Hello all, this will be our final release of 2009, and a great way to end the year... Pinklogik asked 10 artists and friends to remix her entire "Learning To Trust Higher Frequencies" album and what an eclectic and stunningly produced work this is. Each track has its own feel, thanks to the diverse range of artists involved in the project. A shimmering journey through ambient colours, broken beats, sweet melodies, a little bit of quantum physics, and is one hell of a trip....
(Click image to download) :
Also from S27...
[S27-030] MIN-Y-LLAN : Dark Days (Downtempo, Ambient)
We are fast approaching the last days of 2009, so what better way to celebrate than this release from Welshman "Min-Y-Llan" who offers us this collection of atmospheric ambient pieces, the melodies within are dark and cavernous, being the perfect listening for the walk home on a frozen winters evening. Each track has a very melancholic feel as if looking towards a future that isn't as bright as we hope for, but nevertheless are powerless to escape. Free download!
An explicit anthem to identify the living essence of this work. Jambassa confirms direction, identity and sound, pushing the boundaries with 7 new tracks, adding a very special spice for each one.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Yeah, I must say it here again - awesome new works. i felt in love to the new material. my head is always moving to "Dubbing at eleven". perfect dub stuff as all the days from your side. hehe
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
4th rootplex is out. Ecoform presents four parts of high quality, deep, specious, futurist funk and artificial soul. Loose syncopated rhythms meet dubby sound textures and lush techoid jazz in this otherworldly mix of electric bass and echo music.
From the hypnotic textured spacegroove of "approx pattern", deep melancholic robot soul of "diffusion", upbeat yet specious bounce of "kinetic", to the angular disfunctional future funk of "tumble drop". As dope as it gets.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Black Era is back, dusty and instrumental, dubby and noisy. Ghost samples of Dy_Darshan voice evolve the atmospheres into surreal winds shaken by gargantuan springverbs and driven tapes. Beat is the reason to live.
Wow thanks so much for your super feedback on my profile ! Ihis means a lot to me since I'm following your work since years. Kyoto Digital's stuff was a big source of inspiration.
Btw I just saw in the last comment here that you released a new EP, I'm going to download it asap.
Oh, and great remix for the Nautilus project ! This release is going to kick some serious asses :D
This time Xoki from the legendary now defunct netlabel kyoto_sound, brings three slices of ultra tight, dub/funk to the table. From the heavy but upbeat groove of wilderness dub, to the deep dark echos and reverberations of dub boulevard.
Techno, dubstep – or just pure deep freshness for the headz.
