artists:
The following producers made kool.POP recordings happen to be:
SOCIETY SUCKERS
Duo originally from Karl-Marx-Stadt… full-time Berliners… released with the "Anti Carnivore EP" [POP12.001] the first 12inch vinyl on kool.POP… creators of splatterbreaks… released with "Not The Suckers Again" [POP12.008] a 2nd full length on kool.POP… one of the most euphoric digital live acts… tons of compilation contributions on millions of labels… also full length releases on Mental Ind. and Suburban Trash.
DJ SCUD DJ SCUD had an big impact on the breakcore and speedhall|raggacore movement… the South Londoner runned the excellent Ambush, Full Watts and Machinenbau labels [with different cohorts]… co-producer of the WASTELAND project with New York's I-SOUND [Transparent Records]… one half of the more drum'n'bass-ish REDEEMER project [with PANACEA]… Rephlex Records released an overview about his works in 2003, entitled "Ambush!"… did the "Jackboots And Birds" 12inch on kool.POP [POP12.002] and appeared also on the split 7inch with KILLOUT TRASH [POP7.002].
DIN-ST DIN-ST is – without any doubt – one of the most interesting producers around. He did hard breaks for DJ SCUD's Ambush label, gave weird club tunes to Tresor Berlin, Firm Records and Berlin's Null imprint, produced the DHR hiphop outfit FEVER, runned a project named FIREWIRE with ATR's MC CARL CRACK [R.I.P.], and contributed to kool.POP's bastard mashup compilation "Sweat - That Kool It's Hot" [POP12.01X] before he released his solo EP "Ladycracker" [POP12.011] a while later. He also runs his own MG77 label and works today under his new main moniker DJ MAXXIMUS.
CITIZENS OF SHADE CITIZENS OF SHADE were JOHN RYAN [of SPACELINGS & BASSHEADS] and LYNN POWDERHORN… a wave electro hybrid… LYNN POWDERHORN rests in peace… JOHN RYAN is doing the same as always: Not replying to the email kool.POP sent him a few years back…
GOGO GODDESS
two ladies… with the sweetest hardcore… mashup metal booty bass sounds… they released their self-titled debut [POP12.007]… and stopped.
KILLOUT TRASH
First generation Digital Hardcore Recordings [DHR] act featuring DAMON, SOMETHING J and NICK TROUT… made a punch in the face and got a kick in the ass before DHC became a farce… joined MELT-BANANA and DJ SCUD on the first two kool.POP releases [POP7.001, POP7.002].
MACKJIGGAH
Berliner and flatmate of the SOCIETY SUCKERS… did one of the first continental dubstep vinyls… experimental touch… resident DJ at the BASSTHEWORLD>> nights…
SLEPCY
Polnish duo SLEPCY made it's selftitled debut [POP12.006] on kool.POP in 2000… the originators of cathedralic breakcore operas… also full length releases on Ambush [2001] and Cock Rock Disco [2006]…
GEROYCHE
made it's vinyl debut on kool.POP with the "Letzte Zuflucht" release [POP12.003] and contributed also to the compilations "Sweat - That Kool It's Hot" [POP12.01X] and "Speedhall The Rewind" [POP12.013]… always relaxed, thoughtful and very helpful… released full length records on Suburban Trash… co-runs the excellent electronica imprint Ventilator Tonträger… one of the best continental dubstep DJs - safe!
AMBOSS
main contributor to kool.POP's Speedhall series… known as PANACEA's younger true hardcore brotha… in reality his wet nightmare… a sonic tornado in digital quality… solo releases on labels Mindbender, sub/version, No Room For Talent…
CPUWAR
Canadians MIKE M. and BRODIE GUY aka CPUWAR released on kool.POP while still at school… did standard setting, disturbing PC breakcore… extremely emotionless and cold… extremely ecstatic and clean sounding… lots of CDR releases on DIY imprint D'Trash… no idea what MIKE M. is doing but BRODIE GUY released solo stuff on Zod Records and emailed from his world travel… he seemed in good condition.
MELT BANANA
one of the most brilliant guitar bands in the universe… one of their most brilliant songs, "Wrest The Fist [Just For Reflection]", marked the beginning of kool.POP recordings [POP7.001]… the label may wouldn't exist without this song… or without this great band… if you don't know them, check them out… now!
PISSTANK
North Londoner… started in 1999 as a 13 year old wonderkid in the kool.POP Trash Series [POP12.004]… returned in 2006 as a 30-something on the Jason Forrest label Cock Rock Disco… runned the excellent Irritant imprint…
WINTERMUTE
Another guy from Karl-Marx-Stadt… co-released the "Letzte Zuflucht" 12inch [POP12.003; with GEROYCHE] when he was aged 18… became nowadays a first class hiphop/scratch deejay under the moniker DJ MOTORV8A.
BLACKJEWISHGAYS
contributed to "Sweat… That Kool It's Hot" [POP12.01X]…
DJ/ RUPTURE
contributed to "Sweat… That Kool It's Hot" [POP12.01X]…
FFF
contributed to "Speedhall" [POP12.012]…
KOVERT
got a remix on "Speedhall" [POP12.012]…
SOMETHING J
founder and owner of kool.POP recordings… contributed to "Sweat… That Kool It's Hot" [POP12.01X]…
THE DON
remixed on "Speedhall" [POP12.012]… member of Blackjewishgays…
THEE U.P.
contributed to "Sweat… That Kool It's Hot" [POP12.01X]…
UNSANE VIRUSEZ
contributed to "Speedhall The Rewind" [POP12.013]…
D.I.S.
never released on kool.POP… but spreaded the sound as a kool.POP-dj for years…
POP7.001 MELT-BANANA / KILLOUT TRASH: Most Wanted Worldwide 7inch
"Japan's MELT BANANA. If you haven't heard them, this is a band you have to hear. Personally, I've only heard two of their songs, and have already come to this conclusion. Their song here, 'Wrest The Fist [Just for Reflection]' is utterly nutty noisecore punk which doesn't descend the path into oblivion by being too noisy or just an utter mess. Structured insanity more like. There's lots of electronic sounding noises going on, some crazy fast guitar playing, pounding drumming, and a high pitched, squeaky voiced woman shouting stuff. Cool sample of an aeroplane stewardess announcing the arrival of a plane in Chicago at the end. The other band is a german band called KILLOUT TRASH, doing a cover of MINOR THREAT's 'I've Got Straight Edge'. Sort of. The bass sound at the start that is coming through the headphones is giving me a headache. This is just crazed industrial noise or something. Very mechanical, the drums crash and burn and a mad German breathlessly shouts the words. This is funny, although I doubt I could listen to it more than twice. One very fucked up 7inch piece of black plastic. Ohboyohboyohboy. Bwahahaha." [review by Andy Malcolm]
POP7.002 KILLOUT TRASH / DJ SCUD: Homicide/...In The Charts Again 7inch "A freakin' wicked 7inch from kool.POP, two very fresh sounding tracks, although this release came out in 98. One starts out with a very typical sounding acid techno beat, then fades out to some angry sloganeering, then kicks in a mad punk riff, that drops out to a hard beat and kicks back in the guitar riff. Ruuuuunin. The flip is another hard metal/breakcore number." [review written by Cutup]
POP12.001 SOCIETY SUCKERS: Anti-Carnivore EP 12inch
"Eight tracks of super-fast digital hardcore from two Germans who like punk rock as much as they like breaks'n'noise. So hyper that you have to check your turntables to see it's set at 45 rpm, realize that it is at 33 rpm, but then be forced to check again in disbelief a few minutes later." [review by Jace Krause]
POP12.002 DJ SCUD is RUDE BOY: Jackboots And Birds 12inch "You know it rocks before the needle even hits it! Mashin' up tha place with STOOGES and EXPLOITED riffs set to breaks. Six anthems for the underground, pogoin' and revolution. Unbelievable, the shit, smokin', et cetera…" [review by Jace Krause]
POP12.003 GEROYCHE vs WINTERMUTE: Letzte Zuflucht 12inch "I'm assuming this is a split EP as it sounds as though the two sides were produced in different places and I know [I think I know!] two different producers were involved... there's comfort in safety....which, with my continuity hat on, brings me nicely to what this record is about... almost. You can tell by the bullshit that I'm already talking that I'm having trouble nailing this fucker down but here goes: Safety. Side 1 has three trax, of which the first 2 are the cutest most wonderful things on earth. Dark, f*ktup broken bastards with melodic hearts of pure, but sad, sugar. This is trance music for the deranged, you can lose yourself in the melody so easily unless you concentrate on the breakbeats and if you do that you'll lose yourself anyway. 'Atmospheric' is the usual word to describe this music but, once again, the words I know can't do justice to the trax… The last track on Side 1 is not my thing. For me it is very average, utilising very average samples and sounds and seemingly being hard and fast for the sake of being hard and fast. It sucks a long 12inch compared to the preceding 2 trax. Side 2 is equally as good as the first! I was unsure at first as it doesn't have the same hook and I'm a sucker for something I can hum to [as my grandmother used to say]. Ermm… The first track is just plain pleasant and a joy to listen to, breakbeat with a cute tune, kinda like a sorbet during a rich dinner… The second track is the kinda thing I can listen to all day long and not ever get tired of. Bells a clangin', beats are breakin' and whoops a whoopin'... f*ck... sorry. It's another incredibly catchy trance inducing tune. Skin up, sit down, go with it and be prepared to totally chill out for the next one coz it'll slowly massage your aching neck and ease your mind of any cares you may have. It's 'nice'! Ok… that may not be the most helpful review in the world but I've done my best. This probably isn't a record you'd play at a party but it's still a wonderful record. It's a bleary eyed, 3.00pm and still no sleep from the night before kinda thing, but it deserves greater attention than that situation would allow. It's a record you always wish you had when you're fed up with hard, banging, noisey, bastard dance music. It's a record that you should own." [review by Stevvi on www.c8.com]
POP12.004 CPUWAR / PISSTANK: kool.POP Trash Series Vol.1 12inch
"Doesn't get much better than this. Both artists turn out some abrasive stuff here. This is breakcore personified… just wild, distorted and frantic, stuff to go nuts to. I especially like CPUWAR's track 'Schizophrenetic'. It uses samples of BRAD PITT in '12 Monkeys' where he's talking about doctors creating a model of his mind and predicting his thoughts and then just goes into straight up noise, puncuated by rapid fire bursts of breaks. Not much in the way of structure, but one of those tracks where you just sit back and let the onslaught hit you. PISSTANK does a few tracks that are more danceable/mixable, still nice and abrasive though… […] Of all the great records that have been released on the kool.POP label, this one is easily the best IMO." [review by djlargetesticles on discogs.com]
POP12.005 CITIZENS OF SHADE: s/t 12inch "I'm very happy since I put this record first time on my deck cause […] I didn't found nowhere else this erotico-darco-electro sound... now that's done and this new release on the kool.POP label is exhausting my deepest wet dreams by giving me two tracks of pure cold and unsatisfiable E.D.E [ie. Erotico Darco Electro, please note this has a new style… ;) ]. So, they are at first listening those two tracks with lyrics [second on picture side and 1st on info side], nonchalant, floating rhythm with neojazzy drumbeats and those full in fx voices that comes on it such as a peak of your preferred drug in a moment of pure happyness… but this is very cold to my eyes, modern versions of what can be an idea of a real fusion work. I dunno from which musical scene comes the artists but this is to my translation the perfect dosage of different musical styles that all carry with them that deep emotional values… Sorry if this shocks but it looks like the perfect soundtrack for rachacha/horse sessions, appart from the really concrete erotic feeling coming from those songs at my eyes. So why not having sex with heroin and listening to those citizens talks in a warm bed!? I go for it!" [review taken from c8.com
POP12.006 SLEPCY: s/t 12inch "The sixth 12inch release for the german kool.POP label, home to extreme breakbeat experimentation, introduces the digital hardcore world to polish SLEPCY, who also are releasing a 12-inch on DJ SCUD's Ambush imprint. The lengthy 'Absent Opera' starts out slow and almost jazzy, but at about the 3-minute mark, all hell breaks (literally) loose, with beats and horror-movie signifiers flying around helter-skelter, periodically swooping down to attack some prey. 'Darkwave Breakbeat Sessions' is similarly atmospheric, with almost plaintiff strings counterposed to the amen-based drum hits; 'Exxa' again features the amen break (Can we put it to rest already?!?) coupled with bells and industrial noises, all of which suggest some kind of infernal factory. On the other hand, 'What The Hell Is Going Wrong With Me?' is purely a jazz interlude, while the smokey-lounge stylings of 'Krasne Lake Sessions III' sound like an AMON TOBIN track. 'Repeat' is the type of grinding ambient piece CHRISTOPH DE BABALON specializes in creating and, in fact, the whole release seems mildly deriative of CHRISTOPH DE BABALON's dark, nearly symphonic aesthetic. Along with HRVATSKI, they seem to be forging a new subgenre of drum'n'bass: call it 'epic breakbeat'." [review by Sean Portnoy]
POP12.007 GOGO GODDESS: s/t 12inch
"After HANIN ELIAS, NIC ENDO, HECATE, the THUNDERINAS and others I am forgetting at the moment, GOGO GODDESS are another Berlin-based female fronted project brewing hard beats and noise. Presenting here a first release on the local kool.POP label [home of the infamous SOCIETY SUCKERS] packaged in a folded PVC poster of the two ladies in their favorite 80s leather outfits [both delightfully cheesy and frightfully trendy], the GOGO GODDESSES walks more or less the same path as the aforementionned acts, and add some element of their own fashion.
A weird mixture of low fi recording, tongue-in-cheek atmosphere, hard and heavy beats, fast paced drum'n'bass and overall dancefloor-taylored composition, GOGO GODDESS embrace, rather unsurprisingly, the general madness in whiches bath a great deal of hard electronic acts from Berlin, and throw their old disco elements and repetitive vocals ['Coconuts'] to collide with hardcore beats ['Bounce Me'] or drum'n'bass loops ['You Make Me Feel Like Dancing']. This 12inch is something you come up with with the certitude that you missed a good bunch of stuff happening, and have to go back to it. You really get everything in here: the hip hop samples, the electric guitar, the sexy voices, the fast bass drums, GOGO GODDESS seem to have taken elements from almost anything that can be hard and dancey and sprayed it all over these 12inch of vinyl, ending up with something which might not always sound coherent, but is really quite energetic.
A small step for music, but a big one for the dancefloor, the GOGO GODDESS debut ends up being a pleasant and yes, sexy, item… Well done, funny and original." [taken from: Recycle Your Ears webzine]
POP12.008 SOCIETY SUCKERS: Not The Suckers Again 12inch
"Berlin's increasingly spot-on kool.POP label returns with another seven tracks of sonic mayhem from loveable sound terrorists: the SOCIETY SUCKERS. The opening massacre of 'Colony It’s Due' kicks thing off with a twisted mangle of devestated hip-hop beats and distortion that align themselves with an addictive bounce that prove irrisistable across four minutes. Things step up a gear on 'Break Em', a speedfreak amen break counteracts with some rave tones and a freakazoid 2-step attitude. Messy and rather large! The misleadingly titled 'Pussycat' flows with an insane rush of hardcore sensibilities and rave tones, sounding like the RAGGA TWINS drinking tea with ALEC EMPIRE. And if that’s not a recommendation...what is? Great stuff. [review taken from boomkat.com]
POP12.01X VARIOUS: Sweat... That Kool It's Hot 12inch
"This bootleg smashes the road and hopefully closes the chapter of rip-off r'n'b/hh mainstream dedications. Still, this might be something like the essence of your funky secrets, you noise-boys, angry young man and straight-headed glitchers. No need to feel ashamed – TIMBALAND was just so much better than you last year. It was a mistake you split up with your friends, just because they thought they hear better music at H&M than at your place.
So, here, for you, the SOCIETY SUCKERS rave off 'MOP Stylee', DJ/ RUPTURE freakyfreakyly has the resolution for all this plane-crash victims [hey, remember not all died in NY!], DIN-ST proves he still is the biggest pimp in downtown East Berlin, THEE U.P. takes it clever the very easy way but with great success, SOMETHING J - the alpha and omega of Berlin underground ass-shaking - provides an almost classic dubplate clits & guts darko monster, GEROYCHE pitches and grinds totally over the top forcing the talents to better quit the game, ahhh, and, yes - the BLACKJEWISHGAYS proving they are really the bunch of genious bitch-ass-nigger motherfuckers they were always believed to be. If this is not kool than i've really got no idea what is… [review taken from tochnit-aleph.com]
POP12.011 DIN-ST: Ladycracker 12inch
"DIN-ST fleshes out the spiritual links of yardcore smashing music to classic period english hardcore. DIN-ST [say "dynasty"] presents his solo debut on kool.POP recordings, after his contribution to the booty smasher 'Sweat : That Kool It's Hot' [POP12.01X] compilation… […] DIN-ST gives 'tough and experimental' an all new skin - hacking up hip hop, 2-step, ragga, tek, braindance and breakcore, then injecting the reconstructed sounds with bass and bleeps. 'Are U Ready?' puts the bash in bashment, jumping obliterations - and on this form who can disagree with 'Yesyes Drum'n'Bass', mashups have rarely been so extreme and lovable. Eight tracks of convincingly mashed, modern and very underground Berlin tuneage: kool pop. [review taken from boomkat.com]
POP12.012 VARIOUS: Speedhall 12inch The ultra-cool kool.POP label makes a welcome return, and boy this rocks. Call it old school jungle or ragga hardcore, the elements are reasonably familiar, but touch needle to wax and all symptoms of reason fly out the window. This is hardcore inna speedhall fashion and style - seen, the rips as much fun as the riddims, yet beneath the schizoid rubbed up drum lies some canny bass manoeuvres and a charging impulse that simply yells perfect pop. Co-opting the styles of FFF’s BOUNTY KILLER inspired 'Batty Bwoy' along with the obliterated version of 'Informer' which graces the first side, this twelve both threatens and delivers. THE DON's 'DJ Mix' of KOVERT's 'Murderous Style' matches granite hard gabba-bashment beats, with inimitable rubba-dub vocalising, and then the inevitable drum'n'beats face off simply slams you against the wall, special tearing material. As the tune so rightly puts it‚ murderah styles… Pure psychopathic styles persist on 'Batty Bwoy', with the fireman CAPLETON and BOUNTY KILLER almost goading the tune to new heights of gunshot, bass-driven crack-addicted madness. AMBOSS drop two cuts on the flip, and this really represents a credible double a-sided weapon. Both tracks cut it up razor wild, tearing out the throat of lame drum and bass and laying it firmly to rest. The previously mentioned 'Informer', manages to revitalise the raggamuffin answer to VANILLA ICE – SNOW – into a blizzard of distorto-medium heavy, bassline shoks amighty, warp speed amen influence and a rave breakdown which actually defies belief at top volume. And lets be honest here, the only righteous volume for tackle like this is L-O-U-D. This shit is simply out of control. Do not sleep mentalists! [review taken from boomkat.com]
POP12.013 VARIOUS: Speedhall - The Rewind 12inch
"Berlin's kool.POP rarely disappoint and this second 'Speedhall' comp doesn't. GEROYCHE, AMBOSS and UNSANE VIRUSEZ mash up dancehall vocals with experimental breakcore, the second winning with a laidback distorted buzz best described as skankhall. AMBOSS delivers two SEAN PAUL mash-ups, the first delivering the way every mash-up should [if not, why bother?!] [review taken from applecore]
POP12.014 MACKJIGGAH: At The Corner 12inch The debut of MACKJIGGAH – a sick sick heavy Dubstep variant that's just about as dark as it gets.
videostream:
SOCIETY SUCKERS "MOP Stylee"
taken from "Sweat - That Kool It's Hot" [POP12.01X]
produced by Mal a la Tete
SOCIETY SUCKERS "Bastard Tribe Ed."
taken from "Anti-Carnivore EP" [POP12.001]
produced by VJ Muddy
CAVAGE NEWS, PARTYZ, CATACOMBZ & RECORDZ !!!! ( +++ JOUR DE L'AN +++ )
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picture disc limité a 300 exemplaires alors enervez vous car y'en aura pas pour toute la foule !!! toujours la lourde et pesante musique du trio FRD ( la foudre- NO-TEK), JERE et SAOULATERRE ( + un feat. avec MISSTERRE ) et a l'image et pas des moindres NAKEDCITY dont le myspace plein de belles videos traine dans le coin ! .. POLITOX presque 10 piges apres eddy mitchell, kenny loggins, ntm et ballavoine, voici ELVIS PRESLEY qui passe a la moulinetteGORKI PLUBAKTER et reprends en francais dans le texte deux tubes du king en l'honneur dechu de NAKED CITY (encore elle ) le E.P. limité a 100exATTENTION : LOVE INSIDE ! .. tout ca pour finir l'annee et deux sorties surprises sur les labels LM45 de skeuds SPEEDCORE/FASTJAZZCORE/TAMERECORE ETC ...du lourd , du brut, pour commencer 2010 en force ma gueulle ! tous sur le shop du combatant de la distrib pas normale :) SUPPORTEZ CA ! www.lm45-records-shop.com/ .. GET DOWN & DONT STOP ACTIONZZZZ !!!!!! CAVAGE RECORDS BACK UNDER TOWN !!!!! www.myspace.com/cavage3000 WE ROCK !
[sfudigital05] VA - Dead Rising 01. Unnatural Selection - Lava & Rockets 02. Machine Shop - Sine Qua Non 03. Forsaken is Dead - Think Differently 04. Coffin Occupants - No Soul No Spirit
audiomagnet sucht die "Best Unsigned Band": Individuelles Promotion-Paket im Wert von 10.000,-€ zu gewinnen!
Hallo an alle Musiker! audiomagnet.com, das Selbstvermarktungsportal für Musiker, sucht die besten
Künstler, die (noch) nicht vertraglich an eine Plattenfirma gebunden sind und ihr könnt dabei sein! Ihr habt die Chance, DIE aktivste und beste Band auf
audiomagnetzu werden. Lest weiter unten mehr zum Wettbewerb „Best Unsigned Band“ - zu gewinnen gibt
es hierbei eine Promotion-Kampagne im Wert von 10.000.-€. Ob Videodreh, Photoshooting, Bandcoaching oder z.B. eine Online-Promo - ihr könnt zusammen
mit Experten und professioneller Unterstützung entscheiden wie ihr das Geld am besten einsetzt.
Der Countdown läuft: Der erste audiomagnet „Best Unsigned Band“ - Contest findet vom 26.10.09 -
13.01.10 statt, dauert also 12 Wochen.
weitere Informationen unter: audiomagnet
DJ support so far from State Of Mind, Chris Renegade, Optiv, Masheen, Axiom and more. --------------------------------------------------------------------------------- available on CHEMICAL RECORDS REDEYE RECORDS JUNO RECORDS MIRAGE 2000 RECORDS and in all the best vinyl stores
audiomagnet sucht die "Best Unsigned Band": Individuelles Promotion-Paket im Wert von 10.000,-€ zu gewinnen!
Hallo an alle Musiker! audiomagnet.com, das Selbstvermarktungsportal für Musiker, sucht die besten
Künstler, die (noch) nicht vertraglich an eine Plattenfirma gebunden sind und ihr könnt dabei sein! Ihr habt die Chance, DIE aktivste und beste Band auf
audiomagnetzu werden. Lest weiter unten mehr zum Wettbewerb „Best Unsigned Band“ - zu gewinnen gibt
es hierbei eine Promotion-Kampagne im Wert von 10.000.-€. Ob Videodreh, Photoshooting, Bandcoaching oder z.B. eine Online-Promo - ihr könnt zusammen
mit Experten und professioneller Unterstützung entscheiden wie ihr das Geld am besten einsetzt.
Der Countdown läuft: Der erste audiomagnet „Best Unsigned Band“ - Contest findet vom 26.10.09 -
13.01.10 statt, dauert also 12 Wochen.
weitere Informationen unter: audiomagnet
Michelberger Hotel Presents. October, 17,09 22:00pm Saturday Night Showcase Hosted by Akanni. live on stage: 2 of berlins most talented female accustic soloist Dana Shanti + Elahi 3€
Location: Michelberger Hotel Warschauerstrasse 39/40, 10243 Berlin
Saturday Night Showcase: is an evening where artist from all over can perform there own personal songs and finish the night with an open jam session talor made for musicisns and vocalist show there spontainious skills and Every Saturday.
PLACTICIAN / THE McMASH CLAN / RAIDEN / A1 BASSLINE BROKEN NOTE / HIJACK / THE CORRESPONDENTS / DJ FLOORCLEARER MDS / BRUCE STALLION / AMEN-TAL / MR JOSEPH & MC DEEFA
DEATH DEFYING CHINESE POLE / PYROKINESIS UV CIRCUS ACROBATIC BREAKDANCE DUO / COMEDY STREET PERFORMER FULLY PLAYABLE 16-BIT ARCADE / SECRET DISCO / 80s HOUR
DnB / Bassline / Dubstep / Jungle / Techno / Breakcore / Reggae / House / Gabba / Hip Hop / Psytrance / Rave
Doors: 9pm - 6am Advance tickets: £12 www.ticketweb.co.uk On the door: £10 before 9.30pm/ £14 after Venue: Scala, 275 Pentonville Road, Kings Cross, London N1 9NL Nearest tube/overground: Kings Cross
Check www.braindrop.co.uk for photos, downloads and info, and join our facebook group here =D