After playing for more than 10 years in Mexico..s ANTIQUA, a Death/Doom band and touring for several times all over the country. Jacobo decided to part way with the band and formed a new Deathly Doom Metal project called MAJESTIC DOWNFALL.
MAJESTIC DOWNFALL, as said before, is a One Man Dooms band that started in August of 2006. The idea was to recapture the feeling of the 90s European Doom Metal scene, while mixing it with some more modern Doom Metal overtones.
In 2007, MAJESTIC DOWNFALL pressed its first demo titled - The First Abyss Demo 2007 - and it contained 3 songs of Melodic yet Mournful Doom with a playing time of 24 minutes. This demo was later released by Solitude Productions in a split CD, with Italian Black/Doom Metal band Ansia.
You can get the demo for $7 plus shipping anywhere in the world. It is professionally pressed. And the Split CD for $10 plus shipping.
On April 6th, 2009, Majestic Downfall will release its debut Full-lenght, Temple of Guilt, via My Kingdom Music in Europe and Concreto/Personal Records in America. This time the music contains a darker edge full of sorrow, and new influences from bands like Shining and Forgotten Tomb. Temple of Guilt will be a landmark in the bands discography with it 56+ minutes of human hatred.
For more info contact me though this site or write to MAJESTICDOWNFALL@HOTMAIL.COM
q tal. saludos, no habiamos podido responder por q nos marcaba unos problemas esta porqueria, ya ven tom y su equipo haciendo mamadas d seguro y sin avisar, muchas gracais por las palabras, un afectuoso abrazo, KEEP METAL !!!!!
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
A muchas gracias por el comment!! de hecho su musica es excelente, los escuche en reactor en el sangriento y me parecieron sensacionales!!! Espero sigamos en contacto!! saludos!!!!!!!
I write to you, and you I) have nothing me to thank! Thanks you for your music. Yes, Maria my unique friend. While there are no records which it would be possible for you to show. As soon as they will appear, I will necessarily let to you know....
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Felicidades Jacobo, tu ejemplo es un motivo para hacer mejor las cosas, proyectos así son los que hacen falta en la escena. Gracias, respeto y felicidades.
Kee hay bandaa!...pasoo a darles los buenoss dias y las gracias x el add :P muuy bueenas rolaass compas, el otro dia los escuchee en la seccion del Demo en Reactor 105 y en serio qe me latioo su musica.
bueno pss suertee carnaleess, nos hacen faltaa musicos como ustedes aqui en mexico.
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