Bernard Lampreia - Keyboards player , programming , syn.guitar , sound designer and producer.
Equipment -Hardware - analogue & digital synthesizers
and software vst synthesizers.
Influences
Electronica - Ambient - space music - atmospheric - progressive.
Sounds Like
Electronic music - Erik Wollo - Bjorn Lynne - Ian Boddy-Steve Roach- Tangerine dream- David Wright - Robert Fox - Code Indigo- Kit Watkins- Robert Rich- Jonn Serrie - F.D.Project Dreamstate - PaulEllis - Create - Jean-Michel Jarre - Jan Hammer- Mike Oldfield - Klaus Schulze - Brian Eno- Philip Glass - Enigma - Deep Forest - Ashrar -Ozric tentacles - David helplig .
" Lightwave project" is any electronic/progressive/ambient/ music project.
Bernard lampreia, Portuguese based, composer, producer and multi-instrumentalist guitarist, keyboardist writing music for portuguese TV-commercials and interactive média projects. ,concentrating on electronic ,ambient space music and progressive rock styles, He started his musical life at age 9, at the Instituto Musical Victor Matono school . Had previous music experience playing the guitar and the keyboards on diverse music projects .bands and as a music producer before 1985 ,but also to be a song writer and keyboardist on the portuguese progressive rock band, (Antartida).
Other Bernard lampreia music projects -
Antartida - progrock
music project -
Space Station - Electronic , Ambient music.
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Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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Hello, how are you :-) Thanks for connecting. Wonderful soundscapes you create! Can I invite you to discover my musical universe? Have a wonderful summer. Cheerz, Rune.
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