I got to know music through and with computers, very thankful for computers, great tools like the hammer or a soldering iron.
My music : fast, slow, theatrical, absurd, beaty, cheerful, - you can fasten many planks together when you know your hammer.
In 2001 I handmade around 50 copies of a neat little record and sold in 12 tonar Reykjavik
In 2002 Kitchenmotors record label - led by Johann Johannsson, Hilmar Jensson and Kristin Bjork (Kira-Kira) released HUGGUN - I toured in the US with mum a bit, shy and stressed out but had a really good time.
2004 - Another homemade album, a double CD, 7 songs and 4 videos - big ideas, lots of stuff, fun to make.
In 2005 a limited release was made of Happens Secretly, but now in October 2009 it will be released via Brainlove in the UK, and made available online, keep posted and check out www.brainloverecords.com
all the very best
KK
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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