Jason "Lefty" Williams -Guitar, Vocals
Steve Saunders -Drums, vocals
John Tirone-Bass, Vocals
Jimmy Landry -Keys, Vocals
Mike Sears -Percussion (when available)
Booking/ Management:
Bob Fortin
Grapevine Talent
706-754-0067
rdf11572001@yahoo.com
Influences
Led Zeppelin, Tool, Faith No More, The Grateful Dead, The Rolling Stones, Miles Davis, Perpetual Groove, John Scofield, Bill Hart, Steve Cunningham, Nite Driscoll, Mike Stern, Mahavishnu Orchestra, Kevin Scott, Adam Cain, Neil Young, Bob Dylan, Crosby Stills & Nash, etc...
Sounds Like
Mostly blues-rock and jazz-fusion. But, I'm musically schizophrenic so everything bleeds in a bit.
Homegrown Music Network CD Review Snake Oil July 7, 2009
The Lefty Williams Band spotlights scorching guitar, soulful lyrics, and wistful keyboard in their second studio release...In reviewing “Snake Oil,” I found myself impressed with Lefty Williams’ guitar tone and his vocal skills. He writes lyrics about feelings that are close to us all as humans. His perspectives seem wise and seasoned when discussing such matters. Maybe this is a reflection of the life that he has lived. In overcoming disability to create music, Jason “Lefty” Williams truly has a remarkable story to tell.
-J. Evan Wade
Talent Coordinator for the "Riverbend Festival" Chattanooga, Tn. July 2009
"It's increasingly rare to find someone in this business that so easily combines raw musical talent with a genuine, likeable, eager-to-please personality. Lefty not only smoked the crowd at our annual Blues & Barbecue bash, the 'Bessie Smith Strut'...he also spent his morning entertaining and inspiring about 150 kids with disabilities at a local children's hospital. They swiftly became lifelong fans and those of us who saw him play later that evening did, too." -Jeff Styles
Guitar Player Magazine August 2008 Issue (Snake Oil CD Review)
"Whether performing or teaching; Atlanta riffmeister Lefty Williams is an inspiration to musicians and non-musicians alike. He has built a bigger career with only one hand than most guitarists have with two"
-Jude Gold
Honest Tune Magazine July 2008 (Snake Oil CD Review)
"An inspired sophomore effort, Lefty Williams Band's Snake Oil is destined to gain the blues-growling frontman a legion of admirers"
-Bill Whiting
Relix Magazine October 2007 Issue (Big Plans CD Review)
“Jason ‘Lefty’ Williams sounds like he could be the next link in the chain of legendary Georgia guitarists after Duane Allman and Robert Cray”
-Simeon Cohen
Jambase.com Big Plans CD Review March 27, 2007
"His music is intricate in composition and delivery. His blues-based rock & roll is mature and completely developed, his solos are confident and controlled, and his vocals clear and natural. He was born with immense talent, and did I mention that all of this greatness comes from a man that has only one hand?"
"Williams has mastered his six-string in a way that most two-handed guitarists could only dream of. But, one-handed, two-handed, or five-handed, it doesn't matter at all. The only thing that matters is that Jason Williams is one damn good guitar player, "
-Kerry Heffernan
Hittin' The Note Issue 51
"The Jason "Lefty" Williams Band's debut, Big Plans, is a stunning blues offering, melding silver-toned guitar and warm orchestration."..."While he is able to step out with warranted leads, it is clear that Lefty's finely-tuned ear is aimed at composition first. "..."Lefty's innate skill on the guitar is nothing less than miraculous."
-Jamie Lee
Southeasten Performer Magazine November 2006
"Jason 'Lefty' Williams can play"..."Williams plays as if he has two, sometimes three hands"..."Williams will probably have a long career"
-William Cane
Knoxville Daily Times October 5, 2007
“No doubt, you’ll have to open and close your eyes a few times just to make sure that you’re really seeing what you think you are — a one-armed guitar player, a pick-like contraption strapped to the stump that constitutes his upper right appendage, playing with all the passion and fury of the blues gods he worshipped as a child.”
-Steve Wildsmith
Not just a great one-armed guitar player, a great guitar player.
A skilled guitarist with over two decades of experience, Lefty Williams holds songcraft and musicianship at a premium. By emphasizing each equally on his ironically titled sophomore album Snake Oil, he engages and enlightens the listener. In turn, we fall for Williams’ powerful guitar licks and candid songs, often long before the origin of his nickname—he was born without a right hand—is clear. And by then, it’s just another dimension to his talent.
“I definitely don’t wanna shy away from my arm,” says the Atlanta born-and-bred songwriter/musician, who’s been playing guitar since age 4. He started out strumming with the end of his “nubb,” and fashioned his first prosthetic pick at 6. “I was just using the skin on my arm—the same way a fingerstyle player would use his thumb. Then I wanted to play faster.” On his grandfather’s hunch, Lefty approached his prosthetician who devised a sock-like leather wrap. “It didn’t work at all,” he laughs, saying he finally “tore apart my prosthetic arm,” using the strap and part of the harness to fashion something that worked.
Henceforth a self-taught musician, Lefty refined his skills by listening. “After my dad taught me basic chords, he showed me how to figure it out on my own. I remember we were listening to the guitar solo part of ‘Stairway to Heaven’ and my dad pointing out all the guitar parts that were going on in the background and saying, ‘That’s the kinda stuff you gotta listen for. If you can figure all those out and how to play ‘em at the same time, you can make it sound like the record.’”
Soon Lefty was transcribing songs by Steppenwolf, Led Zeppelin and Yes before moving on to more difficult material. By 11, he was playing in bands. “Death metal!” he laughs. While playing upright bass in the school orchestra he learned how to read music, and in 1998 he made his way to the Atlanta Institute of Music to hone his guitar skills. There he found that his condition put him on equal—if not higher—footing than his peers and instructors at the Atlanta Institute of Music, who envied his “perfect” picking technique. “A lot of guitar players change between moving their wrists and their elbow and their fingers,” he says. “Mine never really changes.”
After graduating with honors, Lefty was offered a teaching position at AIM. During that time, he gravitated from metal to grunge bands learning valuable lessons from each. “I can shred if I want to,” he says, “but I get really bored with that. The one thing I took from grunge music was not soloing, just taking your time and making your songs as good as you can possibly make them.”
This knowledge served him well as he grew into the bluesy, jazzy style he plays today, which nods to Jimi Hendrix, Albert King, Aquarium Rescue Unit, Miles Davis, Stevie Ray Vaughn and early Led Zeppelin—all artists that understand the importance of a great song. Lefty also heeded their performances, and worked to construct a combustible live show with the Lefty Williams Band, which quickly became a big draw at local and regional clubs like Smith’s Olde Bar (Atlanta), Murphy’s (Boone, North Carolina) and The Dunedin Brewery (Dunedin, Florida). The LWB has also opened for the likes of Gov’t Mule, Tim Reynolds, Little Feat, Jimbo Mathus, Col. Bruce and the Quark Alliance and the Chris Duarte Group.
In 2006, Lefty recorded his debut album, Big Plans, produced by John Keane (REM, Widespread Panic). It brought a dynamic range of music to the table, from high energy like “Shine Begins to Fade” to soulful tracks like “Sunny,” in which Lefty's innate sense of groove and melody, coupled with an expressive, visceral guitar sound, coalesce. Big Plans received raves from Relix, Hittin’ the Note, and Jambase.com, and Williams toured for 18 months behind it, all the while writing like a fiend. By the end of 2007, he got the itch to return to the studio.
Once again teaming with Keane, who says "Lefty's sound is a compelling combination of honest, heartfelt lyrics and masterful rhythm and blues muscle," Lefty reaches deep into personal experience on Snake Oil. “There’s a lot more honesty in these songs,” Lefty says. The dirty, groovin’ title track refers to two-faced industry types, specifically “a guy who promised me the world and then kinda hosed me.” His divorce fuels the funky “Thank You,” where he acknowledges the silver lining, and thanks his ex for kicking him out. “We’re both better off now.” And the sweet, tender “A Little Bit of Faith” (featured on the Relix CD sampler for June 2008) is written for “my current wife. It’s just a promise to her that I’m not gonna goof around on her.”
Musically, Lefty soars on Snake Oil, ratcheting up the earthy yet sophisticated sound of Big Plans. He achieves a coolly smoldering burn—merging King’s world with Davis’s—with “On the Prowl;” suffers through his slide guitar on the gospel-tinged “In the Valley;” channels playful lust on the jumpin’ “Hey Mama;” and creates a taut, stinging three-minute guitar feast with “Salt Stained Moment.” The LWB’s taut grooves are augmented by two guests: Todd Smallie (The Derek Trucks Band) plays bass on “Why Didn’t You Call,” and “On the Prowl” and “Hey Mama” feature blues luminary and fellow Atlanta resident Tinsley Ellis.
Says Ellis, “I was knocked out by Lefty the first time I heard his music on MySpace. I just knew that I had to seek him out and hear more of his stuff. He is a veritable triple threat on certainly guitar but also as a soulful vocalist and clever songwriter. The fact that he is out there winning over fans one at a time with his nonstop touring schedule is definitely something that I can relate to. I was thrilled when he asked me to guest on his new album.”
Having already given many of the songs on Snake Oil a live test drive, Lefty looks forward to presenting them fully realized on another lengthy tour in 2008. Mostly, though, he’s chomping at the bit to play live, electrifying audiences with his musical virtuosity and heartworn songs. “Let’s just make some cool music,” he says. “That’s all I’ve ever really cared about.”
Hi Lefty! Hope all is well. Reese really enjoyed playing with you at your jam at Charlie Mopps! You are greatly talented! Also, what an awesome ensemble you bring there each week! Wow! Hope to see you soon.
Lefty, you inspire the hell out of me! I am now one of your biggest fans...YOU are the real deal. I think your keyboard player is excellent also. Take care and GOD bless...Leo C.
Hey Lefty, how are ya? Was just talkin to Doug about coming out to see you again soon.. I know we all get busy plus i am playing in a band as well :) Hope you and family are well. When you playing ATL next?
Hey Bro! It was good seeing you again. I really appreciate what you are doing with your music. It kicks ass! Thanks for the wedding gift too! See you soon!
P.S. What kind of amps and fx were you using on Snake Oil? The tone is to die for.
Click link above to listen to samples and order - $9.95 + s&h
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