"Like the ghost of 'Scary Monsters' era Bowie returning to haunt the aether following an extended stay in a parallel dimension."
- David J (Bauhaus, Love & Rockets)
Various of Marcelo's albums available for your listening pleasure at >
L a s t F M
Even by experimental standards, Marcelo Radulovich's music is pretty strange stuff. Frequently sounding like eccentric pop songs that are being hacked apart on the fly, his sonic creations tend toward fractured bursts of sound and cryptic lyricism that sound connected by only the barest of conceptual threads. On this particular album, there's a strong emphasis on strange vocal approaches -- many of the songs feature oddball choruses with staggered mass vocals and peculiar vocal treatments -- and obscure but catchy melodies with inscrutable, even interrupted, rhythms. His approach here combines the unpredictability and innovative sonic exploration of free-jazz and improvised music with the potentially catchy structures of pop music, with bizarre and mysterious results. Some of the material here is (conceptually, at least) reminiscent of the Cheer Accident avant-pop classic THE WHY ALBUM. With fourteen tracks on hand, there's plenty of variety in sounds and approaches, and the songs are mostly short (only two songs are over 3:32, and several are under two minutes), which means the strangeness of each track doesn't have much opportunity to wear out its welcome before moving on to the next burst of weirdness. Strange, very strange, but highly listenable.
Born in Santiago, Chile, raised in Costa Rica and California, Marcelo Radulovich is a musician / visual artist / producer currently residing in Cardiff, CA, where he spends his time designing, writing and recording.
Marcelo has performed and/or collaborated with Me Me The Moth (w/ Neil Carlill), Merry Go Down, Gunther's Grass, Mike Keneally (Frank Zappa), David J (Bauhaus, Love & Rockets), japanese chanteuse and sound artist Haco, Trummerflora, The Playground Slap and others.
THE RETURN OF THE BAT
Specimen will bring their special brand of glam mayhem, The Batcave to London again.
After last year’s wildly-successful 25th anniversary Batcave event, The Batcave returns to its original spawning ground of London’s West End on Sunday July 19 for another night of blasphemy, lechery and blood.
Specimen (Fresh from a fantastic show at Leipzig’s Waves Gotik festival), the original Batcave instigators will headline the lurid frolics at the Embassy Club, (29 Old Burlington St, London W1S3AP) Also on the bill are original Batcavers Sexbeat, with DJs Hamish and Cavey Nick, cavorting from decks to decadence with the usual brutal, trouser-dropping surprises & suitably confronting & barbaric entertainment.
The 2009 Batcave will feature installations from exciting new artists of the ‘Dark London Underground’ and visuals from the upcoming ‘Welcome To The Batcave’ book, along with this year’s bitcrushed message from the creature in the Batcave Pram. All set in a spooky Bladerunner environment!
So dress to kill … prepare for a thrill & Expect the unexpected!
The Batcave will be open from 10pm till 3am. Tickets £15 available from www.ticketweb.co.uk and Resurrection Records.
More info at www.specimenbatcave.net
Miss it at your peril!
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Olá !!! Obrigado pela visita em meu espaço e muito boa sorte prá você!!! Fique a vontade prá ouvir todas as canções do meu terceiro CD: Ebulição de Idéias, ver os vídeos de shows e tudo que quiser, tá bom?!
O CD tem a participação do Zé Geraldo na música (S.O.S) e tem também uma canção em homenagem ao Maluco Beleza, Raul Seixas (Um Canto Para Raul), Além da música "Essência Oculta" que foi trilha Sonora de um filme(TV Cultura) do Grande Cineasta Hermano Penna.
Great music! Thanks for your friendship, and welcome aboard the Redline ship. Looking forward to sharing the journey ahead with you. Take Care, and thanks again. Peace,
Born in Santiago, Chile, raised in Costa Rica and California, Marcelo Radulovich is a musician / visual artist / producer currently residing in Cardiff, CA, where he spends his time designing, writing and recording.
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