Digital downloads on iTunes at the following link http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=16020
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Complete CD available on www.bigdooker.com
The fantastic musicians who played on MADOOO's "BEATLES Tribute from INDIA" CD: Keyboards & multiple electonic instruments: Uli Geisendoefer, Lead Guitar1 on 3 trax: Xoli Redmond, Guitar on 3 trax: Rob 'AKA Britney", Bass Guitar on 1 track: Karl Peters, Keyboard on 1 track: Louis Banks (India's leading music produder), Tablas/Drums on 1 track: Ranjit Barrot, Lead guitar on 1 track: Eassan Noorani, Harmonies besides Madooo's multiple falsettos: Carrie Crow on 4 trax. Bass Guitar also on 1 track: Eric Stiller.
View 8 MADOOO videos also on: http://www.youtube.com/profile?user=Madoooker
YouTube Channel: MADOOO VIDEOS
The Beatles' sound and the rest of the world’s music – and India most especially, have had a remarkable relationship. The nature of the band, its sound, look and the way the world heard rock ad pop music, all changed as their decade of the sixties wore on. Those changes influenced a generation, not only in Britain and the US., but everywhere. When the Fab Four went to the East in the early sixties as ambassadors of Western pop culture, they returned with a multitude of “new” Indian and Far-Eastern sounds as well as the Mahareeshi Mahesh Yogi as their spiritual advisor. What went unnoticed at the time was that they had also, inadvertently, planted seeds in their wake from which a new generation of rockers would someday sprout. Somewhere in South India, stood a boy, waiting in line for hours to get his first listen to the Beatles' version of ‘Twist and Shout.’ “As a child, then living at a boarding school in Madras, India, I really did once stand in a queue to have a chance to hear the sound of that band from Liverpool, the Beatles. There was one phonograph available to the students, which we were allowed to use once a week at break time before dinner...I remember being blown away completely by their music,” says that boy, Madooo, “When Hard Day’s Night came out, I knew that someday I would sing and play guitar. And when I was in my first band, The Voodoos, we would await every new release, then go into rehearsal and try to copy the sounds.”
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”Madooo” (His full name is Madhukar Chandra Dhas) did reach stardom in his native India, singing and putting on Western rock music shows. In fact, the moniker “Superstar” was practically attached to his name by the Indian press. Yet he left that fame to come to the United States. He has recently changed his stage name to Madooo, formally adopting the name everyone has called him for years. Madooo has always been one of those people for whom creative expression takes different forms. Music and art have constantly been intertwined in his life. His love of Rock & Roll brought him to these shores. And he presently satisfies the art muse as a graphic designer at Deutsch Advertising.
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Madooo’s father originally wanted him to become a doctor. While at Madras Christian College, however, Madooo decided art was his calling. When, through his father’s influence, a seat opened up for him in a State’s Medical College, Madooo was apprehensive, afraid that he would have to abandon art. “Fortunately, the spot was lost at the last minute...otherwise I might have killed a few hundred people in botched medical procedures by now.” Madooo jokes. Madooo moved to Bombay, the heart of India's advertising industry then, taking a job on a trial basis with the Interpub agency. A billboard cartoon campaign he had created, as well as work for Air India and a local soft-drink manufacturer, landed him a job with Lintas: India. He eventually became a visualizer (or art director). While at Lintas, Alyque Padamsee, the managing director, who also is a renowned producer of theatrical shows was in pre-production and wanted to cast Madooo as Jesus in Padamsee’s Indian production of Jesus Christ Superstar. “I wanted to play the part of Judas.” he relates, “I was worried about the controversy surrounding the play at that time.” Instead of playing Judas, chosen from a field of many aspiring actors and singers, Madooo played the lead. He needn’t have worried. In fact, he was surprised at the reception of the audience, many of whom were Hindus, Sikhs or Muslims. “Many people cried at each performance,” he recalls. The show was a smashing success, running for a year and a half, even giving a command performance for then Prime Minister Indira Gandhi.
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Madooo says it was one of the best years of his creative life: “I would work in the agency all day, then go straight to the theater, do the show, then head for the club where I would play with my band until one or two in the morning.” After he quit ATOMIC FOREST (one of India’s pioneer Rock-bands in the 70s), Madooo toured India, and the Asian English-speaking hotel circuit, with solo shows. In one show, he was among the first to incorporate graphics, slides of his cartoons projected behind him on stage. The projectionist was his new bride, Sophia, a model and dancer, who also performed in the show. In another show, called ‘The Evolution of Mr. Rock,’ Madooo both satirized and celebrated the Western pop music scene, parodying various singers. Eventually, he decided to go to America. “The music scene in India is very provincial; there is a limited Western pop-music audience. I was booked on to the circuit, playing five-star hotels, but there was nowhere else to go, plus, the American quality in recording was so much better.” Madooo hooked up with a Vietnamese band (playing American rock & roll) that was booked on an American tour, playing throughout the Midwest. Finally, after a stint with an Elvis-impersonating band, he and his wife found themselves at the Hershey Hotel in Pennsylvania in 1981. Deciding that they had had enough of road life, they went to New York to seek steady jobs. Madooo took a job at a local type house where he studied the art of typography extensively, working with art directors from all over New York, doing a long-term gig for Bozell, starting in 1988. Ten years later he moved to Deutsch Inc. At all these places he has continued to showcase his music, winning annual Talent contests doing Elvis Presley & Jim Morrison impersonations, even gaining mentions in the trade magazine Adweek.
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In 1981, Madooo went to an audition by singer/songwriter Harry Chapin. Harry gave Madooo his address, requested a tape and told him he’d like to be his manager. Madooo sent him a tape. When he made a follow-up call, he was told that Harry was out on the road. And two weeks later, Chapin died. Earlier in India, Led Zeppelin visited a club where Madooo sang and Robert Plant gave him a thumbs-up after listening to him. These encouraging images have been etched in his mind, and keep his musical dreams and hopes alive. Madooo’s popularity in India still persists in certain circles.On a recent return trip, he was asked by Louis Banks, India’s top music producer, to sing on more than 20 jingles for national commercials; an earlier spot of his for Close-Up toothpaste had set records, staying on the air and playing daily at every movie house in the country for almost 10 years. Madooo finds a great deal of creative satisfaction in his work for Deutsch Inc, but his urge to sing has him performing again. He sang with the Marble Collegiate Gospel choir, which in the last 4 years has appeared at Carnegie Hall, The Beacon, Lincoln Center, and, in 2000, at Madison Square Garden backing up Marc Anthony at WKTU’s ‘Miracle on 34th Street.’ His first love is still rock & roll — with an East Indian flavor. He hears a voicing of mainstream rock & roll with Indian percussion instruments and musical instruments such as the tabla & sitar that is a blend of all the influences in his one-of-a-kind life. His first American CD, the title track of which he wrote for the 9/11 Memorial is available FREE for all the world to download from this website http://www.bigdooker.com. It was intended as a message of healing.
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This album is a journey back to the original reasons Madooo became a singer. When John, Paul, George and Ringo began to change the world, they changed it for people from as far away as Monterrey and Melbourne, as far flung as Kirkutsk or Kenyatta, and as steeped in their own unique musical tradition as Munich and Madras. Madooo lets us know that their legacy lives on, even today, in the voices of those whose lives were changed forever.
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Read some of what the Indian Press has had to say in the past:
THE EXAMINER: “The way Madhukar sang “Gethsamane” really got me in the guts and personally gave me an insight into Jesus Christ’s agony that years of Good Friday services never have”.
THE TIMES OF INDIA: “Madhukar, the sensational singer of Jesus Christ Superstar, was far and away the star of “Mr. Rock”. His throw of voice is superb – he sings soulfully with pathos and feeling”.
FREE PRESS JOURNAL: “Madhukar is the nearest there is to a singing star of Western popular music in India. His singing is second to none and as a stage artist he is incomparable.”
DELHI DATELINE: “It is difficult to remain unmoved when Madhukar sings”.
ECONOMIC TIMES: “Madhukar is a strong and inspired musico-histrionic portrait, wide in vocal and emotional range”.
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TRACK LISTING ON MADOOO"S BEATLES TRIBUTE ALBUM FROM INDIA:
1) Norwegian Wood (Lennon/McCartney).
2) You’ve Gotta Hide Your Love Away (Lennon/McCartney).
3) Ob-la-di Ob-la-da (Lennon/McCartney).
4) If I Needed Someone (George Harrison).
5) You Can’t Do That (Lennon/McCartney).
6) Love Me Do (Lennon/McCartney).
7) Gotta Get You Into My Life (Lennon/McCartney).
8) Across The Universe (Lennon/McCartney).
9) With A Little Help From My Friends (Lennon/McCartney).
10) I Saw Her Standing There (Lennon/McCartney).
11) Things We Said Today (Lennon/McCartney).
12) The John Lennon Tribute (Medley).
Imagine/Watchin’ The Wheels/Give Peace A Chance (Lennon) .
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SOME REVIEWS AND COMMENTS ON "THE BEATLES TRIBUTE ALBUM FROM INDIA":
“I really like the CD. My favourite is ‘You can't do that’. ‘Across the Universe’ has a Roger Waters kind of vocal style. The entire album is very interesting...the arrangements are very different...finally something unique for the world of Beatle Covers.”
– Simone at paulmccartney.fm, ITALY.
“This album is incredible...an Indian music-salute to The Beatles”
– Archer from 99.5 The Mountain’s ‘Breakfast With The Beatles’, USA.
The best of his remakes is “I Saw Her Standing There”, probably because Madooo seriously alters it, creating a dance-rock version reminiscent of Power Station, even down to his Robert Palmer-like vocal.” – William Ruhlmann, All Music Guide.
“In a beautiful marriage of Indian instruments, other influences and Madooo flare, the collection boasts an impressive interpretation worthy of any Beatles fan.”
– Jill Ettinger, World Fusion, CD Reviews.
“Greetings Madooo, my friend: Interviewing you and playing tracks from ‘To the Fab Four from Liverpool... A Tribute from India’ on KMSU fm was a real pleasure, for both Gully and me. Its definitely one of the highlights of my fifteen years, as host of the World Beat.”
– Mark R. Thomas, World Beat host/producer: KMSU/KMSK FM - The Maverick Radio Network.
“Hi Madooo! You have done a great job of your interpretations... It looks like you are a very good part of the global scene in a very big way to me... Congratulations... It is a great contribution to the Fab Four's legacy... Health and Peace to you...” — Richie Havens.
“GREAT JOB! Le Sonographe is strictly broadcasting Fab4 covers. So...this CD is absolutely what we like to hear, with this incredible blend of indian atmosphere and strong Rock'n Roll roots.” –Jean-Jacques Gilles, Station Director, http://www.live365.com/stations/sonographer, FRANCE.
The turkey shot out of the oven and rocketed into the air, it knocked every plate off the table and partly demolished a chair.
It ricocheted into a corner and burst with a deafening boom, then splattered all over the kitchen, completely obscuring the room.
It stuck to the walls and the windows, it totally coated the floor, there was turkey attached to the ceiling, where there'd never been turkey before.
It blanketed every appliance, it smeared every saucer and bowl, there wasn't a way I could stop it, that turkey was out of control.
I scraped and I scrubbed with displeasure, and thought with chagrin as I mopped, that I'd never again stuff a turkey with popcorn that hadn't been popped.
A broken heart in an lonely house. I slip outside with a wicked grin and begin to douse. A new powerful fuel that is all mine. That shall make all heads turn. Smiling to myself as I watch it all burn. Taking a vow, never to return. Sweet revenge taking me higher... Flames reaching new heights with a deathly roar. The match in my hand is the key to finally closing that revolving door. Every one has little secrets they keep. It might be a good idea if he keeps one eye open while he sleeps.
Furiously hot kisses, Always your, lisa bad to the bone......
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SMILE BIG TIME!
GOD BLESS YOU! 
CHERRY
