He's universally acknowledged as the founding architect of new age music. Kitaro's various sound collaborations and resonant, multi-textured compositions truly defy the constraints of any genre. The Grammy and Golden Globe Award-Winning Kitaro has achieved global acclaim over a more than three decade long career with a signature sound and a pioneering fusion of cultures, techniques and spheres of consciousness that are truly his own.
Kitaro's latest project, Impressions of the West Lake is a modern day opera conceived and directed by internationally acclaimed filmmaker Zhang Yimou (Hero, Curse of the Golden Flower), the visionary artist behind the opening and closing ceremonies of the 2008 Olympics in Beijing. The production is highlighted by music composed by Kitaro.
Perhaps the single most significant collaboration on Impressions of the West Lake is between Zhang and the opera's composer, Kitaro. This pairing of East-meets-East is a rare combination of two artists at the peak of their creative talents. The opera also marks a reunion for Kitaro and music arranger Randy Miller, the pair's first effort together since the Golden Globe-winning soundtrack to Oliver Stone's 1993 film Heaven and Earth. This opera is another impressive credit for Miller, whose lengthy career as a composer, orchestrator, and conductor for films includes such highlights as Without Limits, First Snow, and The Soong Sisters (Best Original Score, Hong Kong Film Award).
Impressions of the West Lake represents the latest artistic success in the long, storied career of Kitaro. As a Grammy and Golden Globe award-winning artist, this incredibly prolific composer and performer has continued his reign in the international spotlight and at the forefront of musical innovation ever since the release of his debut solo album, Astral Voyage, in 1978. His numerous recording highlights include 1986's Tenku (his U.S. debut), 1987's The Light of the Spirit (a collaboration with Grateful Dead drummer Mickey Hart and Kitaro's American breakthrough), as well as Sacred Journey of Ku-kai, a multi-volume series of albums inspired by the tragedy of 9/11.
On his Sacred Journey of Ku-Kai, Volume 3, Kitaro garnered a Grammy nomination in the New Age category, Kitaro's 13th Grammy nomination to date. This album, was the third in a series of a collection of works and peace-themed albums (Vol. 1 released in 2003; Vol. 2 in 2005) and like the others, is inspired by the classic Buddhist pilgrimage to the 88 sacred temples on Japan's remote Shikoku Island. A journey taken by the beloved Buddhist monk Ku-kai over a millennium ago, through the music contained in Sacred Journey of KuKai III, Kitaro continues to explore uncharted waters with his magnificently expansive vision and ever-questing spirit. He embarked on his Peace and Love World Tour in the fall of that year, a tour that took Kitaro to the four corners of the globe, shining the spotlight of his musical message on audiences as he inspires fans from around the globe to unite as one.
Grammy Award aficionados, Domo Records and especially Kitaro were excited about his Grammy nomination in the Best New Age Album category for Sacred Journey of Ku-kai, Volume 2 which also garnered a nomination in category 44 for the 48th Annual Grammy Awards. It was Kitaro's 12th Grammy nomination. With Sacred Journey Of Ku-kai Volume 2, the artist's lifelong vision coalesced into an elegant and wondrously integrated master work. It offers a beautifully expressed and richly resonant experience through which to contemplate our changing world.
In 2000, Kitaro's "Thinking Of You", which online music bible allmusic.com calls "one of the most beautiful CDs of all time," won a GRAMMY for Best New Age Album. Kitaro's atmospheric, powerfully emotive, and multi-textured music truly defies the constraints of any genre, epitomizing what Domo Records founder Eiichi Naito identifies as the label's guiding principle---"To provide a home for both the creators and aficionados of quality music beyond the borders of categorization." Most fundamentally, at its heart, Kitaro's music is always about sending a profound message of peace and spiritual development, both personally and globally.
For over a quarter century, Kitaro has been an internationally recognized icon and globally acclaimed composer and musician. Influenced early on by American rock and R&B, Kitaro began experimenting with synthesizers and a rainbow of unconventional sounds in the mid-'70s. His pioneering fusion of electronic artistry, traditional Japanese forms, and pop-inflected Western idioms created a lush, harmonic, and poetic sound that won the now legendary artist a huge international following. 1980's Volume 1 in the revered Silk Road series is considered an all-time masterpiece, with subsequent volumes only adding to its luster. '87's GRAMMY-nominated The Light Of The Spirit, a collaboration with Grateful Dead drummer Mickey Hart, exceeded sales of two million in the U.S. alone, elevating Kitaro's presence stateside to an unprecedented degree. 1992's transcendent Dream, made with Yes' Jon Anderson, was also a smash, and other highlights are too numerous to single out. Through the course of his career, Kitaro has sold millions of albums, CD's and DVD's worldwide. Kitaro's various sound collaborations and resonant, multi-textured compositions, with their crescendos of passion and oases of serenity, truly defy the constraints of any genre. His pioneering fusion of cultures, techniques and spheres of consciousness is truly his own. With Impressions of the West Lake, Kitaro continues to explore new, uncharted terrain with his magnificently expansive vision and ever-questing spirit.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Thanks for the add my dear friend .. have a wonderfull tuesday..you are all the best ı love your all song and keep musıc alive!!! Best wisher from Turkey..
I've learned that we don't have to change friends if we understand that friends change. I've learned that no matter how good a friend is, they're going to hurt you every once in a while and you must forgive them for that. I've learned that true friendship continues to grow, even over the longest distance. The same goes for true love. I've learned that you can do something in an instant that will give you heartache for life. I've learned that you should always leave loved ones with loving words. It may be the last time you see them. I've learned that you can keep going long after you can't. I've learned that we are responsible for what we do, no matter how we feel. I've learned that either you control your attitude or it controls you. I've learned that regardless of how hot and steamy a relationship is at first, the passion fades and there had better be something else to take its place. I've learned that heroes are the people who do what has to be done when it needs to be done, regardless of the consequences. . I've learned that it isn't always enough to be forgiven by others. Sometimes you have to learn to forgive yourself. I've learned that no matter how bad your heart is broken the world doesn't stop for your grief. I've learned that our background and circumstances may have influenced who we are, but we are responsible for who we become. I've learned that the people you care about most in life are sometimes taken from you too soon Love and Blessings--Donna
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