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Though still in her early 20s, Kimberley’s career is already a distinguished one. She has traveled the world, bringing Cape Breton music with her wherever she goes. Dan MacDonald of the Cape Breton Post says this about Fraser’s versatility, “She has matured to become one of the stellar players of the Cape Breton fiddle tradition, equally at home at a house party, playing for a squaredance or on stage for a concert in Bras d'Or or Boston, Scotsville or Scotland.” She has played with Cape Breton’s finest, including Ashley MacIsaac, Natalie MacMaster, Gordie Sampson and the late John Allan Cameron. Internationally, Kimberley has shared the stage with such notables as Alasdair Fraser, Lunasa and Danu. Kimberley is also in demand for her piano skills, accompanying various Cape Breton fiddlers at home and abroad. She had the honour of being the pianist for the acclaimed Irish musical group, Cherish the Ladies, during their tour of Sweden in May of 2004. Her impact upon the music of Cape Breton has not gone unrecognized. In 2000, Kimberley received the Tic Butler award for significant contribution to Cape Breton culture.

In 2004 Kimberley graduated from St Francis Xavier University in Nova Scotia with an honours degree in Celtic Studies and a minor in Jazz music. Education is important to her, and this is reflected in her dedication to teaching Cape Breton music both at home and abroad. A master at the trio of fiddling, step dancing and piano, Kimberley is a much sought after teacher for all three. She has been a long time instructor at the renowned Gaelic College in Cape Breton as well as the Ceilidh Trail Music School in Inverness, Cape Breton where she has worked alongside such notables as Buddy MacMaster, Brenda Stubbert, and Jerry Holland. Her reputation as a teacher has also brought her to conduct workshops at festivals such as the American Festival of Fiddle Tunes in Port Townsend, Washington and the North Atlantic Fiddle Convention in Aberdeen, Scotland.

Kimberley’s latest accomplishment includes the release of her second studio album, Falling on New Ground. This self-produced album reflects on her experiences and growth as a musician since the release of her first studio album Heart Behind the Bow in 2000. She is backed by the highest caliber of musicians such as Cape Bretoners Tracey Dares MacNeil, Sheumas MacNeil, Troy MacGillivray, Stephanie Wills, Brian Doyle, and Gordie Sampson as well as Halifax guitarist, Dave MacIsaac and the acclaimed Montreal Jazz drummer, Richard Irwin. Kimberley also recruited much sought after international musicians such as Irish flutist Nuala Kennedy and banjo player Damian Helliwell of Scotland, as well as the duo of Harald Haugaard and Morten Alfred Hoiup of Denmark. These musicians represent just a small portion of the many musical friends Kimberley has made during her travels. Falling on New Ground demonstrates Kimberley’s many talents and versatility. Each track of the album brings something new to the listener, from the exciting variations on “Mason’s Apron” to the soulful jazz influenced piano solo, “The Braes of Auchtertyre”. Kimberley’s ability to combine traditional music with a fresh approach has “Falling on New Ground” truly fall onto new ground.