You Came Along (1945),
The Strange Love of Martha Ivers (1946),
Dead Reckoning (1947),
Desert Fury (1947),
I Walk Alone (1948),
Pitfall (1948),
Too Late for Tears (1949),
Easy Living (1949),
Paid in Full (1950),
Dark City (1950),
The Company She Keeps (1951),
Two of a Kind (1951),
Red Mountain (1951),
The Racket (1951),
A Stolen Face (1952),
Scared Stiff (1953),
Bad for Each Other (1953),
Silver Lode (1954),
The Weapon (1957),
Loving You (1957),
Pulp (1972).
Lizabeth Scott was born Emma Matzo in Scranton, Pennsylvania, the daughter of John and Mary Matzo, Roman Catholic immigrants from Slovakia. She attended Central High School and Marywood College.
She later went to New York City and attended the Alvienne School of Drama. In late 1942, she was eking out a precarious living with a small Midtown Manhattan summer stock company when she got a job as understudy for Tallulah Bankhead in Thornton Wilder's play The Skin of Our Teeth. However, Scott never had an opportunity to substitute for Bankhead.
When Miriam Hopkins was signed to replace Bankhead, Scott quit and returned to her drama studies and some fashion modeling. She then received a call that Gladys George, who was signed to replace Hopkins, was ill, and Scott was needed back at the theatre. She then went on in the leading role of "Sabina", receiving a nod of approval from critics at the tender age of 20. The following night, George was out again and Scott went on in her place.
Soon afterward, Scott was at the Stork Club when motion picture producer Hal Wallis asked who she was, unaware that an aide had already arranged an interview with her for the following day. When Scott returned home however, she found a telegram offering her the lead for the Boston run of The Skin of Our Teeth. She could not turn it down. She sent Wallis her apologies and went on the road.
Though the Broadway production, in which she was credited as "Girl," christened her "Elizabeth," she dropped the "e" the day after the opening night in Boston, "just to be different."
A photograph of Scott in Harper's Bazaar magazine was seen by movie agent Charles Feldman. He admired the fashion pose and took her on as a client. Scott made her first screen test at Warner Brothers, where she and Hal Wallis finally met. Though the test was bad, he recognized her potential. As soon as he set up shop at Paramount, she was signed to a contract. Her movie debut was in You Came Along (1945) opposite Robert Cummings.
Paramount publicity dubbed Scott "The Threat," in order to create an onscreen persona for her similar to Lauren Bacall or Veronica Lake. Scott's smoky sensuality and husky-voice lent itself to the film noir genre and, beginning with The Strange Love of Martha Ivers (1946) starring Barbara Stanwyck and Van Heflin, the studio cast her in a series of thrillers.
The dark blonde actress was initially compared to Bacall because of a slight resemblance and a similar voice, even more so after she starred with Bacall's husband, Humphrey Bogart, in the 1947 noir thriller Dead Reckoning. The movie was the first of many femme fatale roles for Scott.
She also starred in Desert Fury (1947), a noir filmed in Technicolor, with John Hodiak, Burt Lancaster, Wendell Corey, and Mary Astor. In it, she played Paula Haller, who, on her return from college, falls for gangster Eddie Mannix (Hodiak), and faces a great deal of opposition from the others. Scott was paired with Lancaster, Corey, and Kirk Douglas in Hal Wallis' I Walk Alone (1948), a noirish story of betrayal and vengeance.
After being known professionally as Lizabeth Scott for 4 1/2 years, she appeared at the courthouse in Los Angeles, on October 20, 1949, and had her name legally changed.
Scott never married or had children. True or false, rumors and allegations concerning her sexual preferences began. In 1955, she hired famed attorney Jerry Giesler and sued Confidential Magazine for $2,500,000 in libel damages.
She charged that the September issue implied that she was "prone to indecent, illegal and highly offensive acts in her private and public life"; "These implications," Scott said, "are willfully, wrongfully, maliciously and completely without truth.". However, her case was thrown out on a technicality and she chose to drop the issue.
After completing Loving You (1957), Elvis Presley's second movie, Scott retired from the screen. She occasional guest starred on television however for several years.
In 1972, she made one final motion picture appearance, in Pulp with Michael Caine and Mickey Rooney.
Since then, she has retreated from public view and has declined all interview requests.
Lizabeth Scott has a star on the Hollywood Walk of Fame for her contribution to Motion Pictures at 1624 Vine Street in Hollywood.
source:Wikipedia.com
Glass Menagerie---
While the young actress Lizabeth Scott was thrilled with her early success, she was less thrilled with the unimaginative press. Among the interview questions which annoyed her most was the invariable: "What is your favorite hobby?" As she was totally focused upon her career, she would reply, she really had no hobbies.
While visiting Schwab's Drugstore one evening shortly after the release of her second film (The Strange Love of Martha Ivers, 1946), Scott noticed a whole counter full of glass animals and had a sudden revelation. "That," she said to herself, "is my hobby." She asked Schwab how much he wanted for the entire collection. "$75," he replied. "I'll take the lot of them," she said.
Sure enough during her very next interview, Scott was asked about her hobbies. She looked her interviewer squarely in the eye and replied, "I collect glass animals."
The effect was extraordinary. Fans around the nation began sending her specimens, and within months she had one of the world's largest collections.
source:anecdotage.com
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