bob
* damo suzuki
* duo505
* edgar lend
* elektrovog
* glutamat
* hans platzgumer
* hp.stonji
* ilya zonov
* itoame
* killerwatt
* kmet
* laokoongruppe
* lehmann
* merker.tv
* mord
* null.acht.15
* paul divjak
* rewolfinger
* riconvey
* the good library
* the who the what the yeah
KONKORD, Vienna's friendly music label! Untouched by the music industries crisis and not obliged to make money and profit we stand up to serve both the cosmopolitan listener and the innovative quality artist. Enjoy regular cost free downloads of new and interesting sounds from the most beautiful border regions of popular music or buy opulent limited edition CDs and vinyl copies.
The productive electronic pilot, weird multi-instrumentalist, extraordinary shining performer and magical workaholic. His personal output has already more than 2000 tracks and still counting. This new release "Detimorya" is bursting with beautiful electronic walls of sound and trance inducing rhythms, as you listen disturbing moody soundscapes become uplifting shimmering melodies. Essential.
RNDM5 is an all-round artist who has been a part of many musical genres and has now dedicated himself to sound destruction and mangled synths with respect to glitch, idm, electro and 8 bit. Samples and a wide variety of instruments aid in piecing the natural world to the realm of ones and zeros.
Section 27 present his sonically twisted debut release "Chasing The Wave", available now for free download!
Our latest single 'Set Me On Fire' is now available worldwide from all major digital stores and includes the exclusive remix by dance legends Utah Saints.
"I'm totally feeling 'em!" - Liam Howlett, The Prodigy
"Revolution is a massive tune!" - Rob Swire, Pendulum
"The missing link between Soundgarden and The Prodigy has materialised!" - Eddy Temple-Morris
Hello all, this will be our final release of 2009, and a great way to end the year... Pinklogik asked 10 artists and friends to remix her entire "Learning To Trust Higher Frequencies" album and what an eclectic and stunningly produced work this is. Each track has its own feel, thanks to the diverse range of artists involved in the project. A shimmering journey through ambient colours, broken beats, sweet melodies, a little bit of quantum physics, and is one hell of a trip....
(Click image to download) :
Also from S27...
[S27-030] MIN-Y-LLAN : Dark Days (Downtempo, Ambient)
We are fast approaching the last days of 2009, so what better way to celebrate than this release from Welshman "Min-Y-Llan" who offers us this collection of atmospheric ambient pieces, the melodies within are dark and cavernous, being the perfect listening for the walk home on a frozen winters evening. Each track has a very melancholic feel as if looking towards a future that isn't as bright as we hope for, but nevertheless are powerless to escape. Free download!
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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