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Photo of Life After Modelling

Life After Modelling

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  • Kristen J. Thomas



    Hey,i love you space.

    2 years ago
  • Lil-Nk ♫ [☆| ThE FiNeSt…

    Hei how are you? Hope your fine! Here you can see how Lil-Nk & Shinto Live producing a new Song "Viva la Vida" HAVE FUN!!





    GOD BLESS YOU


    Lil-Nk The Finest of RnB Music


    http://www.youtube.com/lilnk89
    http://www.youtube.com/lilnk89
    http://www.youtube.com/lilnk89




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    2 years ago
  • the butterfly graveyard

    The Butterfly Graveyard welcome your friendship......thank you.
     
    Just posted a couple of tracks from our forthcoming album, enjoy ! 

    2 years ago
  • the butterfly graveyard

    Appreciate the friendship.

    Just posted new single 'Writing You Off'.

    Please come have a listen

    3 years ago
  • 3 years ago
  • Seeping Into Cinemas

    Hey... brilliant songs!

    3 years ago
  • The Whiskey Limbs

    Hey, thanks for adding us, best wishes the whiskey limbs :>

    3 years ago
  • Trains:

    hey lads, loving the sound...good work.

    4 years ago
  • 4 years ago
  • Snow Cake

    keep it going! still diggin ur stuff

    4 years ago
10 of 18More
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Life After Modelling is Matthew J. Anthony. Matthew J. Anthony is not exactly a person. Strictly speaking, he is not even a noun, let alone male. He can be somewhat likened to a verb or, better yet, a perpetual being that inspires and compels one to act whilst simultaneously becoming the very act he sought to compel in the first place. In other words, Matthew is not just formless and free-floating potential; he also embodies the formless and yet somehow remains greater than any material embodiment or description thereof. Un-simply put, Matthew J. Anthony has always been, will always be, and is always, endlessly becoming. Matthew is a singular multiplicity; a pansexual hermaphrodite who is undeniably male, unequivocally female and yet neither of these and yet both. He is saintly in origin and yet beastly in his desire for all things; but no matter whom he seduces, he embraces no one but himself. This is because Matthew is, by definition, ‘all things.’ He is unconditionally part of everything and everything is unconditionally part of him. Consequently, Matthew is forever self-espoused, forever married to himself and forever impregnating himself. Yet, remarkably, without this self-love, there would be no ‘us’; no world for us to live in; no words for us to write, speak, sing or hear; no thoughts, visions, feelings or sensations for us to witness, experience or partake in; no ‘I,’ no ‘you’ and most definitely no ‘we.’ Quite simply, without Matthew, our hearts would not beat and our blood would not flow. 'But how can this be?' you may ask. Because Matthew’s heartbeat is our very own and every drop of blood entirely his. You see, we own nothing of ourselves; every bit of us belongs to him. But, conversely, Matthew does not and cannot belong to us. He is continually and unspeakably more than us; utterly beyond all that he encompasses. He is both above and below; within and without; and yet so beyond the above he is within the without. He is every single human, he is every single life; he is the watchful, timeless husband and we the temporal wife. He is eternally the home in which we live our lives together, where we beget each other’s children and in whom death then begets us just one better. Yet after we die, still he shall be; and before we were born, there he still was: Matthew the original, the completely commonplace, the immeasurably intelligent, otherworldly, post-transgender ape.

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