Lady Blues keep the world waiting, she gets down and dirty, “Oh He May Not Be Very fancy”, reviewing the last Gig that Lady blues Jackie contributed, with the horns blasting and t he people waiting for her performance, she then goes into I’m creeping Baby, she sings never fall in love with a young man, well she put it out there, the audience began to stand, but one of her favorites songs that stun the community, was they call me Lodi pop baby, it kept the crowd coming back fore more, it was so intense Lady blues Jackie said, people in the street would greet her as Lodi pop, Lady blues Jackie has appeared in almost every club in Brooklyn, she has singed with some of the top bands,
This is just a taste of the sweet smell of wine, she then came out with I Got A Sugar Daddy, know this is when the crowd went while, lady blues has an act of them down home blues, she also can move, it takes you back to the cotton club, when she begins to step out of her frame, She says Jimmy take me to the cotton club, she said excuse me audience, I am about to step out my gear, Billy holiday just arrived, then she goes into a trans, hold the mic above her head, and you would have to see it to believe it, she says look out the rebirth of the lady blue.
Lady blues Jackie started at the Fulton terrace in the late 60’s she had surrounded her self with blues, people as Earl Dugger, Rose Melody, Melvin Williams, TC sax player, Jimmy hill and the All Starzz Band, she then went on to the Tar Hill, the house of the blues, she has song behind, .Chango Jackson, Drums, formally with Roy Ayers. Bobby Watson, Percussionist, and Vocalist formally with Bimbo Jet. Randy Gaffney, Guitar, formally with Clarence Carter. Arthur Green, Saxophone, formally with the Intruders. Joe Williams, Saxophone, formally with Baby Washington. Charles Waldron, Trumpet, formally with Wilson Pickett.
Influences
There are number of influences have passed on, Billy Holiday, Sara Von, Bessie Smith, Cotton come to harlem, but the living Legend himself Lenis Guess, he is still alive and working, he is my greatest inspiration today, composer, movie director, Gospel Singer, and Blues singer.
Jacqueline Mentor Billy Holiday, Bessie Smith, Lenis Guess, B.B King, many celebrities of blues, Jacqueline states I lived around the components of blues, simplified through the history of my family genes, I take on a new preservation of modern blues and jazz, with a touch of honey that sticks to my ribs, the legends that lives through me, The symposium preceded a performance of blues related to the compositions of her poetry, the pain of pleasure one might say sadistic in the format of relevance, the association of pain and pleasure, Lady Blues Jackie have been performing since the age of 19 relating to the stories of her family tree, I think she is genuinely please to release the sounds that are instill through birth, Jacqueline speaks of her auntie Louise Corley, she perform in the clubs of Harlem, which she has now passed on, she speaks of the time when she watched her auntie perform for her family, hoping that one day she could do the same, her father a southern a lover of music as well as her mother, it runs through the genes, as well as her sister, but the voices of originality presents the blues as she was back in the 1940s as well as her poetic compositions, the rebirth of Harriet Tubman as wells Langston Hughes,
When I think about the blues the ninety century, often think about the struggle of black power, and the banners upon there arms, and the corners of seventh avenue, and the juke joints and t he night in Harlem, and the blues serenest, but yet I think about the blow your horn, and the dizzy Gillespie who played
the southern songs. A symposium on poetry, and jazz that featured the greasy hair, the pen stripe suits, and lady sings the blues, down on seventh avenue the performance cried, bring back black pride, I often reflect on the times, big domino who played the key board, and the sweat of his brow, sing black boy, as your key board flow, Sarah von steps out into the crowed, I knew she was genuinely please, strutting her style, all those ladies in their conform style, never missed the flower in her hair,
As the lady song the blues although her awkward walk and stilted gestures reflected the physical pain she was trying so hard to hide, She was a lady in deed, crying the pain, from her heart, oh in this misery of preformatted pain, and the tears that cried, as the joy she spread, perforated suicide as she cried for help, under the code of black jazz, hiding the pain. I also remember, bitter sweet, a symposium of black jazz, featured in the cry, my man he doesnt love me treats me oh so mean.
The nature of jazz, with its Anesthesia of musical and literary innovations, " is an arbitrary term at best and that allusions to jazz/blues. The day that lady died, t he ultimate confusion of pain, the soul cannot stay within the body, if it is subsided with overwhelming pain. In this mist of blues, the conception of history, that contemns the summary of slow death, but the spirit of its cause continue to live, for the voices from the grave, continue to sing, the songs of Billy Holliday, the mist of the blues. the seemingly immortal Lady Day, is gone
Through out this symmetry of blues, the soul creates emotions, of the struggles, just to stay alive, the pain and the suggestions of survival in the 19th century, to perform under all cause, it has be the struggles of those who un fold a ladder that we shall climb, never forgetting the shoulders that stood, for those to climb, the mastery of greatness.
LISTEN TO LADY BLUES JACKIE SING
http://www.ladyblackwisdomblues.com/midnightbluesneverthoughtlovecouldhurtsobad
http://www.ladyblackwisdomblues.com/imacountryimgoingtogiveyousomedownhomeblues
http://www.lulu.com/content/791490
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