her work on Sweet Honey’s recording “In This Land”, for her composition “Fulani Chant”, and her rendition of “See See Rider”. .. Her original composition “Wodaabe Nights” has also been featured in the film soundtrack Africans in America, and her composition “Fulani Chant” has been included in the film soundtrack Down in the Delta, directed by Maya Angelou, as well as the soundtrack Climb Against the Odds, a film produced by the Breast Cancer Fund. Ms. Kahlil’s film credits include Beloved. starring Oprah Winfrey and directed by Jonathan Demme, and with Sweet Honey in the Rock and James Horner, has written and recorded original music for the soundtrack of the TNT film Freedom Song, starring Danny Glover and directed by Phil Robinson. In 2005, Aisha was a finalist with her band, My-Ka and the Whole World Band in the annual contest “Battle of the Bands” , sponsored by Diskmaker’s; and is a winner in the International Songwriting Competition’s (ISC) performance category for 2006, with her original song, “The Jewel Light.” .. Recently, Aisha has been working as a producer on her solo recording project featuring her own compositions and arrangements, which is scheduled to be released in Fall of 2007. -
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Influences
....Sarah Vaughn, Betty Carter, John Coltrane, Pharoah Sanders, birds, ocean, wind trees, forest, sea and sky...miles high.... -
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2 Songs | Sep 21, 2008
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Bio:
A multi-talented vocalist, dancer, actor, composer, and instructor, AISHA KAHLIL (Kamyka) possesses a dynamic, innate power and range in jazz, blues, traditional, contemporary, and African vocal styles and techniques.
Ms. Kahlil’s interest in music was evident at an early age. She was a member of local choirs in her native Buffalo, New York, and during her high school years performed as a vocalist with the Buffalo Philharmonic Orchestra in several productions, including Porgy and Bess, Carmen Jones, And The Messiah. During this time she also sang the role of Monica in a special WGBH production of Menotti’s The Medium, and performed at Carnegie Hall in Julius Eastman’s avant-garde composition, The Thruway. She worked concurrently with the Studio Arena Theatre and the Buffalo Black Drama Workshop, where she became interested in the music of such jazz artists as John Coltrane, Leon Thomas, Betty Carter, and Pharoah Sanders.
By the time she entered college as a theatre student at Northeastern University in Boston, it was clear that Ms. Kahlil possessed an intuitive inclination for vocal jazz. Although her formal training had been in European classical music, she began experimenting with innovative, improvisational vocal techniques. During the same period, she studied voice and music theory at the New England Conservatory of Music, and performed with Ebony Jua, a local jazz ensemble that toured the East coast music circuit. While at Northeastern, Aisha directed M(Ego) and the Green Ball of Freedom”, “Where We At?”, a play by Martie Charles, and performed and directed “Sister Sonji”, by Sonia Sanchez.
Following her studies, Ms. Kahlil spent three years in the Bay area, where she worked as a dancer and instructor with The Raymond Sawyer Theatre and Halifu Productions, while performing and recording with the avant-garde jazz trio Infinite Sound. She then returned to Boston as an established vocalist, dancer, and choreographer, and there worked with such groups as Stan Strickland and Sundance, and The Art of Black Dance and Music, in addition to her instructional work at the Institute for Contemporary Dance, The Boston Center for the Arts and as a consultant to the Boston public school system.
Ms. Kahlil’s artistic pursuits have taken her to New York City, where she studied extensively at the Alvin Ailey School; and with Frank Hatchett, Pepsi Bethel, Fred Benjamin, and Emiko and Yasuko Tokunaga. She also appeared in the Joseph Papp off - Broadway production of The Haggaddah, co-composed and performed in the musical, Two Thousand Seasons, and danced with such companies as Titos Sampas’ Tanawa. During this time, she also performed with jazz musicians Talib Kibwe and Abdullah Ibrahim (Dollar Brand), and Sun Ra and his Solar Arkestra.
Since her arrival in Washington, D.C, she has worked with the D.C. Black Repertory Theatre and The Sounds of Awareness, and has been featured in the Smithsonoan Institutions’ “Jazz in the Palm Court” , in which she presented a special performance of the music of Gertrude “Ma” Rainey, the “Queen Mother of the Classic Blues”, to rave revues. Aisha has taught and performed for the African Heritage Dancers and Drummers, and at the Dance Place. She has also served as artistic director for the Youth Ensemble of Dancers and Drummers at the Levine School of Music, directed and choreographed for the First World Dance Theatre, and co-directed and performed for the First World Productions which she founded with her sister, Nitanju Bolade Casel, with whom she co-wrote the original production “Bright Moments in Great Black Music”. As a member of Sweet Honey in the Rock, Ms. Kahlil has been voted “Best Soloist” by the contemporary A capella Society for her work on Sweet Honey’s recording “In This Land”, for her composition “Fulani Chant”, and her rendition of “See See Rider”.
Her original composition “Wodaabe Nights” has also been featured in the film soundtrack Africans in America, and her composition “Fulani Chant” has been included in the film soundtrack Down in the Delta, directed by Maya Angelou, as well as the soundtrack Climb Against the Odds, a film produced by the Breast Cancer Fund. Ms. Kahlil’s film credits include Beloved. starring Oprah Winfrey and directed by Jonathan Demme, and with Sweet Honey in the Rock and James Horner, has written and recorded original music for the soundtrack of the TNT film Freedom Song, starring Danny Glover and directed by Phil Robinson. In 2005, Aisha was a finalist with her band, My-Ka and the Whole World Band in the annual contest “Battle of the Bands” , sponsored by Diskmaker’s; and is a winner in the International Songwriting Competition’s (ISC) performance category for 2006, with her original song, “The Jewel Light.”
Recently, Aisha has been working as a producer on her solo recording project featuring her own compositions and arrangements, which is scheduled to be released in Fall of 2007.
Member Since:
July 22, 2007Members:
Influences:
Sarah Vaughn, Betty Carter, John Coltrane, Pharoah Sanders, birds, ocean, wind trees, forest, sea and sky...miles high
















THE JOHNSON'S SEND YOU LOVE AND LIGHT!

Tao
The
Ching
Lao Tzu
四
The Tao is like an empty bowl,
Which in being used can never be filled up.
Fathomless, it never seems to be the origin of all things.
It blunts all sharp edges,
It unties all tangles,
It harmonizes all lights,
It unites the world into one whole.
Hidden in the deeps,
Yet it seems to exist for ever,
I do not know whose child it is;
It seems to be the common ancestor of all, . . .
. . . the Father of things.