Locked
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One weekend, two sisters, and a secret.
Female
45 years old
United States
Last Login: 3/14/2009
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Locked's Film Bio
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| Website | lockedmovie.com mandorlapictures.com filmbaby.com/films/2593 | | Influences | Susanne Bier, Terrence Malick, Jacques Demy, Xiang Yimou, Hou Hsia-Hsien, Jane Campion, Mike Nichols, Lone Scherfig, Billie August, Ole Christian Madsen, Federico Fellini, William Wyler, Pen-Ek Ratanaruang, Thomas Vinterberg, Gurinder Chadha, Per Fly, Anders Thomas Jensen, James Ivory, Gregg Araki, Paul Thomas Anderson, Darren Aronofsky, Tran Ahn Hung, Rebecca Miller | | Directors | written & directed by Juli C. Lasselle starring: Jonathan Firth Brynn Horrocks Hope Allen Gerald McCullouch Stacey Hinnen Eugenia Yuan | | Festivals | Whitman College Evergreen State College Washington Coalition for Sexual Assault Programs Conference The Capitol Theater, Olympia WA The Warren Report, Seattle La Femme Film Festival Providence Hospital Sexual Assault Resource Center The Robin Hood Online Film Festival | | Professional Affiliations | Bay Area Women in Film Television, FilmINDependent |
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Locked's Interests
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| General | • 1 in 3-4 girls are sexually abused before age 18.
• 1 in 6-8 boys are sexually abused before age 18.
• 89% of child sexual assault cases involve persons known to the child, such as a caretaker or family acquaintance. -- Diane Russell Survey, 1978
• Nearly 50% of all rape victims are under the age of 18.
• 15% of rape victims are younger than 12.
• "The mental scars of any type of victimization last a lifetime. We must address the psychological side of our violence epidemic in order to stop the cycle of violence in society." -- Dr. Marilyn Benoit, American Medical Association's National Advisory Council on Family Violence
Unless otherwise stated all statistics are from
the U.S. Department of Justice Bureau of Justice Statistics
Incest Survivors' Aftereffects Checklist
1. fear of being alone in the dark, of sleeping alone; nightmares, night terrors
2. swallowing or gagging sensitivity; repugnance to water on one's face when bathing or swimming
3. alienation from the body -- not at home in one's own body; failure to heed body signals or take care of one's own body; poor body image; manipulating body size to avoid sexual attention
4. gastrointestinal prblems; gynaecological disorders; headaches; arthritis or joint pain
5. wearing a lot of clothing, even in summer; baggy clothes; failure to remove clothing even when appropriate to do so (while swimming, bathing, sleeping); extreme requirement for privacy when using bathroom
6. eating disorders; drug or alcohol abuse (or total abstinence); other addictions; compulsive behaviours
7. self-destructiveness; skin carving, self abuse
8. phobias
9. need to be invisible, perfect or perfectly bad
10. suicidal thoughts, attempts, obsession
11. depression (sometimes parlyzing); seemingly baseless crying
12. anger issues: inability to recognise, own, or express anger; fear of actual or imgined rage; constant anger; intense hositility toward entire gender or ethnic group of the perpetrator
13. splitting (depersonlisation; going into shock, shutdown in crisis; a stressful situation always is a crisis; psychic numbing; physical pain or numbness associated with a particular memory, emotion, or situation
14. rigid control of one's own thought process; humourlessness or extreme solemnity
15. childhood hiding, hanging on, cowering in corners; adult nervousness over being wached or surprised; feeling watched; startle response
16. trust issues: inability to trust; total trust; trusting indiscriminately
17. high risk taking; inability to take risks
18. boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviours
19. guilt, shame; low self-esteem, feeling worthless; high appreciateion of small favours done by others
20. pattern of being a victim, exspecialy sexually; no sense of own power or right to set limits or say no; pattern of relationships with much older persons
21. feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big trade-offs
22. abandonment issues
23. blocking out some period of early years, or a specific person or place
24. feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty that no one will listen; being generally secretive; feeling "marked"
25. feeling crazy; feeling different; feeling oneself to be unreal and everyone else to be real, or vice versa; creating fantasy worlds, realtionships, or identities
26. denial: no awareness at all; repression of memories; pretending; minimising; having dreaams or memories; strong deep, "inappropriate" negative reactions to a person, place or event; "sensory flashes" without a sense of their meaning; remembering the surroundings but not the event
27. sexual issues: sex feels "dirty"; aversion to being touched, expecially in gynaecological exam; strong aversion to (or need for) particular sex acts; feeling betrayed by one's own body; trouble integrating sexuality and emotionality; confusion or overlapping of affection, sex, dominance, agression, and violence; having to pursue power in sexual arena which is actually sexual acting out; compulsively "seductive" or comulsively asexual; must be sexual aggressor or cannot be; impersonal, "promiscuous" sex with strangers concurrant with inability to have sex in intimate relationship; prostitue, stripper, "sex symbol", porn actress; sexual acting out to meet anger or revenge needs; "sexaholism" avoidance; shutdown; crying after orgasm; all pursuit feels ike violation; sexualising of meaningful relationships; erotic response to abuse or anger, sexual fantasies of dominance or rape
28. pattern of ambivalent or intenely conflictive relationships
29. avoidance of mirrors
30. desire to change one's name
31. limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness
32. aversion to making noise; verbal hyper vigilance; quiet-voiced, especially when needing to be heard
33. stealing (adults); stealing and starting fires (children)
34. multiple personalities
this list is not complete -- nor will it ever be. as awareness increases, it will grow and be further refined. ultimately, this list will combine with such bodies of knowledge as trauma theory, feminist power analysis and bereavement theory, to enhance our understanding of the total experience of the incest survivor.
this list is from the E. Sue Blume book: 'Secret Survivors: Uncovering Incest and Its Aftereffects in Women' copyright 1985, 1986, 1987, 1988, 1989 | | Music | the Black Angels, Ever Music Group, Jane Norman, Keith Varon, Richie Miletic, Sleepy LaBeef, Tom Huebner, Victoria George and the Waybacks |
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| Films: 2 |
Total Plays: 1290 |
Plays Today: 0 |
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Run Time:
30
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Plays:
268
Comments:
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Run Time:
119
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Plays:
1022
Comments:
2
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Locked's Blurbs |
About me:
'Locked' is now available on DVD! www.filmbaby.com/films/2593'Locked' from Mandorla Pictures is the courageous, personal journey of Anna; who is locked in her history, her memories, and her silence due to the incest she suffered as a child. 'The Big Chill' meets 'The Celebration', in this evocative story of one woman’s struggle to tell the truth about her childhood and live freely in the present.
A call of hope to abuse survivors, 'Locked' brings a European sensibility and a fresh approach to this difficult subject matter. "Juli C. Lasselle is a master of subtlety and detail. LOCKED explores dynamic human interaction as a refreshing departure from even most independent film projects and invites the viewer, with a softened heart and healing intention, into contemplation few projects would dare take you. LOCKED is a courageous venture of great significance." -- Matthew Love, RScP Prayer Counselor, Life Coach "...impressionistic style is focused on creating feeling and mood. Both that style and her commitment to feminism are evident." -- Molly Gilmore, The Olympian "LOCKED is a thought provoking movie that examines the residual damage of childhood sexual abuse. It will hopefully inspire much needed dialogue in our culture about why some people just can't "get over" their sexual abuse histories." -- Marc Gilmartin, MA, Licensed Mental Health Counselor
"Juli C. Lasselle's LOCKED explores the devastation wrought by incest long after it appears to be over. Two sisters, the one relying on aggressive denial, the other still vulnerable to re-victimization, struggle to unburden themselves of their abusive past as it resurfaces in their adult relationships. In the end, the strength to live through unresolved pain, without just submitting to it or re-inflicting it, holds out hope for healing that is lost to those who force their demons onto others or back into the shadows. LOCKED is an engaging, compelling, and ultimately hopeful film about a dire legacy." -- Bill Burmester, MFT, president of BAATTD (Bay Area Association for the Treatment of Trauma and Dissociation)
"Writer/director/producer Juli C. Lasselle has assembled a talented cast and company to bring LOCKED to fruition. Gradually building to a wrenching conclusion, LOCKED reveals a wounded Brynn Horrocks as Anna, and a relentlessly cruel, almost demonic Hope Allen as her sister, Mia. A standout is Eugenia Yuan who brings an understated clarity to the role of Kate. The excellent photography by David Doko enhances Lasselle's rich sense of time and place, adding much to the story of a conflicted woman's unhappiness."
--Richard Evans, filmmaker
"I found the energy, depth of understanding and awareness that Juli
Lasselle expressed through the medium of film about sexual assault was
powerful, deeply moving and yet, hopeful. I strongly encourage people
to see this film--aware that while Juli has seemingly been impacted by
her years in Europe as it's definitely got a distinct flavor to it,
LOCKED is a film worth taking the time and energy to BE with, to find
what one can learn and how one can grow through the experiences
portrayed there." -- Brenda Gordon, Women's Center Director and feminist advocate "...a film worth seeing." ---Jerry Wennstrom, artist "Juli Lasselle speaks to the uncomfortable reality of childhood sexual abuse, its devastating impact on family relationships, and the courageous struggle to heal. LOCKED accurately portrays the devastating and lasting ripple effect of incest to the victim, the family system, and to relationships well into adulthood. Lasselle's courageous and truthful telling of a painful and all too familiar story brings hope to those who seek relief from the secret shame and suffering of sexual violation in childhood. This film dispels the notion that abuse survivors can simply 'get over' the abuse, It does show, however, that the confusion and despair of abuse can come to have meaning and that out of the struggle to heal, wisdom, strength, and hope can emerge." --Janice Palm, MA, LMHC, Director, Shepherd's Counseling Services "I learned a lot about myself through the film. I understood the main character, Anna, and was awed by the beautiful colors, and photography of the film. Thank you to the filmmaker for her courage to tell this very moving story.
Also thank you for having the panel discussion. I enjoyed the filmmakers responses to her work and her honesty in why telling this story was so important to her. Please tell her thank you for having the courage to tell her truth and to share it with others in hopes of encouraging them. I was very encouraged and inspired by her strength!" --Brianca Delaney, producer, Divine Light Enterprises "Juli C. Lasselle's film LOCKED skillfully surrounds the audience, embeds the audience, and cloaks the audience in the lives of the characters in this drama of redemption. From the scene early on when the cars arrive at Anna's home, the viewer of this film feels the same discomfort that the characters feel. The characters' behavior is ever-so-slightly off kilter; with wonderful shot composition and spare dialog, Juli lets the audience also feel slightly off kilter. She lets us feel, rather than manipulating us to feel. We are gently taken for a ride which begins in discomfort, travels through pain and finally emerges into the pale light of hope.
Juli's cinematographic choices reinforce the feelings. The town of Locke was a superb place to represent isolation and deterioration in the beginning of the film. The canal and open spaces surrounding the town represent, in contrast, the possibilities of a more open life in the end of the film.
Fans of character-driven dramas will love these all-too-real women and their men, alternately smiling and cringing as the sisters replay family battles. Perhaps, as I did, you will have a hard time stopping yourself from shouting at Anna, 'Stop it, already!' But, just wait a few minutes her sister Mia will do the shouting for you." -- Michelle Shyman, filmmaker, actress
I edited my profile with Thomas' Myspace Editor V4.4
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Who I'd like to meet:
film makers, film lovers, screenwriters, and whippet lovers. people who like to read. or have a conversation. preferably about film -- Danish film. or Asian. or independent cinema. or about their own personal journeys. over a cup of tea or a walk.
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